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3,490 stories from The Arts Desk

An Actor Convalescing in Devon, Hampstead Theatre review - old school actor tells old school stories in warm bath of nostalgia by Gary Naylor

★★★★ AN ACTOR CONVALESCING IN DEVON, HAMPSTEAD THEATRE Paul Jesson finds considerable poignancy in Richard Nelson's bespoke play Fact lightly repackaged as fiction…

SOURCE: The Arts Desk at 12:54pm on April 16, 2024

Richard, My Richard, Theatre Royal Bury St Edmund's review - too much history, not enough drama by Laura De Lisle

Philippa Gregory's first play tries to exonerate Richard III, with mixed results History is very present in Philippa Gregory's new play about Richard III. Literally - History is a character,…

SOURCE: The Arts Desk at 5:12am on April 16, 2024

The Comeuppance, Almeida Theatre review " remembering high-school high jinks by Aleks.sierz

Latest from American penman Branden Jacobs-Jenkins is less than the sum of its parts I've never been one for school reunions, but even if I had kept in touch with former classmates I think …

SOURCE: The Arts Desk at 11:42am on April 15, 2024

Player Kings, Noel Coward Theatre review - inventive showcase for a peerless theatrical knight by Helen Hawkins

Ian McKellen's Falstaff thrives in Robert Icke's entertaining remix of the Henry IV plays Shakespeare's plays have ever been meat for masher-uppers, from the bowdlerising Victorians to the m…

SOURCE: The Arts Desk at 6:12am on April 14, 2024

Cassie and the Lights, Southwark Playhouse review - powerful, affecting, beautifully acted tale of three sisters in care by Gary Naylor

★★★★ CASSIE AND THE LIGHTS, SOUTHWARK PLAYHOUSE Warm, funny and moving ensemble play about three sisters finding a way to live Heart-rending chronicle of difficult, d…

SOURCE: The Arts Desk at 9:18pm on April 10, 2024

Power of Sail, Menier Chocolate Factory review - alternately stiff and startling by Matt Wolf

Dominic Dromgoole directs UK premiere of Paul Grellong play, wit Julian Ovenden, 2024 Olivier nominee Giles Terera, and Michael Benz

SOURCE: The Arts Desk at 8:31am on April 10, 2024

Power of Sail, Menier Chocolate Factory review - alternately stiff and startling by Matt Wolf

Paul Grellong play delivers in its final passages The Menier Chocolate Factory has made something of a habit of late out of trawling unexpected corners of the contemporary American…

SOURCE: The Arts Desk at 8:06am on April 10, 2024

Gunter, Royal Court review - jolly tale of witchcraft and misogyny by Helen Hawkins

A five-women team spell out a feminist message with humour and strong singing Many an Edinburgh Fringe transfer has struggled when it moves to the big city, but the Dirty Hare company's Gunt…

SOURCE: The Arts Desk at 1:24am on April 9, 2024

First Person: the actor Paul Jesson on survival, strength, and the healing potential of art by Paul Jesson

Olivier Award-winner Paul Jesson explains how Richard Nelson came to write a solo play for him In September 2022 I had an email from my American friend Richard Nelson: "Would you like me to…

SOURCE: The Arts Desk at 12:18am on April 8, 2024

Underdog: the Other, Other Brontë, National Theatre review - enjoyably comic if caricatured sibling rivalry by Heather Neill

Gemma Whelan discovers a mean streak under Charlotte's respectable bonnet The Brontë sisters and their ne'er-do-well brother will always make good copy. The brilliance of the women constr…

SOURCE: The Arts Desk at 10:02pm on April 4, 2024

Long Day's Journey Into Night, Wyndham's Theatre review - O'Neill masterwork is once again driven by its Mary by Matt Wolf

Patricia Clarkson powers the latest iteration of this great, grievous American drama Memory is a confounding thing. By way of proof, just ask the Mary Tyrone who is being given unforgettable…

SOURCE: The Arts Desk at 7:54am on April 3, 2024

Opening Night, Gielgud Theatre review - brave, yes, but also misguided and bizarre by Matt Wolf

Sheridan Smith gives it her all against near-impossible odds Is there a more purely likeable actress than Sheridan Smith, the performer who was still a teenager when she stole the show at t…

SOURCE: The Arts Desk at 9:54am on April 2, 2024

The Divine Mrs S, Hampstead Theatre review - Rachael Stirling shines in hit-and-miss comedy by Tom Birchenough

