By HowlRound TV. IETM"international network for contemporary performing arts "presents Europe at a Crossroads " the o pening k eynote conversation of the IETM Valencia Plenary Meeting 2016 "…
By Matt Opatrny. Matt Opatrny writes about ensemble company Blessed Unrest and the lack of affordable space for small companies in New York City.
By HowlRound TV. Martin E. Segal Theatre Center in New York City presents the panel discussion Theatre & Performance in 1970s NYC: Hillary Miller's Drop Dead livestreaming on the global,…
By Irma Mayorga, Olga Sanchez. Irma Mayorga and Olga Sanchez introduce a new initiative from the Latina/o Theatre Commons championing scholarship around new Latinx plays.
By Michael Lueger. Michael Lueger talks with Dr. Gibson Cima of Georgetown University about Sizwe Banzi Is Dead , it's collaborators, and it's lasting impact on South African political theat…
By HowlRound TV. You're invited to join Suzan-Lori Parks from the lobby of The Public Theater in New York City for Watch Me Work livestreaming for the global, commons-based peer produced How…
By Katie Pearl, Michelle Memran. Katie Pearl interviews Michelle Memran about MarÃa Irene Fornés and The Rest I Make Up , a documentary that captures the legendary playwright's creativit…
By Jen Silverman. US playwright Jen Silverman talks with Latvian playwright and dramaturg JÄnis Balodis about the. similarities and differences in their work and how their work responds t…
By Caridad Svich. Theatre practitioner Caridad Svich on art and activism and AFTER ORLANDO.
By Chisa Hutchinson. Chisa Hutchinson writes about her residency at Second Stage.
By Jenny Rachel Weiner. Jenny Rachel Weiner writes about her residency at Roundabout Theatre Company.
By Caroline V. McGraw. Caroline V. McGraw writes about her residency at Page 73.
By Jaclyn Backhaus. Jaclyn Backhaus writes about her residency at Clubbed Thumb.
By Rachel Bonds. Rachel Bonds writes about her residency at Ars Nova.
By Paola Lázaro. Paola Lázaro writes about her residency at The Atlantic.
By Josh Platt. Josh Platt on Double Edge Theatre's Latin American Spectacle in Jamaica Plain, Massachusetts, Cada Luna Azul / Once a Blue Moon in Ashfield, Massachusetts, and the Springfield…
By Irene Loy. In this installment, Irene Loy discusses how characters receive desire versus defend themselves against unwanted desire, delving into the difference of consent and dissent.
By HowlRound TV. The Martin E. Segal Theatre Center presents Marie Chauvet/Haiti: Chauvet's Theatres of Revolt , livestreaming on the global, commons-based peer-produced HowlRound TV network…
By Carlos Murillo. Playwright Carlos Murillo writes about how he and Adventure Stage Artistic Director Tom Arvetis created an original play for and about the young people of Chicago's West T…
By Kate Langsdorf. Kate Langsdorf on why she believes being a writer is the best theatre job for a person with a physical disability.
By Karen Malpede. Playwright Karen Malpede reflects on shows from The 23rd Cairo International Festival for Contemporary and Experimental Theatre, back from a five-year hiatus.
By Mya Kagan. Two more of "Max's" plays receive different responses than Mya's did, leading her to affirm her belief that bias is at work in the submission process.
By HowlRound TV. Every 28 Hours at A.C.T. and Berkeley Rep livestream on the global, commons-based peer-produced HowlRound TV network at howlround.tv Tuesday, October 18 and Wednesday, Octob…
By HowlRound TV. Arena Stage and the Fichandler family host two public celebrations of life for Zelda Fichandler on livestreaming on the global, commons-based peer-produced HowlRound TV netw…
By HowlRound TV. The One-Minute Play Festival: Our Response at Trinity Repertory Company livestreams on the global, commons-based peer-produced HowlRound TV network at howlround.tv Sunday, O…