Review: The Common Pursuit at curtainup.com
A smartly directed and terrifically performed revival of Simon Gray's homage to high-toned literary publications and to the bristling academic oeuvre behind it
A smartly directed and terrifically performed revival of Simon Gray's homage to high-toned literary publications and to the bristling academic oeuvre behind it
As London prepares to host the Olympic Games, with brilliant timing comes Mike Bartlett's stage version of David Puttnam's 1981 film
This musical sketchbook of Brooklyn's artistic history isn't for those whose definition of musical theater heaven is a book offering up a clearly defined plot and toe-tapping, hummable tunes…
Plugging into the Beckettian landscape of alienation, Will Eno, via Conor Lovett, takes you to a brave new world where a nameless man discovers that going nowhere is the new truth
the latest spoof of old Hollywood murder mysteries, the B variety that filled out the lower half of a double bill during the 1930s and 1940s at New Jersey's Passages Theater . . .
For those who want to see Danny DeVito live on stage, this will deliver. Sorry to rain on your parade Sunshine Boys!
Riding on the success of BBC Television's dancing contest, Strictly Come Dancing where celebrities compete paired with professional dancers, comes this world premiere staging of the 1935 Fre…
A formidable trinity of actors make this production, crisply directed by Christopher Morahan, an absolute must-see.
John Guare's most free-wheeling and comically absurdist play, commissioned by the McCarter Theater and Princeton University for its world premiere
A charming, high-stepping musical cream puff "A Tingle" and 'A Glow" with talent. . .
David Herskovits' new take is a cross-pollination of Brechtian theater, Joycean stream-of-consciousness, and a clipped American idiom
The formidable Lynn Cohen is the best thing about Rivka Bekerman-Greenberg's first play . .
Even with the magnetic Raul Esparza on board, singing and dancing up a storm, it will take a heap of ticket buying enthusiasts to make this Revival Meeting leap anywhere near the top of the …
a well-performed sequel but not equal to Marc Camoletti's Boeing, Boeing . . .
A shout out for everyone involved with this full of fizzle and fun new-old musical. It's best summed up by Ira Gershwin: " 's Wonderful!"
A salute to the design and the cast that grapples with undeveloped characters. The show overall proves that less is more if you want audiences to emotionally connect
There is no denying that the technical team has created an excitingly refracted vision of New York. Whether that is enough to spell success is questionable
Linda Lavin's monstrous matron 's deathbed vigil is as funny and sad on Broadway. as off . .
Frank Galati's epic adaptation of E.L. Doctorow's novel at Steppenwolf.
silence may be golden but in Bret C. Leonard's play it's overdone . . .
American audiences get an A-class taste of British humor via Richard Bean's coup-de-farce .
David Suchet and Laurie Metcalf are magnificent in this very fine production which has an unexpected feel good factor
This bio-play's main reason for being, the aura of big league basketball in a Broadway theater, is established even as you take your seat . . .
a play that's not done often because it's perhaps too wordy, too old fashioned for modern audiences. But it's worth seeing if you want to get a glimpse of O'Neill's lighter side. .
Simon Callow cogently explores what Shakespeare achieved andexperienced in his lifetime. .