38,669 stories from The New York Times
The choreographer will receive a commission for a new production and two years of full-time salary and health care benefits.
In London, the Irish actor stars as Stanley Kowalski in a deeply empathic version of Tennessee Williams's 1947 play, "A Streetcar Named Desire."
Andrew Litton, the musical director of City Ballet, talks about conducting for ballet and the lure of the company's repertory, much of it rare in concert hall.
Ato Blankson-Wood will star as the aggrieved prince in a modern-dress production directed by Kenny Leon.
"Theater traffics in unconscious symbolism." Set designers, lighting designers and a sound designer talk about skin tones, aesthetics and more.
The American Dance Platform, this year curated by Ronald K. Brown, gives three companies a stage in New York.
The immersive dance show, with music by David Byrne and Fatboy Slim, will arrive this summer after a decade of productions Off Broadway and in London and Seattle.
In the face of financial challenges, the arts institution is making adjustments: Alex Poots, its founding artistic director and chief executive, will now just focus on being artistic directo…
In "Curriculum II," dancers spin like planets as they grapple with the mind, the body and technology.
During his tenure, the nonprofit supported works that have gone on to earn seven Pulitzer Prizes and nearly 30 Tony Awards.
The musical's exploration of antisemitism is timely, with rising concern about the issue in the United States and beyond.
The 1966 American musical has opened at a venue that for decades hosted one of the city's most famous revue troupes.
"Between Riverside and Crazy," Stephen Adly Guirgis's Pulitzer Prize-winning script, is set in a rent-controlled apartment that was inspired by the playwright's own.
The Frigid Fringe Festival in New York said it would no longer bill itself as "uncensored" after deciding not to move ahead with a performance it deemed anti-trans.
A concussion nearly derailed the actor's fan-favorite turn as the madcap, black-and-white striped ghoul. But he recovered in time for the closing show.
Binder, who was a Broadway producer before joining the nonprofit in 2019, plans to return to theater's commercial sector.
As productions increasingly include characters and perspectives from a variety of backgrounds, deaf and hearing people who translate the shows for deaf audiences are trying to keep up.
When the choreographer joins the company as artist in residence, the winners will be the dancers. And ballet.
The Under the Radar festival kicks off with an allegory about climate destruction by the Belgian provocateurs Ontroerend Goed.
In the movie "M3GAN," a robot doll's sinister virtuosity plays on the mixture of amusement and deep unease that dancing robots often provoke.
Literary influences suffuse this year's festival of avant-garde performance. Artists from six shows share the stories that inspired them.
"I wanted a change," Ratmansky said, announcing his next chapter after 13 years at American Ballet Theater.
The 75-minute memory play by Adrienne Kennedy had been scheduled to run until Feb. 12; it will close on Jan. 15.
The farce, by the team behind "The Play That Goes Wrong," is about a bumbling theater company attempting to stage the popular children's play.
He brought his adaptation of "The Grapes of Wrath" to Broadway and won Tony Awards. He also directed the long-running hit "Ragtime."
