Bringing it home BY JOSH MAX
Why 'Les Miz' has always been a New York story
Why 'Les Miz' has always been a New York story
It is a stirring account of the enduring Middle Eastern conflict and a telling portrait of a young student from Olympia, Wash., who wanted to make a difference in the world.
New Broadway play is a comedy of eras with few laughs
'Heartbreak' founders in raft of miscues
How could a sitcom with both John Lithgow and Jeffrey Tambor turn out to be awful?
"Wrecks," in a sold-out run, fails to illuminate or shock and it's not apt to spark discussion, not really. In the end, it simply comes off as an elaborate, if hollow, trick.
Streisand fans sing her praises as comeback tour sells out MSG
Cynthia delivers a hit-or-miss Jean Brodie
Barbra collectors are tuning up for her latest tour
Brooklyn theatrical haunt stages a Halloween horror
Babs proves gabby but still sublime
After a half-century of acting in a dozen plays written by George Bernard Shaw, sometimes more than once, 76-year-old stage vet Philip Bosco is back for more.
Sensational, says crowd at singular show's return
As long as "A Chorus Line" is kicking on Broadway, audiences have somewhere exciting to go.
The opening number of "A Chorus Line" addresses the nonstop anxiety and endless rejection that goes with being a chorus member. Just ask the dancers who strutted their stuff at auditions and…
'Birth' delivers, but it's no bundle of joy
Eric Bogosian's "subUrbia" reminded actors at Thursday's opening of the horror show that was their own adolescence.
You expect to laugh during a show about a guy who makes a tennis ball speak - and a monkey curse.
But you don't anticipate to well up.
Cherry Jones' 'Doubt' Sister becomes a national lightning rod