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38,669 stories from The New York Times

John Kander's Major Chord, Undiminished by Jesse Green

The 96-year-old composer of "Chicago" and "Cabaret" is making a brand-new start of it with "New York, New York," his 16th Broadway musical.

SOURCE: The New York Times Subscription at 5:03am on April 4, 2023☆⚑

'Yes, I Can Say That!' Review: The Freedom to Offend by Laura Collins-hughes

The comedian Judy Gold's new solo show at 59E59 Theaters is deliberately uncomfortable " and packed with laughs.

SOURCE: The New York Times Subscription at 3:24pm on April 3, 2023☆⚑

Review: 'True West: Sam Shepard's Life, Work, and Times,' by Robert Greenfield by Dwight Garner

"True West" is a new biography of a playwright and actor who was laconic in person but spoke volumes in his work.

SOURCE: The New York Times Subscription at 6:48am on April 3, 2023☆⚑

Review: The Dreamy Precision of an Everyday Surrealist by Brian Seibert

The choreographer Beth Gill's "Nail Biter," at the Fisher Center at Bard College, is absolutely deliberate but also mysterious.

SOURCE: The New York Times Subscription at 5:51pm on April 2, 2023☆⚑

'Prima Facie' and 'My Neighbour Totoro' Win Big at the Olivier Awards by Alex Marshall

The Jodie Comer-starring legal drama won best new play at Britain's equivalent of the Tonys and an adaptation of 'Totoro' won six gongs " the most of any production.

SOURCE: The New York Times Subscription at 4:42pm on April 2, 2023☆⚑

Book Review: 'Blanche: The Life and Times of Tennessee Williams's Greatest Creation,' by Nancy Schoenberger by Alexandra Jacobs

Playing Blanche DuBois is shattering, say the actresses featured in Nancy Schoenberger's "Blanche." But Tennessee Williams's most indelible character is now a figure of sympathy.

SOURCE: The New York Times Subscription at 5:18am on April 2, 2023☆⚑

The Last Days of Beckett's, a Smoky New York Literary Salon by Alex Vadukul

They came. They drank. They staged plays and argued about Shakespeare. For dozens of up-and-coming writers, actors and artists, it was nice while it lasted.

SOURCE: The New York Times Subscription at 5:36am on April 1, 2023☆⚑

Review: A Trip From Light to Dark With the National Ballet of Canada by Gia Kourlas

The company returned to New York City Center with recent works by Crystal Pite and David Dawson, along with a vintage offering by Kenneth MacMillan.

SOURCE: The New York Times Subscription at 1:58pm on March 31, 2023☆⚑

Michael R. Jackson on the Soap Opera Origins of 'White Girl in Danger' by Maya Phillips

The musical's creator and creative team discuss their influences, including "Days of Our Lives," "Showgirls" and D'Angelo.

SOURCE: The New York Times Subscription at 12:48pm on March 31, 2023☆⚑

Review: Philip Glass and the Meaning of Life by Joshua Barone

The director Phelim McDermott, who has acted like a visual translator of Glass's music, pays tribute to the composer in their show "Tao of Glass."

SOURCE: The New York Times Subscription at 12:12pm on March 31, 2023☆⚑

Now Playing in China: Putin-Aligned Artists Shunned in the West by Javier C. Hernández

As Russia works to shore up its image and rebuild its soft power after its invasion of Ukraine, it is strengthening cultural ties with friendly nations, including China.

SOURCE: The New York Times Subscription at 11:49am on March 31, 2023☆⚑

Alex Newell From 'Shucked' Sings Their Favorite Whitney Houston Song by Nancy Coleman

After growing up listening to powerhouse voices, the actor brings their own back to Broadway.

SOURCE: The New York Times Subscription at 5:06am on March 31, 2023☆⚑

'Life of Pi' Review: A Boy and a Tiger, Burning Brightly by Alexis Soloski

Human ingenuity and animal grace course through this rich, inventive play about difficult choices and the stories we tell to make sense of them.

