Dan O'Brien uses a true story to examine the lives of two men, their creative processes, the ghosts that haunt them, their search for themselves and their symbiotic need for connections.
O'Neill upstairs at Philadelphia's historic Walnut Street Theatre.
This real life tale of chronic disorganisation by two of America's aristocracy with dashed hopes and dreams of what might have been, fascinate
ith so many styles beautifully executed by ADM21ers, it's hard to single out any one of these interpreters of astounding ballet leaps, characterizing gestures, jazzy high kicks and synchroni…
Steven Friedman combines aphoristic justifications for philosophy with autobiography
The Flea takes on modern states of emergency with the help of audience participation
This musical set in a weight loss camp needs slimming down as much as the campers
David Mamet wrote this play for Al Pacino. While Pacino isn't looking a gift horse in the mouth , all his charisma, verbal and physical quirks can't save this horse from being lame-footed. .
a musical treat at Sacred Fools
Ivo Van Hove's down sized, sizzling take on Arthur Miller's kitchen sink drama
Naomi Wallace's Greek drama is not for anyone squeamish about strong, unconventional sexual content . . . Read More
a buzz-y new version of his classic A View From the Bridge and the less familiar Incident at Vichy and a Yiddish Death of a Salesman
John Pollono explores a blue collar family's pattern of self-entrapment in bad choices.
The Mobile Shakespeare Unit is in its sixth season "and going strong.
A jukebox musical with heart and the funky rhythm of the Estefan sound that's sure to get you on your feet
Mike Bartlett uses the living, breathing British Royals for his own Shakespearian history drama
Chekhov's Seagull with a twang
A solo show by the young Daily Show correspondent offers a humorous take on being an outsider
- worthy of a twenty-one gun salute R
Michael John LaChiusa's follow-up to the brilliant First Lady Suite.
Paula Vogel's moving, full-scale, sometimes overstuffed, always fascinating new work at Yale Rep .
The surprising thing is how DiPietro's script combines humorous fluff with substantial emotion. Its seemingly opposing aspects complement each other. Not an easy thing to pull off.
a play that has intrigued audiences since it first opened on Broadway in 1971
70 minutes of enchantment and wonder. . . Read More
he opening of this Medea is the most moving in its portrait of a woman broken by abandonment. .