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1,898 stories from The New Yorker

Conor McPherson's Reliable Treasure by Helen Shaw, Jane Bua, Inkoo Kang, Sheldon Pearce, Brian Seibert, Richard Brody, Taran Dugal

Also: the Wu-Tang Clan's epic journeys, Chanticleer at Caramoor, the summer-vacation films of Jacques Rozier, and more.

SOURCE: The New Yorker Subscription at 6:00am on July 11, 2025

"Materialists," "Too Much," and the Modern Rom-Com

Romantic comedies tend to reflect their eras' attitudes toward women and relationships. What do new works in the genre have to tell us about sex and love today?

SOURCE: The New Yorker Subscription at 6:00am on July 10, 2025

"Too Much" Remixes the Rom-Com by Inkoo Kang

In her new Netflix show, Lena Dunham revitalizes the genre by delving into her characters' pre-meet-cute pasts"and all the attendant emotional baggage.

SOURCE: The New Yorker Subscription at 6:00am on July 10, 2025

"Hot Spot," by Nora Lange by Nora Lange

He called. She answered. He was her only sibling. He'd paid to have someone deliver her citrus so that she could avoid scurvy.

SOURCE: The New Yorker Subscription at 6:00am on July 10, 2025

Amy Bloom's Favorite Family Novels

The writer recommends four books about the nuances of family life.

SOURCE: The New Yorker Subscription at 4:00pm on July 9, 2025

A Quietly Subversive Novel About Renewal on the Italian Riviera by Claire Jarvis

In "The Enchanted April," by Elizabeth von Arnim, four Englishwomen are transformed by a temporary loss of self.

SOURCE: The New Yorker Subscription at 6:00am on July 8, 2025

U2's Bono on the Power of Music

The singer on his memoir, "Surrender," which deals with the early loss of his mother, finding religion in music, and navigating the Troubles while in a rock band from Dublin.

SOURCE: The New Yorker Subscription at 2:00pm on July 4, 2025

"Dedication," by Karan Mahajan by Karan Mahajan

"After my father stopped breathing, God bless his memory, I covered his body up in blankets"and kept studying."

SOURCE: The New Yorker Subscription at 6:00am on July 3, 2025

Zadie Smith on Grace Paley's "My Father Addresses Me on the Facts of Old Age" by Zadie Smith

The author on the New Yorker story that inspired her story "The Silence."

SOURCE: The New Yorker Subscription at 6:00am on June 30, 2025

Ottessa Moshfegh on Harold Brodkey's "The State of Grace" by Ottessa Moshfegh

The author on the New Yorker story that inspired her story "The Comedian."

SOURCE: The New Yorker Subscription at 6:00am on June 30, 2025

Curtain Up at the New Delacorte by Michael Schulman

Central Park's beloved open-air stage has had some work done (eighty-five million dollars' worth). Streep and Pacino may have moved on, but the raccoons stuck around.

SOURCE: The New Yorker Subscription at 6:00am on June 30, 2025

Ready, Set, Libretto! Jesse Eisenberg Speed-Writes a Musical by Emily Nussbaum

The "Real Pain" director teamed up with the TV writer Meredith Scardino to compete in the 24 Hour Musicals, for charity. Their muse? A West Elm lamp.

SOURCE: The New Yorker Subscription at 6:00am on June 30, 2025

What The New Yorker Was Reading in 1925 by Thomas Mallon

Touted in our first issue: a love-crazed soldier, scheming septuagenarians, an Anglo-French chastity plot, and a suspected nymphomaniac with a taste for fast cars.

SOURCE: The New Yorker Subscription at 6:00am on June 30, 2025

How Eva Victor Reimagined the Trauma Plot by Katy Waldman

In her new film, the actor, writer, and director charts the nonlinear course of a young woman's recovery from assault.

SOURCE: The New Yorker Subscription at 6:00am on June 29, 2025

"Super Gay Poems"

The writer Stephanie Burt discusses her new anthology of L.G.B.T.Q. poetry.

SOURCE: The New Yorker Subscription at 2:00pm on June 27, 2025

The Diva Is Dead, Long Live the Diva

We've worshipped divinely talented but demanding women for centuries. In an era of careful language and online backlash, is there still room for the diva?

SOURCE: The New Yorker Subscription at 6:00am on June 26, 2025

"Prince Faggot" Sends Up Kink and Country by Helen Shaw

Jordan Tannahill's explicit new play fetishizes the British Royal Family but has more than sex on its mind.

SOURCE: The New Yorker Subscription at 6:00am on June 26, 2025

"The Gilded Age" Is a Poor Man's Period Drama by Inkoo Kang

The HBO series is peppered with references to real-life personages and historical events"but it lacks the anything-goes energy of the era in which it's set.

SOURCE: The New Yorker Subscription at 8:12am on June 24, 2025

Bach's Colossus by Alex Ross

Pygmalion's visceral rendition of the B-Minor Mass.

SOURCE: The New Yorker Subscription at 6:00am on June 23, 2025

Mark Hamill Considers the Odds by Sarah Larson

The actor who became famous as Luke Skywalker now plays a math-obsessed grandfather in "The Life of Chuck." At MoMath, he studied fractals and rode a square-wheeled tricycle.

SOURCE: The New Yorker Subscription at 6:00am on June 23, 2025

Your Hip Surgery, My Headache, by David Sedaris by David Sedaris

Getting Hugh home after his hip replacement involved a thick cushion and a car with legroom. "Ow!" he said whenever I tried to help. "You're making everything worse!"

SOURCE: The New Yorker Subscription at 6:00am on June 23, 2025

Han Ong on Partisan Passions and Life Affirmation in the Theatre by Deborah Treisman

The author discusses his story "Happy Days."

SOURCE: The New Yorker Subscription at 6:00am on June 22, 2025

"Happy Days," by Han Ong by Han Ong

Why shouldn't Matthew Lim play Winnie? Inside his body, the role would be no spoof at all but the purest of incarnations.

SOURCE: The New Yorker Subscription at 6:00am on June 22, 2025

The Astonishing Images of Diane Arbus by Vince Aletti, Brian Seibert, Jane Bua, Hilton Als, Richard Brody, Sheldon Pearce, Jennifer Wilson, Bill McKibben

Also: Bill McKibben's nature-doc picks, the full-bodied soul of Baby Rose, new work from Pam Tanowitz, and more.

SOURCE: The New Yorker Subscription at 6:00am on June 20, 2025

Why We Turn Grief Into Art

In dark times, many novelists, poets, and performers turn to their work to process and express what they're feeling. What do these texts born of tragedy offer their audience?

SOURCE: The New Yorker Subscription at 6:00am on June 19, 2025
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