38,669 stories from The New York Times
A Broadway musical version of the Billy Wilder film finds exhilarating new ways to make the gender comedy sing.
Ivy Baldwin's defiant and poignant work for four dancers at the Chocolate Factory Theater is the outcome of deeply considered collaboration.
At Alvin Ailey American Dance Theater's current season at New York City Center, Twyla Tharp's insouciance shines through, while anger rings true in "Survivors."
The play, a biting comedy by Jordan E. Cooper, will have its final performance on Dec. 18, just over two weeks after opening.
"Rivulets," with a score composed by the choreographer, brings a mesmerizing stream of consciousness to Baryshnikov Arts Center.
Two passengers share more than just an eerie commute aboard a train headed upstate.
She ran the famous New York comedy club with her husband for years as they launched the careers of many comic stars.
Bleu Beckford-Burrell's play about a City Council campaign aims to catalog a gamut of social ills and how Black women rise to meet them.
In an uneven program, the tap dancer and choreographer presents three new works in Manhattan, including a dance for former cast members of "Stomp."
In this unsettling moment, comedians, filmmakers, playwrights and others have been struggling against a long-ingrained American response to look away.
Jenna Ortega's dance for her Addams Family character is a viral sensation, but why? It is disarming and defiant: the dance of a nonconformist.
Jenna Ortega's dance for her Addams Family character is a viral sensation, but why? It is disarming and defiant: the dance of a nonconformist.
Audra McDonald stars in Adrienne Kennedy's 1991 play about the worst imaginable crime and the world that made it inevitable.
This wacky family show respects the codes of the British holiday tradition known as panto, which means playfully not holding anything back.
Maria Friedman's productions of the show in London and Boston were hits. Now a starry cast is preparing to open her latest staging Off Broadway.
In addition to Smith's "The Wife of Willesden," the Academy will present its annual DanceAfrica festival and a music series curated by Solange Knowles.
This Disney+ documentary uses a concert set list as a springboard to chronicle Idina Menzel's musical achievements.
New stagings in Germany and Austria, including Tom Stoppard's latest play, explore the themes of social integration and tolerance that animated the "Jewish question."
Bailey Williams's comedy is a sharp-toothed, sometimes bewildering satire of all-consuming workplace culture.
At 30, Jacquelin Harris is expanding her repertoire, with role debuts in store for the latest Alvin Ailey American Dance Theater season.
The final performance, just two weeks after its opening, will include a panel discussion about Asian American and Pacific Islander representation.
Julia May Jonas's play-as-Mass for LCT3 is imaginative, but falters as it nears the finish line.
An addiction and recovery tale wrapped in a romantic comedy, Leah Nanako Winkler's play insists on acknowledging the messy coexistence of joy and pain.
After years of friendship and collaboration, Aaron Marcellus is writing the music for a new dance by Michelle Dorrance, his former tap teacher.
The long-running stage show has been a part of the city's theatrical landscape for nearly 29 years.
