6,634 stories from HowlRound
By Carey Purcell. Carey Purcell talks to Diane Paulus and Liesl Tommy about all women creative teams.
By Megan Patterson. Megan Patterson on the New York Theatre Workshop production of the musical Hadestown by Anaïs Mitchell, developed with and directed by Rachel Chavkin.
By Michael Lueger. Michael Lueger kicks off a new Theatre History podcast series with an interview with Max Shulman, discussing drugs in American theatre at the turn of the twentieth century.
By Sam Weisberg, Rob Onorato. Sam Weisberg and Rob Onorato review Jordan Tannahill's book Theatre of the Unimpressed, which discusses the well-made play and the idea of failing in theatre.
By Sumru Erkut, Ineke Ceder. The American Conservatory Theater with Wellesley Centers for Women present findings on a three-year study on the gender equity of leadership opportunities in the…
By Mona Merhi. Lebanese journalist and advocate Mona Merhi writes about the history of censorship in Lebanon and its current state of play.
By HowlRound TV. Visiting Arts and Creative Scotland present The Visiting Arts International Producers Breakfast 2016 livestreaming on the global, commons-based peer-produced HowlRound TV ne…
By HowlRound TV. American Conservatory Theater and The Wellesley Centers for Women present the opening session of the Women's Leadership Conference livestreaming on the global, commons-based…
By Irene Loy. In this installment, Irene Loy discusses the Caregiver character, who genuinely wants what's best for other (often the main) characters.
By Ursula Cimone Walker. Ursula Walker on Jelisa Jay Robinson's Stories of Us at the Mexican American Cultural Center in Austin, Texas.
By Samantha Mueller, Colleen Rua. Playwright and producer Samantha Mueller talks to director and educator Colleen Rua about their mutual passion for immersive theatre.
By HowlRound TV. FaultLine Theater in San Francisco presents the world premiere of The Ice Cream Sandwich Incident , by Barry Eitel , livestreaming on the global, commons-based peer-produced…
By Jelisa Jay Robinson. In this installment, Jelisa Jay Robinson profiles Gustavo Melo Cerqueira, a Brazilian arts activist based in Austin, Texas.
By Shelby-Allison Hibbs. Shelby-Allison Hibbs collects thoughts from Dallas theatremakers about the sustainability of the city's theatre scene.
By Lauren Gunderson. Jasson Minadakis , Artistic Director of Marin Theatre Company in Mill Valley, California and playwright-in-residence Lauren Gunderson discuss their participation in the …
By David Bruin. A tribute to the founder of Signature Theatre, Jim Houghton by David Bruin.
By Shelby-Allison Hibbs. Shelby-Allison Hibbs on Kitchen Dog Theater's productions of Steve Yockey's Blackberry Winter and The Thrush and the Woodpecker .
By HowlRound TV. Gale Theatre Company and The VORTEX in Austin, Texas present Salomé , a new physical adaptation of Oscar Wilde's one act tragedy livestreaming on the global, commons-based …
By Michael Lueger. An interview between Michael Lueger and MOLA archeologists Heather Knight and Julian Bowsher about the recent excavation of the Curtain Theatre in London.
By Taylor Mac. Kristin Marting, Artistic Director of HERE in New York City and playwright-in-residence Taylor Mac discuss their participation in the Andrew W. Mellon Foundation's National Pl…
By Tlaloc Rivas. Following a series of casting controversies in Chicago, Tlaloc Rivas offers counsel and perspective to Latinx actors while calling out theatres that practice whitewashing.
By HowlRound TV. Victory Gardens Theater and the Alliance of Latinx Theatre Artists (ALTA) Chicago , along with the Alliance for Inclusion in the Arts , Chicago Inclusion Project , Congo Squ…
By Brianna Susan Smith. Brianna Susan Smith discusses strategies for theatre companies to invest in the local communities they serve.
By Carey Purcell. Carey Purcell looks at female artistic leadership of summer companies at New York Stage and Film, the Eugene O'Neill Theater Center, and Williamstown Theatre Festival.
By Teresa Marrero. Teresa Marrero writes about the successes and learning moments encountered while teaching a Latina/o Theatre Special Topics course.
