38,669 stories from The New York Times
The actor is starring in a modern-dress production of the play through Aug. 6 at the Delacorte Theater in Central Park.
A British jury on Wednesday found the actor not guilty of nine charges. Mr. Spacey cried when the verdict was delivered.
The Jets' starting quarterback has thrown himself into the culture of his new professional home before he's thrown a single pass.
The industry is facing challenges, but in western Massachusetts the quality of the works is as rich as ever, our critic writes.
Ian Shaw plays his father, Robert Shaw, in "The Shark Is Broken," a comedy based on the troubled production of the 1975 film "Jaws."
Jason Alexander directs a Broadway farce that aims for the high style of Noël Coward but falls on its face instead.
The company, now run by Susan Jaffe, concludes its season at the Metropolitan Opera House with familiar story ballets " and some important new faces.
In adapting a beloved franchise for the stage, the creative team sought to develop the story for new audiences while remaining true to the spirit of the films.
The big-budget musical that tried to position itself as a nostalgic love letter to the city will close after a summer of dropping sales.
Stormy weather at a summer festival wraps performances of a debut and some classic works by two very distinct choreographers.
As they struggle to recover after the pandemic, regional theaters are staging fewer shows, giving fewer performances, laying off staff and, in some cases, closing.
Dakin Matthews, one of the stars of "Camelot" on Broadway, helps younger castmates hone their craft with Shakespeare lessons between shows.
The writer Candrice Jones and the director Lileana Blain-Cruz show a mastery of the game in this play about a girls' basketball team in rural Arkansas.
Six years after 72 people died in a fire at a London high rise, artistic projects, including a verbatim play, have been made about the blaze.
The polka chinata, in which two men whirl together in a crouch, is revived in a dance by Alessandro Sciarroni, coming to PS21 in Chatham, N.Y.
A new Broadway musical tells the disturbing story of Imelda Marcos by putting her, and the audience, in a disco.
After putting her career on hold to raise children, she won the part of the madam in "The Best Little Whorehouse in Texas" " and then a statuette hailing her performance.
The agreement would cover a subset of workers, including about 1,500 stagehands, hairdressers and other crew members on Broadway and in touring productions.
A teenage ritual takes on deeper significance as a setting where autistic young people can blossom " and exercise their social skills along the way.
The eighth annual fan event will host a variety of discussions about how to diversify stages, songs and scripts. Here are six to look out for.
Government bailouts saved the automotive and banking industries. American theater is in similar trouble and deserves to be saved.
Erica Schmidt's revival of this Tennessee Williams play for Theater for a New Audience downplays the melodrama.
Richard Hollman's tender, site-specific play explores the awkward resumption of a Covid-interrupted friendship over a deceptively innocent game of catch.
A revival reimagines the polarizing musical for the 21st century while a new show offers a bawdy riposte.
"I'm not retiring," Kristin Marting said about her decision to leave the cross-genre avant-garde company next June.
