38,669 stories from The New York Times
In his first show at Gagosian, opening Thursday, the painter Cy Gavin explores the land that has both empowered and inspired him.
She is making her professional stage debut in the Off Broadway drama, and fulfilling a childhood dream. "It's transformative," she said.
Kenny Leon will direct the revival of Ossie Davis's 1961 play, which is expected to run this summer at an unspecified Broadway theater.
The first major New York revival of "The Sign in Sidney Brustein's Window," Lorraine Hansberry's 1964 Broadway play, comes to BAM this month. What took so long?
Writing now as V, the creator of "The Vagina Monologues" tackles racism, colonialism and sexual violence in a raw and free-associative collection.
The dancers in the United Ukrainian Ballet have found a home in the Netherlands. This week the company makes its U.S. debut in Alexei Ratmansky's "Giselle."
A master at the top of his game, the magician Asi Wind performs fluidly and with obvious pleasure.
Kyra Nichols, a former principal, returns to the company for the first time since her 2007 retirement to coach ballets by Balanchine and Robbins.
The one-man show means to draw the audience into a moral quandary pitting immigrants and the American poor against each other.
New York City Ballet's resident choreographer expands on "Rodeo" to make an evening-length work set to some of Aaron Copland's most popular music.
He took over the Ridiculous Theatrical Company after the death of his partner, Charles Ludlam, in 1987. His specialty was playing women, but his range was wide.
An in-person ceremony next month will focus on celebrating New York's resilient theater scene; most awards will be announced in advance.
Ping Chong discussed his more than 50-year career as a multidisciplinary artist who has found inspiration in the surreal.
The actor, who starred in the original Broadway run of 'Rent,' reflects on the show's early days and dealing with the grief of his mother's death.
The national controversy surrounding Maya Lin's design for the Vietnam War Memorial is the subject of Livian Yeh's nimble, process-driven play.
Melanie Chisholm has collaborated with the choreographer Jules Cunningham on "How Did We Get Here?," a dance piece exploring what the body holds.
Depicting the final hours of a young fashion designer's life, Caitlin Saylor Stephens's play lacks the sturdiness to make its connection to real events believable.
The film star embodies one of opera's greatest divas in the solo show "Maria Callas: Letters & Memoirs," coming to the Beacon Theater.
In his brisk, low-maintenance Off Broadway show, the workhorse comic Colin Quinn extols the virtues of idle chitchat.
Israel Galván brought a new iteration of his visually pared-down, danced-without-music "Solo" to Baryshnikov Arts Center.
At New York City Ballet, Peck's "Copland Dance Episodes" brings the composer's three classic ballet scores under one roof, at last.
After its original New York outing in 2019, the trippy musical returns in the post-Roe era with an updated script and sharpened fangs.
Rennie Harris University aims to give educators a working knowledge not only of hip-hop dance technique, but also of its origins and culture.
In his show about mourning his boyfriend, the comedian Sam Morrison confronts overwhelming loss with punch lines and panache.
Starring Jessica Lange and Ed Harris, Jonathan Kent's adaptation of "Long Day's Journey Into Night" started production, only to lose key financing.
