By HowlRound TV. Miami Light Project presents Here & Now: 2016 "a presentation of contemporary performance in Miami, Florida livestreaming on the global, commons-based peer-produced Howl…
By HowlRound TV. Nashville Repertory Theatre's Ingram New Works Festival in Nashville, Tennessee presents the latest new plays born from our Ingram New Works Project's playwrights' lab lives…
By HowlRound TV. The VORTEX in Austin, Texas presents The Tempest: An Aerial Tale , a new adaptation of Shakespeare's classic by Lorella Loftus, livestreaming on the global, commons-based pe…
By Todd London. Todd London on playwright Anne Washburn on winning the Herb Alpert Award for Theatre.
By Mary Frances Noser, Emma Lukens. Actors Mary Frances Noser and Emma Lukens reflect on their process acting in Love Sonnets at Emerson College.
By Phil Weaver-Stoesz. Phil Weaver-Stoesz discusses Liz Lerman's Animating Research class at Arizona State University and interdisciplinary collaboration.
By Victoria Masteller. In this third installment, Victoria Masteller discusses her experience as Associate Director and examines how space informed the production of Love Sonnets .
By HowlRound TV. ArtsEmerson in Boston present the public dialogue Some Other Race: Exploring the Diversity within the Latino Story livestreaming on the global, commons-based peer-produced H…
By Helen Schultz. In this second installment, Helen Schultz reflects on her dramaturgical process.
By David Dudley. David Dudley interviews members of the creative team behind the Goodman Theatre's recent production of Thornton Wilder's The Matchmaker .
By HowlRound TV. Yerba Buena Center for the Arts and Theatre Bay Area co-host Equitable Representation Through the Arts: A Community Conversation livestreaming on the global, commons-based p…
By HowlRound TV. The Martin E. Segal Theatre Center in New York City presents Reverend Billy & The Stop Shopping Choir "the winner of this year's Edwin Booth Award"livestreaming on the g…
By Caitlin Bailey. In this first installment, Director Caitlin Bailey shares her directorial process for Love Sonnets: Things Women Say , a compilation of monologues for women written by Chu…
By Arianna Soloway. Arianna Soloway writes about her struggle to self-define as a director when she works full-time as a real estate agent.
By HowlRound TV. Suzan-Lori Parks livestreams Watch Me Work from the Public Theater in New York City on Monday, May 9 at 2pm PDT (Vancouver) / 4pm CDT (Austin) / 5pm EDT (Toronto) / 21:00 GM…
By Molly Marinik. The internship experience based on Molly Marinik's informal survey of 290 internships completed between 2006"2016.
By Minna Vallaste. Minna Vallaste writes about a piece she created about dementia using ideas from Kantor's Theatre of Death.
By Daniel Fine. In this installment, Dan Fine continues his discussion about the intersection of media and scenic design, further examining production needs and considerations.
By Patricia Davis. Patricia Davis on Ambassador Theater's production of They Don't Pay? We Won't Pay! by Dario Fo in Washington, DC.
By Ben Yalom. Director Ben Yalom discusses the differences between directing an ensemble-created piece versus a more traditional one.
By Koy Suntichotinun. In this installment, Koy Suntichotinun discusses his process for creating a performance piece interpreting Aaron Weissman's State Park, in which he incorporates social …
By Rebecca Martinez. Rebecca Martinez writes about how Hamilton changed her personal relationship to her country.
By Holly L. Derr. Holly L. Derr deconstructs a new dynamic in her theatre department.
By Ty Furman, Carrie Preston. A conversation with Theatre Nohgaku members about noh theatre and their production of Zahdi Dates and Poppies.
By Matthew Minnicino. In this installment, Matthew Minnicino discusses gender politics in Shakespeare's work, and productions of King Lear with women starring in the title role.