Dramatic Structure: a Playwriting Class
By Lauren Gunderson. Lauren Gunderson continues her series of videos asking "Why theatre?" In this class, she addresses active characters in plays, and dramatic structure.
By Lauren Gunderson. Lauren Gunderson continues her series of videos asking "Why theatre?" In this class, she addresses active characters in plays, and dramatic structure.
By Erin Murray. Erin Murray discusses the echo of history in upstart crow collective's Bring Down the House .
By Alex Hare. Director Alex Hare discusses using a town hall format for Chains Don't Rattle Themselves , a song cycle performance about incarceration and how it affects individuals and their…
By Sara Brookner. Sara Brookner writes about her experiences and take-aways from participating in National Arts Advocacy Day in Washington, DC, and Arts Matter Advocacy Day in Boston, MA.
By Cynthia P. Schneider. Distinguished Professor in the Practice of Diplomacy at Georgetown University, writes about the value of theatre as cultural diplomacy, and the Laboratory for Global…
By Cecilia Cackley, Gabriela Céspedes. Puppeteer Cecilia Cackley interviews Gabriela Céspedes, a leading caja lambe - lambe puppet artist based in Argentina.
By Jack Paterson. Jack Paterson meets with Winfried Wrede to talk about the development program Flausen he runs in Oldenburg, Germany.
By Matthew Hernandez. Matthew Hernandez shares his experience interning at the Guthrie Theater last summer as part of a pilot program for students of color at University of Texas at Austin.
By Corina Bucea. Corina Bucea writes about the role of cultural manager in the contemporary arts scene in Romania.
By HowlRound TV. Suzan-Lori Parks livestreams Watch Me Work from the Public Theater in New York City on Monday, May 1 at 2pm PDT (Vancouver) / 4 p.m. CDT (Austin) / 5 p.m. EDT (Toronto) / 22…
By HowlRound TV. The Martin E. Segal Theatre Center in New York City presents World Voices: International Play Festival 2017 livestreaming on the global, commons-based peer produced HowlRoun…
By Katie Pearl, Caridad Svich. Katie Pearl talks with Caridad Svich, a maker of work for live audiences, about the breath of theatre, the us in the room, and her new script Town Hall .
By P. Carl, Martha Lavey. P. Carl talks with former Steppenwolf Artistic Director Martha Lavey, who passed away on April 25, 2017. This interview was originally published on February 15, 201…
By HowlRound TV. The Oregon Shakespeare Festival in Ashland, Oregon presents the panel Soy Yo: When Geography, Identity, and Artistry Collide livestreaming on the global, commons-based peer …
By Jonna Capone. Jonna Capone discusses her experience as a plus-size actress and the body positive movement, advocating for better representation of body sizes on stage.
By HowlRound TV. The Martin E. Segal Theatre Center in New York City presents The 2017 Edwin Booth Award: Taylor Mac livestreaming on the global, commons-based peer produced HowlRound TV net…
By HowlRound TV. Renaissance Austin and The VORTEX in Austin, Texas presents My Big Fat Bahookie "a world premiere new comedy by Lorella Loftus"livestreaming on the global, commons-based pee…
By Trevor Boffone. Trevor Boffone writes about teaching Emilio Rodriguez's Swimming While Drowning in an Intro to LGBT Studies class at the University of Houston.
By Michael Lueger. Dr. Esther Fernandez of Rice University talks about the Siglo de Oro Festival.
By Todd London. Todd London celebrates the work of Lynn Nottage.
By Tira Palmquist, Heather Helinsky. Playwright Tira Palmquist and dramaturg Heather Helinsky discuss Two Degrees , a play about climate change and communication.
By Una Chaudhuri. Una Chaudhuri announces a new project called CLIMATE LENS.
By HowlRound TV. The Martin E. Segal Theatre Center in New York City presents Remembering Dario Fo with Robert Brustein livestreaming on the global, commons-based peer produced HowlRound TV …
By Kenn Watt. Professor of Theatre Kenn Watt discusses environmental participatory performance.
By Cherry Lou Sy. Cherry Lou Sy looks at the one-woman show Mary Speaks written and performed by Angela Polite, about using Mary, the mother of Jesus, as a vehicle to explore black grief.