Radical Theatre in Poland
By Brian Hashimoto. Brian Hashimoto travels to Poland and reports on the 2016 Malta Festival.
By Brian Hashimoto. Brian Hashimoto travels to Poland and reports on the 2016 Malta Festival.
By Jess Barbagallo, Chris Giarmo. Jess Barbagallo and Chris Giarmo discuss design questions for Jess's play My Old Man (and Other Stories) and the recently increased interest in trans artist…
By HowlRound TV. The Martin E. Segal Theatre Center in New York City presents Contemporary Opera NYC: Talks with Artists and Producers livestreaming on the global, commons-based peer produce…
By HowlRound TV. Suzan-Lori Parks livestreams Watch Me Work from the Public Theater in New York City on Monday, November 28 at 2pm PS T (Vancouver) / 4pm CS T (Austin) / 5pm ES T (Toronto) /…
By Matt BÅ‚ażejewski. Matt BÅ‚ażejewski discusses the Me Too Monologues and its impact as a community-based theatre project that spreads awareness of mental health issues to coll…
By HowlRound. Read the community responses to our questions, "What do you stand for? What does your art stand for?"
By Deanie Vallone, Larissa FastHorse. Dramaturg Deanie Vallone talks with playwright Larissa FastHorse about The Thanksgiving Play , writing a play with all white characters, and the obligat…
By Elsa Hiltner. Chicago-based costume designer, textile designer, and wardrobe stylist Elsa Hiltner considers the division of labor and allocation of technical support within theatrical des…
By Victoria (toy) Deiorio. Sound designer Victoria Deiorio reflects on her experience of Complicite's The Encounter and its ingenious use of sound.
By Jess Pillmore. Jess Pillmore encourages artists not to limit their thinking to what may seem "possible."
By Michael Lueger. Michael Lueger talks with Kyle A. Thomas and Dr. Carol Symes about why medieval theatre is more relevant than ever.
By Aaron Sawyer, Sidney T. Smith. Aaron Sawyer and Sidney T. Smith write about Unified Access Auditions at Red Theater in Chicago, IL.
By Liz Olson, Pearl Hodiwala, Kristen Luciani, Rachel Karpf Reidy, Rachel Sussman. Five of the women producers from the 2014"2016 WP Lab report on producing the Pipeline Festival in partners…
By Sean Daniels. Sean Daniels writes about the successes and challenges of his first year as Artisitic Director of Merrimack Repertory Theatre.
By Maurice Decaul. In this first installment, Maurice Decaul discusses the inspiration and beginning stages of Veterans and Theatre Institute, a program that trains military veterans in the …
By Todd London. Todd London's ode to Sarah Ruhl, on the occasion of her winning the Harold and Mimi Steinberg Distinguished Playwright Award.
By Mia McCullough. Playwright Mia McCullough discusses how teaching classic plays in high school alienates future young audiences, and advocates for contemporary playwrights to craft compreh…
By Sarah Ruhl. Remarks from playwright Sarah Ruhl on accepting the Harold and Mimi Steinberg Charitable Trust Distinguished Playwright of the Year Award at Lincoln Center on Monday, November…
By Rosa Schneider. Rosa Schneider reflects on history plays, history, and pedagogy in Undergound Railroad Game created by Jennifer Kidwell and Scott Sheppard with Lightning Rod Special playi…
By HowlRound TV. You're invited to join Suzan-Lori Parks from the lobby of The Public Theater in New York City for Watch Me Work livestreaming for the global, commons-based peer produced How…
By HowlRound TV. Martin E. Segal Theatre Center in New York City presents a conversation about Pig Iron Theatre Company livestreaming on the global, commons-based peer-produced HowlRound TV …
By Daphnie Sicre. In this second installment, Daphnie Sicre closes her discussion on theatres that offer free, or discounted tickets to college students, and offers creative ways to engage t…
By Alison Durkee. Alison Durkee considers the preservation of the theatrical past in a number of 'reconstructed' performances or resurrections of 'lost' works, such the 2016 production of S …
By Michael Lueger. Michael Lueger talks with Adam Roberts about using music theory to better understand the nuances of musical theatre.
By Ramona Ostrowski. HowlRound Associate Producer Ramona Ostrowski on attending the Remembering Zelda events at Arena Stage and how Zelda Fichandler's example and words are a balm and a spar…