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Ben Platt and Micaela Diamond star in a timely and gorgeously sung Broadway revival of the 1998 musical about the Leo Frank case.
John Herman's rarely seen 1969 musical is revived in an Encores! production at New York City Center.
The company's run at the Joyce Theater in Manhattan, featuring a premiere set to the soulful music of Bill Withers, is fun and clever in spots.
The show, scheduled to open in April at the James Earl Jones Theater, was adapted from Emma Donoghue's best-selling 2010 novel.
His long-gestating final show, now titled "Here We Are," is coming to the Shed; it is inspired by two Luis Buñuel films.
In "Broken Chord," the choreographer Gregory Maqoma and the composer Thuthuka Sibisi consider the journey of a South African choir that traveled to England in the 19th century.
In taking on the male-dominated theatrical craft, contemporary women carvers are changing the face of a centuries-old tradition.
A stage adaptation of the 1972 movie about a Jamaican singer turned outlaw hero sounds great but falls hard at the Public Theater.
Considered one of the greats of her era, she partnered with Nureyev, Baryshnikov and others, bringing a passionate style to roles in dance, both ballet and modern.
A group of eclectic performers will gather to perform new and old dances. Adji Cissoko, a member of Alonzo King's Lines Ballet, will be the artist in residence.
Nearing 95, the inimitable singer is about to make her Carnegie Hall solo debut. In an eight-decade career, it's a crowning moment " and just another gig.
The actor, who learned to love music at her local temple, has developed a different relationship to her Judaism onstage.
Nicholas Hytner's heartbreaking ambulatory staging, at the Bridge Theater in London, finds new depths in the classic Broadway musical.
With a new biography and a production of "Les Noces," the time has come to reconsider the choreographer, whose work and reputation have languished since .
In Liliana Padilla's play at New York Theater Workshop, college students find empowerment and life lessons in a DIY self-defense class.
Keith Bunin's gentle, rueful play at Lincoln Center's Mitzi E. Newhouse Theater settles down among six passengers traveling from Los Angeles to Seattle.
Mary-Mitchell Campbell, the series' new music director, will lead a restored performance of "Dear World," starring Donna Murphy.
Target Margin Theater remixes one of the Bard's lesser works, with uninspired results.
"Blackbare in the Basement," Jordan Demetrius Lloyd's first evening-length commission, shows a distinct voice still developing.
At the Shed, Arinzé Kene mixes spoken word, music and comedy to tell a story of racial tension and male identity in a changing London.
Jamie Lloyd's compelling, surgically precise revival of Ibsen's 1879 drama throbs like an episode of "CSI: Norway."
Ryan J. Haddad's gracefully layered play about the lives of disabled people blasts away condescension and replaces it with comprehension.
The country has a long history of demonstrations, which often feature overtly theatrical elements. Our Paris theater critic marched along on Tuesday to soak up the spectacle.
In "The Invisible Project," a premiere at NYU Skirball, the choreographer Keely Garfield's work as an end-of-life and trauma chaplain informs the dance.
Wide acclaim for the role of Tevye helped make him, according to one newspaper, "Israel's most famous export since the Jaffa orange."
