PHAEDRA. Lyttelton, SE1
COUGAR CHAOS   The Greeks just go on giving. Writer-director Simon Stone's play, set today amid the upper-middle classes of Holland Park and second-home Suffolk, credits …
COUGAR CHAOS   The Greeks just go on giving. Writer-director Simon Stone's play, set today amid the upper-middle classes of Holland Park and second-home Suffolk, credits …
A MONETARY MORALITY PLAYÂ Â Â Â Â Three hour-long plays, two intervals, three men in black frock-coats explain some financial history in a revolving glass box in front of a pro…
A TALE FOR TODAY FROM A PRUSSIAN PASTÂ Â Â Here's a love story, an idyll of 18c Prussia:Â Corporal Anastasius Linck, a Hanoverian musketeer in dashing white breeches and shiny bu…
SITCOMS MADE US, BUT CAN WE MAKE THEM? Â Â It's a very good idea, bang on the money:Â David Cantor and Michael Kingsbury (TV sitcom writers with a pedigree) set their play in a blan…
A BLAST OF DAFT JOY   Zip-a-dee-doo-dah! Here's a treat.  Disney music, blasting out before this vigorous 65-minute one-man spree, sets the mood. It is carnivalesque, fant…
 A PATIENT TO TRY PATIENCE      It must be challenging to play a psychiatrist at work , maybe especially in Finsbury Park  where there are bound to be a few in the …
Just a few new notes on this , as its completes its triumphant national tour with (amazingly) no stopping-injuries despite the heroically vigorous slapstick direction by Lindsay Posner (move…
HELLMAN'S LESSON IN HUMANITY Â Â Â Theatre can offer few more topical messages for a nation which might hesitate over Ukraine's needs than this neglected one-set domestic play by Lil…
PULLING THE WOOL     Most dystopian visions set themselves quite far in the future. Misha Levkov, however, keeps us in 2025, specifying that productions should always …
AN OLD INJUSTICE REMEMBERED    An old man steps onstage alone: upright, soldierly in khaki as a former US war hero who is, he says resignedly, "brought out every …
A TALE FOR ALL TIMES  The story of Nelson Mandela has become almost a folktale: imprisoned for 27 years for campaigning against the hideous "apartheid" regime which kept the black ma…
THIS DAME HAS A WHOLE LOT BEHIND HIM    I last saw Sir Ian McKellen onstage as Lear,  missed him as the oldest Hamlet ever,  but far longer ago saw him in a frock at …
BREEZILY BLOWING IN FROM 1908, FRESH AS EVER    In Mole End on Christmas Eve,in a burrow cosy with domestic detail they're breaking out the beer and sardines and reminiscing a…
A TRAGICOMIC BEAUTYÂ Â Â Hard to express how much I loved Stephen Karam's play. Maybe it just hit the right moment:Â yomped through freezing night, strikes and 'severe delays" rea…
THE MOST ENJOYABLE STRIKE YOU'LL SEE THIS CHRISTMAS   I love it when the theatre perfectly fits the show. Artists can overcome a wrong space, but there's gleeful concord when it …
FREUDIAN ISUES IN FAIRYLAND    Everyone's got mental health issues in HEX: which is the Sleeping Beauty story extended to the troublesome folk-tale aftermath.  The tou…
A PACK OF WOOLFS PROWL ROUND THE GENDER-BEND  One bespectacled, anxious-looking Virginia Woolf in a sensible brown skirt and dreary cardigan is never enough, so Michael Grandage's pr…
A COLD ANGRY CRUSHING SYSTEM Â Â Â Â It's a cold unadorned monochrome scene: courts, brawls and bedchamber all framed on three sides by vast looming tiered steps and a high flat p…
UP WEST, IT LOSES NOTHING…STILL A FIERCE TREAT Leaving the former Young Vic production a lad far too young to remember 1968 said sadly to me "It was the beginning of Now, wasn't it?"Â H…
A GLORIOUS DOWNSTREAM WILLOWS FOR OUR AGE You won't see a prettier, more refreshing or sustainable stage this Christmas: natural colours, riverbank rushes, a bare tree (which will ha…
CELEBRATORY, MY DEAR WATSON I had come from the magnificent Old Vic Christmas Carol, where once again with mince pies, bells and lanterns and Dickensian cheer and a message about how…
CLEVER, CLOWNING, CLASSIC   What could be more seasonal than Flaubert's tale of wifely frustration, romantic illusions, disastrous adulteries and ruinous shopaholic debt? This…
A DAUGHTER OF DISREPUTE Â 1893, and here's George Bernard Shaw passing the Bechdel Test with flying colours by centring the action on two women at odds , with surrounding men remarkably d…
PURE PLEASURE AT HER MAJESTY'SÂ Â Â Â It seemed worth the money " these were not press tickets " to check out how good old Fanty is getting on after 36 years at Her Majesty's The…
DRUNKENNESS AND THE DARK   The studio at Hampstead has been on a roll recently, with intelligent and emotionally honest plays : FOLK, RAVENSCOURT, THE ANIMAL KINGDOM et al.…