Yilong Liu: In the Liminal Space, What Dreams May Come
The playwright of 'PrEP Play, or Blue Parachute' talks about expectations, intimacy, and the Zoom revolution.
The playwright of 'PrEP Play, or Blue Parachute' talks about expectations, intimacy, and the Zoom revolution.
Paz Brownrigg, who has been with DePaul since 2008, will step in following the departure of John Culbert.
Geva has commissioned 29 writers to pen works about historical women of Rochester.
Can a culturally appropriative murder mystery in the guise of a cooking class prevent war with Iran? Piehole's interactive new Zoom play aims to find out.
Simoness, who is also the company's executive director, will step aside in September, citing the importance of leadership turnover.
This month Brian surveys playwrights, directors, dramaturgs, and critics about the works they just can't shake, and why.
Yussef El Guindi's play 'Refugee Rhapsody' will receive a staged reading as part of the virtual 2021 Blue Ink Playwriting Festival.
Price, who joined the company in 2000, will turn her attention to personal artistic projects.
Autumn J. Mitchell, Jeremy Pesigan, and Citlali Pizarro will work in the Production, New Work, and Connectivity departments, respectively.
The annual award honors English-language writers from all over the world who are at any stage of their careers.
In this excerpt from the new novel 'We Play Ourselves,' a playwright navigates the highs and lows of an Off-Broadway opening night.
The outdoor season includes 'King Lear' starring André De Shields.
The critics look back on a year without live, in-person theatre as they go through their mailbag.
How a plan to teach 'Pipeline' and 'School Girls' grew into a curriculum stressing both the plays' universality and specificity on issues of race, colorism, and inequity.
Staging original works as audio dramas isn't just a pandemic workaround; it's also back-to-the-future turn to a resonant form.
Rooted as much in Michigan as Mosul, he lived to see both of his homes turn to sectarian violence and division.
Tim Stoltenberg will remain interim artistic director as the board searches for a new managing director.
A new project to put the focus on marginalized voices opens with a series showcasing under-sung plays, in hopes of seeding future productions.
Martin promises a 'clean slate' at the Chicago theatre famed for its playwrights ensemble, after serving as associate producer at the Goodman.
Looking toward the future, Shelley hopes to create an inclusive atmosphere that cements the House Theatre of Chicago as a destination for artists to come and create.
The sixth cohort will consist of eight NYC-based BIPOC leaders in all theatre disciplines.
Where we put our time, our money, and attention needs to change, can change, and is already changing.
Bekah Brunstetter and Charly Evon Simpson will develop new works for the first @PLAY series.
This year's awards were presented to the musicals 'The Monster,' 'Oratorio for Living Things,' and 'TL;DR: Thelma Louis; Dyke Remix.'
This year's Volt Lab, previously known as the 'PlayLab Unit,' will feature a cohort of 9 writers.