By HowlRound TV. Double Nickels Theatre Company presents a performance of The Mobile Porch Tour: "The Wildflower Project", livestreaming on the global, commons-based peer-produced HowlRound …
By Sterling Oliver. Undergraduate actor Sterling Oliver writes about how performing Forward led him to rediscover a passion for working to prevent climate change.
By Catherine M. Young. Catherine M. Young on Théâtre des Bouffes du Nord's production of Molière and Lully's Le Bourgeois Gentilhomme, directed by Denis Podalydès'at the Lincoln Center…
By Hanane Hajj Ali. A prominent theatre figure in Lebanon and the Arab region, Hanane Hajj Ali reflects in this piece on the personal and professional encounters that have made her the free …
By Emily Mendelsohn. Director Emily Mendelsohn shares her experience at the 2016 Theatre Without Borders Conference, and muses on an "ecological way of seeing" for her work.
By HowlRound TV. The Martin E. Segal Theatre Center presents the lecture The Future of Performance in the Era of Global Surveillance, livestreaming on the global, commons-based peer-produced…
By Jaisey Bates. Playwright Jaisey Bates urges us to include Native communities and artists in the work to combat climate change and in the work we put on stage.
By Michael Lueger. Michael Lueger talks with Joel Berkowitz about Yiddish theatre's historical and present iterations.
By Paula Cizmar. Playwright Paula Cizmar discusses the process of making her eco-play The Chisera (AKA Lost Borders)
By Jack Reuler. Mixed Blood Artistic Director Jack Reuler reflects on his longstanding relationships with the theatre critics of the Twin Cities: Minneapolis"Saint Paul, Minnesota.
By Todd London. In this installation of A Lover's Guide to American Playwrights, Todd London salutes Edward Albee who passed away on September 16, 2016. This article was originally published…
By Max Shulman. Students at Ramapo College interview eight of the playwrights on the 2015 Kilroys list for a Contemporary Women Playwrights course.
By Mya Kagan. Mya Kagan writes about two experiences that drove home for her the importance of narratives with female protagonists.
By Megan Reilly. In this first installment, Megan Reilly shares her experience with the first phase of The Tension Experience , a project that's a cross between immersive theatre and an Alte…
By Kate Mulley, Brenda Liu, Rui Yang. In this last installment, Playwright Kate Mulley interviews her Chinese classmates Brenda Liu and Rui Yang about their experience as Visiting Scholars a…
By Catherine Trieschmann. Catherine Trieschmann coaches her daughter through the heartbreak of rejection from the school talent show.
By Kate Mulley. In this first installment, playwright Kate Mulley shares her experience studying abroad at Shanghai Theatre Academy, reflecting on how her time there influenced her playwriti…
By Luane Davis Haggerty. Educator and director Luanne Davis Haggerty directs a musical with a Deaf and hearing cast and considers how the rehearsal room creates and reveals forms of Deaf lea…
By Holly L. Derr. Holly Derr contemplates how a director can foster a feminist production.
By HowlRound TV. The Vancouver Fringe Festival presents the forum Plays Well With Others, livestreaming on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Tue…
By Zoe Kamil. Playwright Zoe Kamil writes about casting a play of hers, and the difficult conversations that arose because she didn't specify the race of certain characters.
By Renée Camus. Renée Camus reports on this summer's Song, Stage, and Screen Conference in New York City.
By HowlRound TV. Art Klub in New Orleans presents a performance of Aliens, Immigrants, and Other Evil-Doers , by José Torres-Tama , livestreaming on the global, commons-based peer-produced …
By HowlRound TV. Ethos and The VORTEX in Austin, Texas present Atlantis: A Puppet Opera "a mythic tale of powerful warring religious zealots who are obsessed with world domination and non-re…
By Cherry Lou Sy. Playwright Cherry Lou Sy discusses Vineyard Theatre's production of Indecent, reflecting on the culture of fear and the queer artists who have influenced her.