Awkward mix of knockabout laughs, heartfelt tribute and feminist messaging never quite settles There are genres of theatre that demand buy-in from the audience " musicals, opera and the…

SOURCE: The Arts Desk at 2:12pm on April 1, 2024

The Dream of a Ridiculous Man, Marylebone Theatre review - from Russia with love by Demetrios Matheou

Greg Hicks shines as Dostoevsky's defiantly optimistic dreamer Like all great literature, Fyodor Dostoevsky's final, eccentric, playfully wondrous short story seems to have been written just…

SOURCE: The Arts Desk at 7:18am on March 29, 2024

MJ The Musical, Prince Edward Theatre review - glitzy jukebox musical with a superb star but a void inside by Helen Hawkins

It's a great song and dance evening, but the story is an empty one In a secret chamber somewhere, the producers of MJ the Musical may be keeping a portrait of the King of Pop that has ac…

SOURCE: The Arts Desk at 6:12am on March 29, 2024

First Person: author-turned-actor Lydia Higman on a play that foregrounds a slice of forgotten history by Lydia Higman

'Gunter' co-creator and historian connects a 1604 witch hit to the world today I first read Anne Gunter's story about five years ago, when I was in my first year of university at Oxford, lit…

SOURCE: The Arts Desk at 6:22am on March 28, 2024

Foam, Finborough Theatre review - fascism and f*cking in a Gentlemen's Lavatory that proves short of gentlemen by Gary Naylor

★★★★ FOAM, FINBOROUGH THEATRE Skinhead finds his feet (in a pair of DMs) then leads double life as street thug and gay cruiser Infamous neo-Nazi brought to life in co…

SOURCE: The Arts Desk at 10:18pm on March 27, 2024

First person: playwright Paul Grellong on keeping pace with American politics by Paul Grellong

The author of 'Power of Sail' sets the scene for his play's UK premiere I'm writing this in the lobby of the Menier Chocolate Factory a couple of hours before the first preview. I was last …

SOURCE: The Arts Desk at 4:44am on March 27, 2024

Faith Healer, Lyric Hammersmith review - Brian Friel's masterpiece works its magic again by Helen Hawkins

Director Rachel O'Riordan finds lighter moments in a tale of grief Brian Friel's Faith Healer isn't noted for its laughs, but Rachel O'Riordan has found more than most directors do in this …

SOURCE: The Arts Desk at 8:48am on March 22, 2024

Red Pitch, @sohoplace review - the ebullient tale of teenage footballers gets a rollicking transfer by Heather Neill

Focused on young life in south London, this hit is as energetic and joyful as ever The reviews of Tyrell Williams' debut play on its first and second outings at the Bush Theatre were univer…

SOURCE: The Arts Desk at 10:48pm on March 21, 2024

WAKE, National Stadium, Dublin review - a rainbow river of dance, song, and so much else by David Nice

THISISPOPBABY serves up a joyous tapestry of Ireland contemporary and traditional In what feels like the beginning, or at least the Old Testament, there was Riverdance. Now, ready to flow th…

SOURCE: The Arts Desk at 9:48am on March 21, 2024

Harry Clarke, Ambassadors Theatre review - an entertaining curio by Demetrios Matheou

Billy Crudup essays multiple characters as a fake Englishman abroad Is it just coincidence, or something about the post-Covid theatrical landscape, that one-person shows are becoming commonp…

SOURCE: The Arts Desk at 7:06am on March 14, 2024

Uncle Vanya, Orange Tree Theatre review - Chekhov served up choice by Matt Wolf

Trevor Nunn, age 84, makes a blinding return to form "We all live here in peace and friendship," notes Telegin (David Ahmad), otherwise known as Waffles, early in Uncle Vanya, to which one …

SOURCE: The Arts Desk at 2:18am on March 11, 2024

For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy, Garrick Theatre review - exhilarating, moving show makes West End return by Jane Edwardes

Ryan Calais Cameron brilliantly uses storytelling, music and verse When For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy first moved to the West End in 2023, it felt…

SOURCE: The Arts Desk at 6:54am on March 9, 2024

The Lonely Londoners, Jermyn Street Theatre review - evocative portrait of the migrant experience by Saskia Baron

Roy Williams and Ebenezer Bamgboye skilfully bring Sam Selvon's novel to the stage Sam Selvon's 1956 novel about a flotilla of Caribbean migrants who came to London filled with expectations …

SOURCE: The Arts Desk at 5:54am on March 7, 2024
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