6,634 stories from HowlRound
By Corey Ruzicano. Corey Ruzicano interviews director Leigh Silverman as part of the Battle Series.
By Pearl Cleage. Play recommendations from playwright Pearl Cleage for contextualizing the current anger felt by many Americans.
By Ricky Young-Howze, Ali Stroker. Ricky Young-Howze talks with actor Ali Stroker about changing people's perceptions about performers with disabilities.
By Joris Weijdom. Researcher and lecturer Joris Weijdom of HKU University of the Arts Utrecht, Netherlands on what the Internet of things, transmedia, and mixed reality might mean for theatr…
By John J. Caswell Jr.. Playwright John J. Caswell, Jr. meditates on the trajectory of queer theatre, and the tendency to normalize the form.
By HowlRound TV. The Neo-Futurists presents the The Neo-Futurist Kitchen (a micro-festival on art & performance) livestreaming on the global, commons-based peer-produced HowlRound TV net…
By Marissa Wolf, Nathan Louis Jackson. Marissa Wolf, Director of New Works at Kansas City Rep, talks with playwright in residency Nathan Louis Jackson.
By Corey Bradberry. Corey Bradberry's theme and production considerations for staging Moby Dick for a contemporary audience in the deep South.
By Neal Reynolds. Neal Reynolds discusses how a play's subject matter may increase the potential for an abusive production process.
By Anđela Vidović. Anđela Vidović on the reception of Bella Figura by French Playwright Yasmina Reza in Zagreb, Croatia.
By Catherine M. Young. Catherine M. Young reflects on the closing of the musical Shuffle Along.
By Amber Robinson. Chicago-based theatre practitioner, Amber Robinson, reflects on the polyphonic nature of The Goodman Theatre's adaption of Roberto Bolaño's novel 2666 and other multi-n…
By Madeline Easley. Madeline Easley describes how an assignment inspired her to create a platform where people can share stories and write monologues.
By Madeline Sayet. Madeline Sayet, a 2016 TED Fellow, shares insights from other TED Fellows with applications for theatre practice.
By Ricky Young-Howze. In this installment, Ricky Young-Howze discusses his experience marketing his play Last Hope for Twenty Miles, and what he learned for future reference.
By Trevor Boffone. Trevor Boffone on Josh Inocéncio's solo show, Purple Eyes , presented in special collaboration with ProyectoTeatro in Austin, Texas.
By Damon Krometis. In this installment, Damon Krometis shares his experience with garnering audience collaboration and gives tips on how to best include audience members in a performance.
By HowlRound TV. The Stanislavsky Electrotheatre Presents Dr. Claire Warden's Lecture: Migrating Modernist Performance: British Theatrical Travels Through Russia , livestreaming on the globa…
By Andrew Bailes. Andrew Bailes on the critical reception of The Bachelors , written by Caroline V. McGraw and directed by Erica Weiss in Chicago, Illinois.
By Nora J. Williams. Renaissance scholar Nora J. Williams discusses the #Shakespeare400 celebrations, and the myth that Shakespeare is the "greatest playwright" in the English language.
By Brent Eickhoff. Chicago-based theatre practitioner Brent Eickhoff considers learning to cope with rejection in a positive manner.
By David Levy. David Levy discusses Noah Diamond's adaptation and revival of I'll Say She Is , the musical debut of the Marx Brothers.
By Brianna Smith. Artistic Director Brianna Smith discusses gender fluidity and advocates the need for creating more opportunities transgender, gender-queer, androgynous, and other non-binar…
By Jonathan Mandell. Jonathan Mandell looks at the new production of Runaways , thirty-eight years after the first, and asks: Should a work of theatre allow us to escape from, or force us to…
By HowlRound TV. FaultLine Theater in San Francisco presents the world premiere of Oreo, Carrot, Danger; a play of rituals , by Nayia Kuvetakis , livestreaming on the global, commons-based p…
