6,634 stories from HowlRound
By HowlRound TV. ArtsEmerson in Boston and Chinese Historical Society of New England (CHSNE) present Facing Exclusion: Pioneering Activists Harry H. Dow and Tien Fu Wu, a theatrical presenta…
By Daniel Coelho. Daniel Coelho discusses Druid Theatre Company's revival of The Beauty Queen of Leenane, making parallels to the women of Grey Gardens and Tennessee Williams' character Blan…
By HowlRound TV. The League of Independent Theater (LIT) in New York City presents a Meet the Candidates forum livestreaming on the global, commons-based peer-produced HowlRound TV network a…
By Michael Lueger. Michael Lueger talks with Dr. Steven (Siyuan) Liu about modern and contemporary Chinese theatre and performance.
By Carlos Murillo, Tom Arvetis. Adventure Stage Artistic Director Tom Arvetis and Playwright in Residency Carlos Murillo discuss how Carlos' perspective has affected the company's goals and …
By Tom Block. Tom Block discusses the benefits of bringing mysticism into the world of artistic creators as we head into a difficult and divisive period in American history, and how a reinvi…
By HowlRound TV. The National Black Theatre presents the panel From the Other Side Of The Table livestreaming on the global, commons-based peer produced HowlRound TV network at howlround.tv …
By Roman Baca. Artistic Director Roman Baca discusses Aggressed and This is War, two dance theatre pieces by Exit12 Dance Company inspired by indigenous war dances.
By Nolen Bivens. Nolen Bivens challenges communities to set up a n Arts and Military Community Health and Wellness Ecosystem.
By Jonathan Wei. Executive Director Jonathan Wei meditates on war and the military, advocating art as an investigative tool for understanding and transformation.
By HowlRound TV. The Martin E. Segal Theatre Center and the Nuyorican Poets Cafe in New York City present Poetry as Revolt: Spoken word reflections after the Age of Obama, livestreaming on t…
By HowlRound TV. The AXIS Dance Company Residency at Boston University presents a Performing Arts and Disability: Leadership, Inclusion, and Training Symposium panel discussion featuring reg…
By Arthur S. DeGroat. Dr. Arthur S. DeGroat writes about the power art has to accurately communicate the experience of war, and the importance of that in our current era.
By Michael Lueger. Michael Lueger talks with Beth Mannion about plays depicting urban Ireland.
By Judith Smith. Director Judith Smith discusses her company's collaboration with Choreographer Joe Goode for to go again, a dance theatre piece that explores the lives of veterans with disa…
By Cherry Lou Sy. Cherry Lou Sy shares her experience seeing the Neo-Futurists' The Great American Drama , which examines perceptions of the American dream and success in theatre.
By Anthony Torres. Anthony Torres writes about how making art with other veterans has shaped his life.
By HowlRound TV. The New England Foundation for the Arts (NEFA) is partnering with HowlRound to livestream the convening Art in the Service of Understanding: Bridging Artists, Military, Vete…
By Liz Lerman. Renowned choreographer and creator of the Critical Response Method, Liz Lerman, addresses the experience of war in her life and work.
By Jamie Gahlon. Jamie Gahlon, Senior Creative Producer of HowlRound, reports on a trip she took in fall 2016 to explore, deepen, and build partnerships with theatremakers and organizations …
By Jenny Lyn Bader. Jenny Lyn Bader looks at theatre's gender parity movement.
By Kyle Whalen. Kyle Whalen explores the "moments of the unknowable" in the Steppenwolf production of Lucas Hnath's The Christians in Chicago, Illinois.
By Ricky Young-Howze. In this final installment, Ricky Young-Howze reflects on self-producing new work in a "theatre desert," and acknowledges the importance of learning, wisdom, and respect.
By Alisha Huber. Educator and theatre artist Alisha Huber discusses her teaching theatre history process.
By Jonathan Mandell. Jonathan Mandell compares The Penitent by David Mamet with Penitent by Terrance McNally, and argues that neither late-career playwright has anything for which to apologi…