SOURCE: The New York Times Subscription at 10:24pm on March 30, 2023☆⚑

Review: A New Zealand Troupe's Oceanic Feelings by Brian Seibert

Atamira Dance Company's "Te Wheke" at the Joyce Theater drops you into its world and trusts you can swim in it.

SOURCE: The New York Times Subscription at 12:36pm on March 30, 2023☆⚑

Jenny Schlenzka Steps Down From Performance Space New York by Brian Seibert

Schlenzka, who took the reins in 2017, presided over a rebranding and a new name for the organization " and an experiment in artist rule.

SOURCE: The New York Times Subscription at 10:39am on March 30, 2023☆⚑

Review: 'Drive Your Plow Over the Bones of the Dead' in London by Houman Barekat

The British experimental theater company Complicité turns the Nobel laureate Olga Tokarczuk's novel "Drive Your Plow Over the Bones of the Dead" into a thought-provoking, entertaining spect…

SOURCE: The New York Times Subscription at 11:24am on March 29, 2023☆⚑

In 'Public Obscenities,' Tashnuva Anan Makes Her New York Debut by Maya Salam

Tashnuva Anan Shishir, who became her country's first transgender news anchor in 2021, is performing in "Public Obscenities" at Soho Rep.

SOURCE: The New York Times Subscription at 5:06am on March 29, 2023☆⚑

In This 'Peter Pan,' Something Always Goes Awry. That's the Plan. by Alexis Soloski

Broadway's slapstick comedy "Peter Pan Goes Wrong" is full of daring sequences. What does it take? Countless rehearsals (and bruises).

SOURCE: The New York Times Subscription at 5:06am on March 29, 2023☆⚑

'According to the Chorus' Review: Backstage Truths by Elisabeth Vincentelli

In Arlene Hutton's play at 59E59 Theaters, the members of a Broadway cast reveal their hopes and fears tucked away in a quick-change room.

SOURCE: The New York Times Subscription at 8:18pm on March 28, 2023☆⚑

An 'Obsession' With Philip Glass Inspires a Director's Memory Play by Zachary Woolfe

In "Tao of Glass," Phelim McDermott, who has directed three Glass operas, turns to his personal history with the composer's work.

SOURCE: The New York Times Subscription at 11:36am on March 28, 2023☆⚑

Review: In 'Día y Noche,' Opposites Intertwine by Elisabeth Vincentelli

David Anzuelo's generous, unwieldy play about an oil-and-water friendship between two high school boys opens at 59E59 Theaters.

SOURCE: The New York Times Subscription at 2:42pm on March 27, 2023☆⚑

Review: A South Korean Troupe's Physical Risks and Daunting Tasks by Siobhan Burke

The contemporary dance group Bereishit performed two works by its founder, Park Soon-ho, at NYU Skirball.

SOURCE: The New York Times Subscription at 2:19pm on March 27, 2023☆⚑

'James Brown Wore Curlers' Review: A Superfan Becomes Celine Dion by A.J. Goldmann

In "James Brown Wore Curlers," the French playwright tries out a more far-fetched premise than in her previous hits, and produces less satisfying satire.

SOURCE: The New York Times Subscription at 1:32pm on March 27, 2023☆⚑

Kristin Chenoweth Lives for 3 A.M. FaceTime Calls and 'Funny Girl' by Sarah Bahr

The actress is returning for the second season of "Schmigadoon!" Reality TV and occasional shopping sprees have kept her going in the meantime.

SOURCE: The New York Times Subscription at 5:24am on March 27, 2023☆⚑

'Nemesis' Review: A Philip Roth Adaptation Resonates by Laura Cappelle

The American writer's last novel becomes surprisingly effective theater in the hands of Tiphaine Raffier at the Odéon-Théâtre de l'Europe.

SOURCE: The New York Times Subscription at 10:20pm on March 26, 2023☆⚑
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