6,634 stories from HowlRound
By Trista Baldwin. Workhaus Collective member Trista Baldwin reflects on the history and organizing philosophy of the playwright collective as it comes to a close after ten years.
By Manuel Betancourt. Manuel Betancourt on The Royale by Marco RamÃrez at Lincoln Center Theater in New York City.
By Col Cseke. Canadian theatre-artist Col Cseke considers how an artistic community seeks comfort following the tragic death of Michael Green, co-founder of One Yellow Rabbit.
By Matt Barbot. Playwright Matt Bardot responds to Michael Sommers' Ropes review, while reflecting on his experience with race and identity in both the classroom and professional realm.
By Roxanne Schroeder-Arce, Genevieve Schroeder-Arce. Roxanne Schroeder-Arce interviews her ten-year-old daughter Genevieve to get her thoughts on a recent theatre for young audiences show in…
By HowlRound TV. Visual and Media Arts Department of Emerson College in Boston presents The New England Graduate Media Symposium livestreaming on the global, commons-based peer-produced Howl…
By HowlRound TV. The 40th Humana Festival of New American Plays at Actors Theatre of Louisville presents Rajiv Joseph: Benefits of Self-Loathing "a keynote address"livestreaming on the globa…
By Daniel Fine. In this installment, Daniel Fine discusses the relationship between the scenic designer and media designer, advocating direct collaboration earlier in the production process.
By HowlRound TV. Boston University presents Theatre Nohgaku's Performance and Discussion of Noh Music and a Lecture and Demonstration of Noh and Kyogen Performance Styles livestreaming on th…
By Salma Abu Ayyash. Salma Abu Ayyash considers the missed opportunity for Ayd Akhtar's Disgraced to challenge Islamphobia and the intersection of oppressions.
By Michael Lueger. In this installment, Michael Lueger examines historical and contemporary depictions of Muslims in Western drama.
By Arwen Mitchell. Dramaturg and rhetoric instructor, Arwen Mitchell, explores artistic ownership, intellectual property, and new idea formation in consideration of Samuel French's cease-and…
By Carla Della Gatta. In this installment of the Pedagogy Notebook series, professor Carla Della Gatta writes about how she integrated Latina/o artists into a critical studies class on Greek…
By Trevor Boffone. Trevor Boffone discusses Lin-Manuel Miranda's wildly popular Ham4Ham show, and how it fits into a Latina/o theatre tradition.
By HowlRound TV. The Martin E. Segal Theatre Center in New York City presents a reading and discussion of Wolfram Lotz's The Ridiculous Darkness livestreaming on the global, commons-based pe…
By HowlRound TV. Suzan-Lori Parks livestreams Watch Me Work from the Public Theater in New York City on Monday, March 21 at 2pm PDT (Vancouver) / 4pm CDT (Austin) / 5pm EDT (Toronto) / 21:00…
By Rebekah Bryer. Rebekah Bryer shares her theatre background and advocates an interdisciplinary approach to working in the field.
By Milta Ortiz, Virginia Grise, MartÃn Zimmerman, Elaine Romero. In this first installment, Milta Ortiz discusses the backstory of Barrio Stories, while playwrights Virginia Grise, MartÃ…
By Megan Patterson. Megan Patterson on the New York production of David Harrower's Blackbird , starring Jeff Daniels and Michelle Williams.
By Café Onda. The Latina/o Theatre Commons Steering Committee responds to a recent New York Times review containing a cultural microaggression.
By Eric S. Kildow. Educator and theatre artist Eric Kildow examines the contradictions of professional actor training under postindustrial capitalism.
By HowlRound TV. New England Foundation for the Arts and The Andrew W. Mellon Foundation , in association with the Tucson Pima Arts Council , DNAWORKS , and the Performing Arts Department at…
By Eric Bass. Eric Bass discusses the dramaturgy of puppetry in a production of Tennessee Williams's The Glass Menagerie in Germany.
By Martha Steketee. Playwright Lauren Gunderson and Director Sean Daniels discuss Gunderson's body of work including I and You, a play about two stumbling teenagers and a nineteenth-century …
By Lia Romeo. Playwright Lia Romeo discusses the innovative approaches two theatre companies have taken to incorporate technology into the audience experience of her play Connected.
