From Gaza, with Love
By Patricia Davis. Patricia Davis on Mosaic Theatre's US premiere in Washington, D.C. of I Shall Not Hate , based on the life of Palestinian doctor Izzeldin Abuelaish.
By Patricia Davis. Patricia Davis on Mosaic Theatre's US premiere in Washington, D.C. of I Shall Not Hate , based on the life of Palestinian doctor Izzeldin Abuelaish.
By Henning Bochert, Andrea Stolowitz. Translator Henning Bochert talks with playwright Andrea Stolowitz who was recently in residence in Berlin at the English Theatre Berlin.
By Page Leong. In the final installment of our series on Cornerstone's California Bridge Tour, actor Page Leong writes about her personal connection to two of the communities the company vis…
By James McMaster. James McMaster on the politics of Hamilton and the need for a musical theatre revolution.
By HowlRound TV. The Martin E. Segal Theatre Center in New York City presents a discussion of theatremaker Reza Abdoh livestreaming on the global, commons-based peer produced HowlRound TV ne…
By Magda GarcÃa. Magda GarcÃa writes about how, as a teaching assistant, she incorporated a performance element into an undergraduate Intro to Chicana/o Studies course at University of…
By HowlRound TV. ITI (International Theatre Institute) , La MaMa New York and Italy , and the Spoleto Festival of 2 Worlds presents the award ceremony for the Ellen Stewart International Awa…
By HowlRound TV. Generic Ensemble Company and The VORTEX in conjunction with LuckyChaos Productions present The Mikado : Reclaimed livestreaming on the global, commons-based peer-produced Ho…
By Damon Falke. Playwright Damon Falke discusses his play Laura, or Scenes from a Common World and how "Apollo and Daphne" from Ovid's Metamorphoses inspired his work.
By Christina Cook. Christina Cook describes her transition from an MFA program into life as a freelance designer.
By Malesha Taylor. Malesha Taylor shares her experience working in audience development and emphasizes the need for regional theatres to continue building relationships with diverse audience…
By Joan Marie Hurwit. In the first installment of her new series, Joan Marie Hurwit writes about spending time in Portland, Oregon, and how art is playing a role in a city in transition.
By Donna Hoke. Playwright Donna Hoke discusses her play The Way It Is , which includes the rape of a male character, and the response she got from readers.
By HowlRound TV. Suzan-Lori Parks livestreams Watch Me Work from the Public Theater in New York City on Monday, February 22 at 2pm PST (Vancouver) / 4pm CST (Austin) / 5pm EST (Toronto) / 22…
By Carlos Morton. Carlos Morton on the recent Los Angeles production of José Sanchis Sinisterra's Ay Carmela .
By Seamus Sullivan. Playwright Seamus Sullivan writes about the process of remaking Hamlet as a noir-infused web series.
By Patrick Gabridge. Playwright Pat Gabridge describes the experience of seeing the same production of his play in Massachusetts and Maryland.
By HowlRound TV. Tune in to the Creative Careers panel Managing Your Career: A Discussion of Theatre Arts Administration livestreaming on the global, commons-based HowlRound TV network at ho…
By Amanda Boyle, Alyson Germinder. Dramaturgs Amanda Boyle and Alyson Germinder share their experience with hosting the Dramaturgy Open Office Hour Project in Kansas City, MO.
By David Dudley. In this installment, David Dudley interviews Ping Chong and Sara Zatz from Ping Chong + Company.
By Tami Dixon. In this last installment, Producing Artistic Director Tami Dixon reflects on the role of the actor's relationship with audience members in immersive theatre.
By Seth Tyler Black. Seth Tyler Black shares stories and tips of theatre artists and practitioners who transitioned into the film industry.
By verity healey. verity healey is back with a report on Belarus Free Theatre's Staging a Revolution festival that was held November, 2015 in London.
By Ricky Young-Howze. Ricky Young-Howze challenges theatre companies to rethink the conventional aesthetic of silent audiences and find creative ways to accommodate audience members with inv…
By Billy McEntee. Billy McEntee traces the social history connected to Arthur Miller's The Crucible , which premiered on Broadway in 1953 during the height of McCarthyism.