A Deed Without A Name, written by the late Polish avant-garde artist and writer StanisÅ‚aw Ignacy Witkiewicz, receives a rare outing at London's Theatro Technis for a limited season of ni…
FemFringe is an ever-evolving variety show committed to showcasing a plethora of female and non-binary created art.
Cherie - My Struggle is thoroughly enjoyable and one can imagine Cherie Blair seeing it and not feeling at all hard done by. The play is not a hagiography, but you leave the theatre being pr…
Although Time and Tide ends on a hopeful note, it is not sickly sweet. The characters' coming out and coming of age stories are grounded in the joys and disappointments of real life. The end…
Breffni Holahan delivers Margaret Perry's script for Collapsible with an unrelenting energy that starts high and reaches stratospheric levels.
World premieres in Chichester Festival Theatre's Festival 2020 include first plays by Steven Moffat and Kate Mosse and new work by Suhayla El-Bushra and Christopher Shinn.
"First rate," "wonderful" and "astonishing" - the superlatives are flowing for the English premiere of Joseph Crilly's On McQuillan's Hill. Take a look at our favourite reviews, then book yo…
Written by Jonathan Harvey and the Pet Shop Boys, Musik is a one-woman show that spins off from their 2001 musical Closer to Heaven.
Tom Stoppard's personal story in Leopoldstadt sees the writer return to form as a commentator of cultural, social and historical patterns.
If neither newspapers nor intelligence services will lose sleep over the way Blyth represents them, The Haystack is insightful enough to be a contemporary state-of-the-nation parable.
'Once isn't hugely romanticised and I think that's what people love about it': What life is like on tour by Once The Musical's Emma Lucia.
Brian Cox, star of acclaimed HBO drama Succession, steps behind the scene to direct the UK premiere of love story Sinners - The English Professor when it runs at the Playground Theatre later…
Responsibility to oneself and others permeates On McQuillan's Hill, as does how isolation " real or imagined " affects one's mental well-being.
Love London Love Culture rounds up the reviews for the revival of Mike Bartlett's play Albion at the Almeida Theatre.
The company in People Show 137 has an admirable ability to conjure moments that capture the audience's attention and to deliver about turns that keep the audience intrigued.
Former Royal Court Theatre artistic director Dominic Cooke and executive director Kate Horton are launching their production company Fictionhouse with a new West End revival o…
Actor-turned-playwright Sally Rogers' debut play The Still Room gets its world premiere in April at London's Park Theatre, with a cast that includes her former co-star in The Bill, Chris Sim…
On the whole Time and Tide is a heart-warming story with bags of charm. With a great script full of laughs, well-rounded characters and brilliant acting, it's certainly worth a watch.
Collapsible is a one woman monologue by Margaret Perry exploring anxiety and mental health in the face of a modern and overwhelming world.
Andrew Scott, Sharon D. Clarke, Juliet Stevenson, Sam Tutty and Hammed Animashaun have won the top acting honours at the 2019 Critics' Circle Theatre Awards.
Here's LLLC's weekly guide to some of the shows you might want to book tickets for includes The Wedding Singer at Troubadour Wembley Park Theatre:, Endgame at the Old Vic and The Seagull at …
How did the writing of a 15-year-old become a hotly anticipated VAULT Festival production Apple? Writer and performer Cheryl Ndione explains in the interview below. Time to book your tickets!
In our continuing series, editor Lisa Martland picks out some of her Top Picks from the last week of theatre (to 9 February 2020), including Ian Foster seeing Rafe Spall give a career-defini…
Big Boots Theatre brings John Osborne's 1956 classic Look Back in Anger to the London fringe with a fresh young cast from 25 February. Osborne biographer Peter Whitebrook explains why the pl…
The Three Musketeers has a somewhat pantomime feel to it, full of energy and is great for all, we really enjoyed hearing the children in the audience laughing along.