Book Review: 'Encounterism,' by Andy Field
Conceived before the pandemic, Andy Field's ode to sharing space in person glosses over the ways our everyday habits seem to have changed for good.
Conceived before the pandemic, Andy Field's ode to sharing space in person glosses over the ways our everyday habits seem to have changed for good.
In this bitterly funny mockumentary set at a drama institute, the actors feel their characters in their bones.
Basketball is central to the plot in new shows, including "Flex" and "The Half-God of Rainfall."
One reporter is hooked on the French spectacle that mixes acrobatics with a rock opera score.
The choreographer and his Puremovement troupe brought their touring show, "Nuttin' but a Word," to Prospect Park for BRIC Celebrate Brooklyn!
The gravitational pull of the hurts of yesteryear is on vivid display in Deirdre Kinahan's drama at Irish Repertory Theater.
An exhibition at the Barnes Foundation in Philadelphia is one of several recent projects using the two forms to explore how people interact with art.
Brecht's 1944 play "The Caucasian Chalk Circle" is set to challenge its performers and audiences, just as a once-banned Brecht would have liked.
In honor of "Theater Camp," a new movie about a fictional sleepaway site, we asked Broadway veterans and movie stars for their favorite camp memories.
Facing accusations of sexual assault, the actor defended himself against multiple claims. He also admitted he got "the signals wrong" during one encounter.
The institution, a titan among nonprofit theaters, is suffering from the combined effects of falling revenue and rising costs plaguing the arts world.
The Avignon Festival's new director wants to spotlight drama in a different language each year. This year's first installment had some conventional choices.
Two weeks into a trial in London, the Oscar-winning actor gave his account of sexual encounters that the prosecution says were criminal acts.
In staging the storied rock opera in Chicago, its creators argue that the show's exploration of celebrity worship and childhood trauma is more relevant than ever.
The company wraps up its delayed anniversary tour with a selection of vintage dances and premieres in a three-week season at the Joyce Theater.
As the new arts space faces financial challenges, it tapped Meredith Hodges to take over its administrative leadership from Alex Poots, who will remain as artistic director.
In an ethically murky show at the Avignon Festival, the Brazilian performer Carolina Bianchi opens up about how she was drugged and abused, then knocks herself out with a spiked cocktail.
"Orpheus Descending," a rarely revived play about the treatment of outsiders, has only become more meaningful for its star and its director.
"One Dance," part of Korean Arts Week at Lincoln Center, puts a contemporary spin on rituals and ceremonies.
The production opened in London with Eddie Redmayne in a starring role; the New York cast has not yet been announced but he is expected to join it.
The Classical Theater of Harlem follows up last year's winning "Twelfth Night" with a sequel that feels like a sweet summer frolic.
Cassandra Trenary, an American Ballet Theater principal dancer, pulls classical dance into the present through the drama of being real.
Unrequited love swirls through this prestige-cast production of Anton Chekhov's play, in a Manhattan loft.
He helped secure landmark status for more than two dozen theaters in the 1980s, then initiated the design competition that led to a new TKTS booth.
The musical, the brainchild of David Byrne and Fatboy Slim, dramatizes " and, some say, sanitizes " the life of the former Philippine first lady Imelda Marcos.