38,669 stories from The New York Times
The eight-week season will feature the Mark Morris Dance Group making its Joyce Theater debut, as well as Caleb Teicher's big band swing and Pilobolus.
Broadway's longest running musical, set to close next month, has been a source of stability for orchestra members, many of whom have grown up with the show.
Thomas Ostermeier's surprisingly traditional production of the Chekhov classic came to life via the cast's performances, and without radical interventions by the director.
Josh Groban, Annaleigh Ashford and a starry creative team are hoping there's an appetite for Broadway's first full-scale revival of Sondheim's Grand Guignol masterpiece in 43 years.
In Keen Company's revival of Lynn Nottage's 1995 play, a Black girl comes of age amid the churn of social change in midcentury Brooklyn.
A guide to some of the undervalued 20th-century works that testify to the richness of the Black American literary archive.
In London, a stage show based on the popular TV series tries to capture the warmhearted appeal of the original.
Several nonprofit dance groups have embraced collective leadership. "Dancing together taught us more about leading together," said a co-director of Bridge Live Arts.
At La Jolla Playhouse, the musical adaptation of the novel and film has considerable appeal, but is weighed down by too many characters and themes.
The playwright Emily Feldman structures this work like a personal GPS that plots the course of a family.
The studio's first venture into live performance follows the move by Audible, Amazon's audio subsidiary, to stage works at the nearby Minetta Lane Theater.
In Agnes Borinsky's latest play, a brother and sister returning from a party suddenly find their feet stuck in the earth. But to what end?
The New York debut of her performance "Lacks Criticality" coincides with an exhibition at the Whitney Museum that explores how artists have responded to Hurricane Maria.
Tanztheater Wuppertal returns to the Brooklyn Academy of Music for the first time in six years with "Ãgua," a long, whimsical work from 2001.
The measure is part of a wave of legislation by conservative lawmakers across the country against drag performances. Many are wondering how it will be applied.
Stale views of gender dynamics power Eric Bogosian's play about an aspiring actress caught in the clutches of a duplicitous man.
A new production of the Disney musical at the Paper Mill Playhouse falls short of inspiring awe.
Five years after its American premiere, the acclaimed play about migrants eking out lives in an encampment returns with a mix of new and original cast members.
Alexander Zeldin's heartbreaking play set in a temporary housing facility retunes our attention from the big picture to the small accommodations.
Batsheva Dance Company brings Naharin's "Hora" to the Joyce Theater, showcasing his idiosyncratic, often-emulated style.
The new work from Shayok Misha Chowdhury creates a strong enough center for the rest of its disparate parts to hold, and leaves the audience craving more.
Lea Michele, whose star turn in the musical has reversed its flagging fortunes, will stay with the show to the end.
Jessica Steinrock's work on intimate scenes in film has come to prominence as the entertainment industry reels from the litany of sexual abuses brought to light by the #MeToo movement.
A young woman works to free herself from the expectations of men in Betty Smith's 1931 play.
Several Black playwrights have canceled productions of their works, in some cases after performances started, because of concerns about conditions at the theaters presenting them.
