38,669 stories from The New York Times
The one-woman show, coming to Broadway, is the "Killing Eve" star's first stage role. She dared herself to do it.
In a new revival of "Camelot," updated by Aaron Sorkin, the actress finds humanity in the legend of King Arthur and Guenevere.
A family of adoptees reckon with Asian American identity in this surreal play from Playwrights Horizons and WP Theater.
The veteran performance artist Karen Finley leads the audience through the troubles that plagued New York City at the peak of the pandemic.
Years before "Will & Grace," Hayes was a classical pianist. In the new Broadway play "Good Night, Oscar," he returns to the piano to portray a famously troubled musician and witty guest …
Michael R. Jackson's wild new musical satire is packed with a thesis' worth of insight about fate and representation.
In a postmodern era dominated by minimalism and conceptual themes, her work focused on emotion and storytelling.
Three women seeking companionship turn to an Alexa-like digital presence in this family drama at Ensemble Studio Theater.
In "Weathering" at New York Live Arts, the performers seem like the last holdouts of a civilization clinging to survival.
The Tony Award-winning actress said in an Instagram post that she had decided to share the news to remind people "that there is no shame in this kind of loss."
Dance on the app has become more niche and more professionalized, but in the larger world TikTok-style dance has gained a toehold.
Dmitry Krymov, one of Russia's most eminent directors, is among the dozens of artists who have left their homeland since Russia invaded Ukraine.
A Royal Shakespeare Company adaptation of Maggie O'Farrell's hit novel gives voice and agency to a historical character we know little about.
Zadie Smith brings her first play, an adaptation of Chaucer's the Wife of Bath tale, to the Brooklyn Academy of Music.
In his solo show about the death of his teenage children, Colin Campbell recounts his calamitous relationship with the darkest of emotions.
A dramatization of the trial between the wives of two soccer stars is returning to the West End in London, joining TV shows, podcasts and documentaries about the high-profile spat.
Self-harm, lashings, child prostitution, rape: Ivo van Hove's adaptation of the 2015 novel tests the audience's trauma threshold.
With new books and a podcast taking another look at the legacy of George Balanchine and the culture of ballet, where does a modern ballerina stand?
Abraham and his company, A.I.M, returned to the Joyce Theater with a program of mixed repertory, including new dances and a Bebe Miller solo.
Picking plays and musicals has become more complicated in some school districts. We'd like to hear about your experience.
The solo performance will open on June 26 at the Hudson Theater.
Larissa FastHorse is making her Broadway debut with a satire about a socially conscious show that doesn't go as planned.
A countrified musical about corn, and filled with it, too, transplants itself to Broadway, with songs by Brandy Clark and Shane McAnally.
The show, in London, skewers its protagonist through maximalist kitsch, but it comes with a tone of finger-wagging moralism that's no fun.
The duo recently starred in a revival of "The Sign in Sidney Brustein's Window" at BAM; now the production is moving uptown.
