3,986 stories from CurtainUp
To paraphrase Samuel Johnson, "When you're tired of Stephen Sondheim's Follies, you're tired of musical theater"
debbie tucker green's (lower case is her choice) new play for the Royal Court
Ralph Fiennes draws the audience into Prospero's world and we are almost complicit in his wizardry
The the Hartford Stage, production is a stunning reminder of the power a play can wield. . . .
Fiasco's no-tricks-up-its-sleeve production puts Shakespeare's convoluted play within delightful reach of an audience
theater buffs will love this terrific and timely comedy of manners that's all about a London bank scandal -- but also a backwater town's dying newspaper and local theater producer and playwr…
The visual dichotomy is the most striking element of this take on the financial scandal
An intriguing idea that doesn't quite work
Alexi Kaye Campbell's new play for the Royal Court engages the intellect with a contemporary analysis of ethics
The Mint's production of Teresa Deevy's long ignored play is certainly a cure for those in search of a good yarn .
Each family in Deborah Zoe Laufer's comedy is unhappy in its own way .
You don't have to be Jewish to be caught up in this story of a young man's struggle to grapple with the demands of his religious heritage and the need to fulfill his artistic gift .
Tennessee Williams' one and only comedy gets a sympathetic revival at Berkshire Theater Festiva
Curtainup's omnibus page of daily updated Fringe reviews daily .
A beautifully staged musical adaptation of the much staged and screed but never musicalized novel, Les Liaison Dangereuses
A superb cast has been entrusted with the difficult burden of speaking a lot of funny lines while also behaving either irresponsibly or reprehensibly in Charles Bush's new play
If we had to name an actress for our day who measures up to the reputation of the enigmatic Garbo, it surely would be Ruth Wilson who has an ability to emotionally envelop an audience with h…
the iconic musical's original director Michael Grei has attended to the show's needs with marked discipline as well as with some newly motivated impressions
the Sydney Theatre Company's very special production of Chekhov's play at the Kennedy Center
two plays in site specific setting for 20 viewers at a time only . . .
A wannabe Cowardesque marital comedy, beautifully staged, well acted, but without the memorable bon mots.
new Berkshire Actors company gets off to a funny start with John Patrick Shanley's 1993 satire
part of the Royal Shakespeare Company's 5-play smash hit at the Armory
there is the prospect of a happy ending in this early one-act version of The Glass Menagerie
An old play and a new monologue have been created as performance pieces, each allowing the wonderfully talented Greenspan to be ingratiating and impressive in different ways.
