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38,669 stories from The New York Times

Jürgen Flimm, Director of Festivals and Opera Houses, Dies at 81 by A.J. Goldmann

He left his mark in Hamburg, Berlin, Strasburg and elsewhere. He also directed a memorable "Ring" cycle in Bayreuth.

SOURCE: The New York Times Subscription at 10:47am on February 12, 2023☆⚑

Eugene Lee, Set Designer for Broadway and 'S.N.L.,' Dies at 83 by Neil Genzlinger

He won Tony Awards for "Wicked" and other shows while also overseeing the sets for the late-night franchise's fast-paced sketch comedy.

SOURCE: The New York Times Subscription at 5:18pm on February 10, 2023☆⚑

Garth Fagan's Archives Are Acquired by Library of Congress by Kalia Richardson

Garth Fagan, who won a Tony in 1998, is known for threading ballet training and discipline into his Afro-Caribbean movement.

SOURCE: The New York Times Subscription at 4:04pm on February 10, 2023☆⚑

Billy Crudup Makes the Sale in 'Hello Tomorrow!' by Alexis Soloski

The actor stars in this new series as a slickster hawking time-shares on the moon. Now in his 50s, Crudup is getting some of the best roles of his career.

SOURCE: The New York Times Subscription at 5:00am on February 10, 2023☆⚑

At Hubbard Street Dance, Making a Place for 'the Other Folks' by Brian Seibert

Linda-Denise Fisher-Harrell, the Chicago troupe's new leader, wants to expand the voices in the company, coming this week to the Joyce Theater.

SOURCE: The New York Times Subscription at 5:00am on February 10, 2023☆⚑

Review: How to Shoot Your Parents, in 'Pictures From Home' by Jesse Green

In a stage adaptation of Larry Sultan's photo memoir, Nathan Lane stars as the father everyone's aiming at.

SOURCE: The New York Times Subscription at 10:00pm on February 9, 2023☆⚑

What an '80s Feeling: 'Flashdance' Turns 40 by Brian Seibert

The film helped bring breaking into the mainstream. Over the years, it also became famous for the subs and doubles of its star, Jennifer Beals.

SOURCE: The New York Times Subscription at 1:46pm on February 9, 2023☆⚑

Review: A Hip-Hop Take on Shakespeare's Star-Crossed Lovers by Brian Seibert

"Rome & Jewels," revived at the Joyce Theater, established Rennie Harris as a gifted and canny choreographer of street styles for the concert stage.

SOURCE: The New York Times Subscription at 2:23pm on February 8, 2023☆⚑

'Lucy' Review: There's Something About the Babysitter by Naveen Kumar

A workplace comedy set at home, this cleverly detailed production explores child care as both labor and primal instinct.

SOURCE: The New York Times Subscription at 1:54pm on February 8, 2023☆⚑

Simone Forti's Experiments Transcribing Bodies in Motion by Jori Finkel

Best known for her work as a choreographer, the artist is the subject of a wide-ranging show at MOCA in Los Angeles " and a recipient of the Venice Biennale's lifetime achievement award.

SOURCE: The New York Times Subscription at 9:49am on February 8, 2023☆⚑

How 'Some Like It Hot' Tunes In to the Jazz Age by Darryn King

From the set design to the wig styles, the Broadway musical creates a richly detailed vision of the 1920s and '30s. Its creators share their inspirations.

SOURCE: The New York Times Subscription at 9:43am on February 8, 2023☆⚑

In Russian Plays, Don't Mention the War by Laura Cappelle

Paris productions of Chekhov, Turgenev and Ostrovsky avoid current events and focus on profound truths. But the plays' message is clear: If you rebel, you will be crushed.

SOURCE: The New York Times Subscription at 9:35am on February 7, 2023☆⚑

On 'Pictures From Home' on Broadway, a Family Portrait Full of Secrets by Kurt Soller and Jennifer Livingston

Adapted from Larry Sultan's photo memoir, Sharr White's play "Pictures From Home" explores the lies people " and their photographs " tell.

