By HowlRound TV. Belarus Free Theatre in association with The Albany present a performance of Tomorrow I Was Always a Lion livestreaming from the Arcola Theatre in London, UK on the global, …
By Michael Lueger. Michael Lueger talks with Dr. Susanne Shawyer of Elon University about the Democratic National Convention of 1968 and Theatre of Cruelty.
By Zachary Small. Zachary Small calls for theatre to move beyond the living room play and explore the technological realm.
By HowlRound TV. You're invited to join Suzan-Lori Parks from the lobby of The Public Theater in New York City for Watch Me Work livestreaming for the global, commons-based peer produced How…
By Isaac Gomez. Isaac Gomez, Director of New Play Development at Victory Gardens, shares the engagement programs around their production of Marcus Gardley's The House That Will Not Stand.
By HowlRound TV. The Martin E. Segal Theatre Center presents the Québécois Playwright Project, livestreaming on the global, commons-based peer-produced HowlRound TV network at howlround.tv…
By Christopher Diercksen, Yvonne Hartung. The second dispatch from Team Awesome Robot on producing independent theatre in New York City.
By Hannah Sachs. Hannah Sachs considers the intersection of theatre, religion, and spirituality.
By Paul Adolphsen, Thando Doni. In this last installment, Paul Adolphsen interviews South African theatremaker Thando Doni about his artistic use of language and physical theatre.
By HowlRound TV. Huntington Theatre Company in Boston presents a panel conversation about Mike Lew's Tiger Style! with Ma-Yi Writers Lab members livestreaming on the global, commons-based pe…
By Michael Whatley. Michael Whatley writes about the importance of early-career staff members at large theatrical institutions.
By Alli Houseworth, Jacqueline E. Lawton, Laura Jacqmin, Tory Bailey, Brad Erickson. In this piece, Triple Play project leads Tory Bailey and Brad Erickson respond to selections of a convers…
By Karen Hartman. Karen Hartman describes the process of immersing herself in a community in order to tell their story on stage, in this installment of the Triply Play series.
By Leigh Bienen. Leigh Bienen on the Goodman Theatre production of 2666 which adapts Roberto Bolaño's nine-hundred and something page novel for the stage.
By Torange Yeghiazarian. In this installment of the Triple Play series, Artistic Director Torange Yeghiazarian shares Golden Thread Productions' process for creating space for conversations …
By Leda Hoffmann. In this installment for the Triple Play series, Director of Community Engagement Leda Hoffmann shares Milwaukee Repertory Theater's process for curating dialogue about new …
By HowlRound TV. Emerson College presents the panel discussion The Crisis in Casting for Stage and Media livestreaming on the global, commons-based peer produced HowlRound TV network at howl…
By Lisa Mallette. In this installment of the Triple Play series, Lisa Mallette writes about how City Lights Theater Company extends "radical hospitality" to all audience members.
By Joan Lipkin. Artistic Director Joan Lipkin discusses the inspiration and process for "Dance the Vote," a voting registration campaign in St. Louis, Missouri that included performances by …
By Café Onda. Following the success of the 2014 Encuentro, the LATC and LTC are now accepting applications to the 2017 Encuentro de las Americas ("Encuentro 2017"): Celebrating Dynamic Cont…
By HowlRound TV. The Lark in New York City presents Meet the Writers, the public kick-off event of the 23rd Annual Playwrights' Week livestreaming on the global, commons-based peer produced …
By Neena Arndt. Neena Arndt writes about new strategies the Goodman is testing to give audience members information about shows before they arrive at the theatre.
By Michael Lueger. Michael Lueger talks with scholar and activist Jorge Huerta.
By Alli Houseworth. Theatre marketing consultant Alli Houseworth calls for marketing and audience engagement to come together, the first in a series of articles about Triple Play, a project …
By Raphael Khouri. Raphael Khouri writes about creating a work of queer Arab theatre in secret.