By The Committee of the Jubilee. One year into organizing, the Committee of the Jubilee reports out on progress, answers common questions, and re-extends an invitation to the American Theatr…
By Amy Guerin. Amy Guerin writes about being part of a faculty cohort creating a new theatre program at the University of Alabama in Huntsville.
By Rachel Bykowski. Rachel Bykowski looks at Dana Lynn Formby's American Beauty Shop and Kristiana Rae Colòn's good friday and asks: is it possible for women playwrights to tell truthful …
By HowlRound TV. SpiderWebShow Performance and The Theatre Centre present Civil Debates # 5: Freedom of Speech Online livestreaming from Toronto, Canada on the global, commons-based peer pro…
By Priscilla Page, Liza Ann Acosta. An interview with Liza Ann Acosta, resident dramaturg at Urban Theater Company, about her recent work on three Puerto Rican plays.
By Anchuli Felicia King. Anchuli Felicia King discusses augmented reality technologies, one of the most radical technological advances affecting the theatre today and the unique dramaturgies…
By Joel Fishbane. Joel Fishbane examines the politics and patriotism of two hit musicals that deal with early American history.
By HowlRound TV. Bootleg Theater presents the World Premiere of Marissa Chibas' THE SECOND WOMAN livestreaming on the global, commons-based peer-produced HowlRound TV at howlround.tv Sunday,…
By HowlRound TV. You're invited to join Suzan-Lori Parks from the lobby of The Public Theater in New York City for Watch Me Work livestreaming for the global, commons-based peer produced How…
By Jacob Juntunen. Playwright Jacob Juntunen remembers Edward Albee's generosity toward other playwrights.
By HowlRound TV. Martin E. Segal Theatre Center in New York City presents the panel discussion A Day with Robert Lepage/Canada livestreaming on the global, commons-based peer-produced HowlRo…
By Maria Patrice Amon, Herbert Sigüenza. Dramaturg Maria Patrice Amon interviews Playwright Herbert Sigüenza about his comic influences, and Manifest Destinitis, his adaptation of Molière…
By Donald Sanborn III. Donald Sanborn talks with director John Doyle about the differences between musical theatre and opera, and the power of seeing actors play instruments on stage.
By HowlRound TV. Berkeley Repertory Theatre presents their Creative Careers panel Tipping the Scale: Maximizing Resources at a Small to Midsize Theatre Company livestreaming on the global, c…
By Allison Raynor. Allison Raynor talks with playwright Melinda Lopez about women on stage: who she writes, how she writes them, and who she'd like to see.
By Jonathan Mandell. Jonathan Mandell reviews Anna Deavere Smith's latest solo performance piece, which presents seventeen real-life characters to establish a connection between school failu…
By Daniel Fine. In this installment, Daniel Fine continues his discussion on the intersection of lighting and media design.
By HowlRound TV. FaultLine Theater in collaboration with American Conservatory Theater , Campo Santo , Crowded Fire Theater , and Lorraine Hansberry Theatre presents Every 28 Hours , livestr…
By Ricky Young-Howze. Ricky Young-Howze writes about one of the simplest ways staff members can make the theatre an accessible and welcoming environment to people of all abilities.
By Charlotte M. Canning. Charlotte Canning discusses gun violence in theatre, and film, taking a close look at safety policies and regulations for firearms on set.
By Laura Lodewyck, Ricardo Gutiérrez. Laura Lodewyck interviews director Ricardo Gutiérrez about his production of Mando Alvarado's Parachute Men , produced at Teatro Vista as part of the …
By David Dudley, Howard Barker. David Dudley interviews playwright Howard Barker about writing for live actors versus marionettes.
By Diane Rodriguez. Keynote speech delivered by Diane Rodriguez at the Theatre Bay Area Conference on April 3, 2016.
By Yuko Kurahashi. Yuko Kurahashi on Playwrights Local's documentary show about the Tamir Rice shooting at the Creative Space at Waterloo Arts in Cleveland, Ohio.
By Marc David Pinate. Director Marc David Pinate discusses his process for Barrio Stories, reflecting on how the production is an example of sacred theatre.