The Servant Economy
By Todd London. The keynote address delivered by Todd London at the Association of Performing Arts Service Organization on April 6, 2016.
By Todd London. The keynote address delivered by Todd London at the Association of Performing Arts Service Organization on April 6, 2016.
By Olivia Rubino-Finn. Olivia Rubino-Finn on the Broadway production of Arthur Miller's A View from the Bridge , directed by Ivo van Hove.
By Jess Pillmore. Jess Pillmore writes about the importance of maintaining and embracing creativity in creative work and education.
By Maria Enriquez, Roy Antonio Arauz. Maria Enriquez interviews Roy Arauz about his work and the Latina/o theatre scene in Seattle, Washington.
By Carey Purcell. Carey Pucell reports on the harassment faced by women street performers in NYC and the preponderance of street harassment of women in our society.
By HowlRound TV. Latina/o Theatre Commons (LTC) proudly presents the LTC Pacific Northwest Convening Opening Ceremonies livestreaming on the global, commons-based peer-produced HowlRound TV …
By Monty Cole. Monty Cole addresses ensembles who say they want to diversify, and his recent experience directing The Hairy Ape.
By Sarah Ruhl. Playwright Sarah Ruhl discusses the impulse and plan for theatres across the country to host readings of her play The Oldest Boy as a benefit to raise relief funds to aid eart…
By Annie Wiegand, JW Guido. Annie Wiegand and JW Guido write about the work of New York Deaf Theatre, and the importance of Deaf by Deaf for Deaf theatre work.
By HowlRound TV. The Playwrights Horizons ' Antlia Pneumatica Symposium : Where the Playwright Asks the Questions with Anne Washburn will livestream on the global, commons-based peer produce…
By HowlRound TV. The Martin E. Segal Theatre Center in New York City presents Spalding Gray : A Celebration of his Life and Work livestreaming on the global, commons-based peer produced Howl…
By DJ Kurs, Leah Katz-Hernandez. Leah Katz-Hernandez, Receptionist of the United States (ROTUS), writes about the power of having Deaf characters represented in narratives.
By Michelle Banks. Actor Michelle Banks advocates the need for more diversity and inclusion for deaf and hard of hearing actors of color in the American theatre.
By HowlRound TV. Suzan-Lori Parks livestreams Watch Me Work from the Public Theater in New York City on Monday, April 11 at 1:30pm PDT (Vancouver) / 3:30pm CDT (Austin) / 4:30pm EDT (Toronto…
By Jonathan Mandell. Have jokey depictions of elections on stage and screen helped cause a joke of a real-life presidential campaign? Jonathan Mandell visits two experimental theatre project…
By Sabina England. In this installment, Playwright and poet Sabina England shares her process for creating performances for deaf and hearing audiences.
By Martha Steketee. Several dozen artists, administrators, and activists met at the Lark Play Development Center in January 2016 to consider challenges and successes and the state of deaf th…
By Caroline Heafey. Scholar Caroline Heafey reports on Fordham University's Waking the Feminists symposium and the quest for gender parity in Irish theatre.
By DJ Kurs. Series curator DJ Kurs writes about the history of ASL and Deaf actors.
By Rhiannon D'Averc. Rhiannon D'Averc on The Father by Florian Zeller, playing in London's West End.
By HowlRound TV. IETM's Plenary Meeting in Amsterdam: Live Art in Digital Times presents the keynote speech Mixed Reality and the Theatre of the Future by Joris Weijdom livestreaming on the …
By HowlRound TV. IETM's Plenary Meeting in Amsterdam : Live Art in Digital Times presents the conversation Advocating for the arts livestreaming on the global, commons-based peer-produced Ho…
By HowlRound TV. IETM's Plenary Meeting in Amsterdam : Live Art in Digital Times presents the opening keynote speech Senses of Liveness for Digital Times by Sally Jane Norman livestreaming o…
By HowlRound TV. La MaMa in New York City presents Safe Harbors Indigenous Arts/Theater Collective at Culturehub's Arts/Culture: Social Justice and Social Change discussion livestreaming on …
By Howard Sherman. Howard Sherman writes about the responsibility theatres have to comply with the Americans with Disabilities Act.