SOURCE: The New York Times Subscription at 5:00am on February 7, 2023☆⚑

Jesse Tyler Ferguson Tips His Cap to 'Take Me Out' by Sarah Bahr

The actor, who won a Tony Award for playing a baseball star's business manager in the Broadway revival of Richard Greenberg's 2002 play, called the role the most personal of his career.

SOURCE: The New York Times Subscription at 4:55pm on February 6, 2023☆⚑

Book Review: 'Up With the Sun,' by Thomas Mallon by Alexandra Jacobs

In his name-dropping novel "Up With the Sun," Thomas Mallon fictionalizes the minor career and tabloid murder of the Broadway actor Dick Kallman.

SOURCE: The New York Times Subscription at 11:06am on February 6, 2023☆⚑

Screen Time: A Film Star Captivates, and a Writer Is Surveilled by Laura Collins-hughes

David Greenspan gives a wild ride of a performance in "On Set With Theda Bara," and marionettes star in Vaclav Havel's play "Audience."

SOURCE: The New York Times Subscription at 1:46pm on February 5, 2023☆⚑

Review: Pam Tanowitz's Witty Dance Secrets in London by Roslyn Sulcas

Her new work for the Royal Ballet, "Secret Things," is both pedestrian and poetic, a portal into the practices and collective memories of ballet.

SOURCE: The New York Times Subscription at 12:37pm on February 5, 2023☆⚑

Charles Kimbrough, Actor Best Known for 'Murphy Brown,' Dies at 86 by Alex Williams

In a career that included a Tony nomination for "Company," he specialized in playing uptight characters, notably Candice Bergen's stuffy straight man.

SOURCE: The New York Times Subscription at 11:50am on February 5, 2023☆⚑

Review: From Lil Buck, History and a Chance to Flash Some Brilliance by Brian Seibert

"Memphis Jookin': The Show," which presents jookin "in the world it comes from," is sincere entertainment, packed with talent and heart.

SOURCE: The New York Times Subscription at 2:31pm on February 3, 2023☆⚑

The Night Falls: A Song and Dance Collaboration Straight Outta Swamplandia by Brian Seibert

The choreographer Troy Schumacher, the composer Ellis Ludwig-Leone and the novelist Karen Russell teamed up, pushing one another to new places in their mediums.

SOURCE: The New York Times Subscription at 5:00am on February 3, 2023☆⚑

'Endgame' Review: A Laugh at the Apocalypse? by Laura Collins-hughes

There's plenty of pleasure to be found at the end of the world in the Irish Repertory Theater production of Samuel Beckett's play.

SOURCE: The New York Times Subscription at 8:00pm on February 2, 2023☆⚑

Review: At New York City Ballet, a Too Quiet Debut by Brian Seibert

"Fortuitous Ash," Keerati Jinakunwiphat's first work for a ballet company, was spectral in two senses: ghostly and insubstantial.

SOURCE: The New York Times Subscription at 2:27pm on February 2, 2023☆⚑

Review: Dancing for Themselves in an Underworld of Shadows by Gia Kourlas

Cullberg, a contemporary Swedish company, makes its Joyce Theater debut with Deborah Hay's delicate, hypnotic "Horse, the Solos."

SOURCE: The New York Times Subscription at 1:30pm on February 2, 2023☆⚑

Nonbinary "& Juliet" Performer Opts Out of Gendered Tony Awards by Michael Paulson

Justin David Sullivan of "& Juliet" decided to abstain from consideration and urged awards shows to "expand their reach."

SOURCE: The New York Times Subscription at 3:12pm on February 1, 2023☆⚑

'Lemons Lemons Lemons Lemons Lemons' Review: A Thought Exercise, Without Deep Thoughts by Houman Barekat

On London's West End, Aidan Turner and Jenna Coleman star in a lightly dystopian comedy that succeeds as a portrait of a troubled couple, but falls short as political satire.

SOURCE: The New York Times Subscription at 12:22pm on February 1, 2023☆⚑
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