1,060 stories from Clyde Fitch Report
Skylark: Marcovicci Sings Mercer is the latest of an extraordinary chain of cabaret shows.
Alliance for the Arts launches its annual appeal to get people to empty their arts-oriented wallets.
A distillation of Arts Watch, the weekly e-blast of Americans for the Arts. This week: Mississippi burning, Louisiana learning, Vermont turning.
Unlike any other Shakespearean authorship candidate, Hudson sees Lanier as an exact match for areas of rare knowledge demonstrated by the playwright.
What if a photo shoot is set for the first rehearsal week, before any rational actor can claim mastery of their role? Consider the context before you attack the art form.
"Someone asked me if I have a sexual thing for Santa Claus," says Solomon. "And the answer is NO."
An Australian writer has lit a firestorm about Edward Albee. After all, one can yell "art must breathe" on directors' behalf, but playwrights can always yell "I'm the vintner" right back.
Says the playwright of She Like Girls, now running at the Ohio Theatre, "...the worst thing a writer writing about sexual discovery could do is underestimate how dirty kids can be."
The 16-year-old Ensemble Studio Theatre offshoot needs support as the group's playwrights go bowling to raise funds to fix their performance space.
With an Off-Off-Broadway revival of No Exit running, here's an exclusive interview with the Existential -- and long dead -- playwright-philosopher.
A distillation of Arts Watch, the weekly e-blast of Americans for the Arts. This week: parents huffy, theaters fluffy, galleries scruffy.
Says the comic, currently playing Off-Broadway: "It seems picayune to tell people, 'Put the right foot in the shoe first.' But you try to discern what God wants."
Some apologies and announcements regarding The Clyde Fitch Report, including a few new columnists and upcoming new content.
Reviewing Bye Bye Birdie.
Says McCaskill, "I'm at an age when sleeping with someone means you actually go to sleep."
Shakespeare and Company is examining good ideas from all quarters. So here is one more.
A distillation of Arts Watch, the weekly e-blast of Americans for the Arts. This week: Barrett decides, Los Angeles provides.
It shows great strength to not bang your head against the wall, says director Maas, but come to it with fresh eyes, as if you have all the time in the world.
We all saw what happened to an Elton John musical gone bad, and a Phil Collins show, too. How about a concept album?
Jeremy Gerard cheekily characterized Landesman's visit as "humble-pie time."
The theatrosphere does not obviate the need for people sometimes to comport themselves like adults.
A producer pulled him aside after an invited dress rehearsal and told him to be more egotistical and self-involved.
Business Committee for the Arts honors firms for their service to, and advocacy for, the arts.
The characters in "Children at Play," Seavey's new "tragic farce," "discover masturbation for the first time in a very big, very public way."
