38,669 stories from The New York Times
The 16 weeks of programming will feature new and returning dance companies from the United States and around the world.
In a freewheeling London adaptation of Virginia Woolf's 1928 novel, Corrin plays a character whose emotions are as fluid as their identity.
Our critic was haunted, in a good way, by the performances she saw in movies, theater and TV that offered glimpses into other worlds.
For our critic-at-large, "Fat Ham," "Severance," "A Strange Loop" and "Sandman" were some of the places she found truth and transcendence.
Early 20th-century San Francisco and Guangdong, China, overlap in Lloyd Suh's artful examination of the emotional price of immigration.
The play, by James Ijames, will be at the American Airlines Theater starting March 21.
In a time of renewed awakening, a surprising number of shows smartly reflected those changes in song.
In the new Broadway show, Will Swenson plays the superstar, who seems perpetually dissatisfied, as if on a quest " but for what?
Deirdre O'Connell shines as a modern-day descendant of an accused witch in Sarah Ruhl's unfocused new play at Lincoln Center.
At Kyle Abraham's premiere for Alvin Ailey American Dance Theater at New York City Center, dancers find intimacy in songs by Erykah Badu and Jazmine Sullivan.
'Walking With Ghosts,' which closed Nov. 20, allowed the Irish actor to showcase his passion for the humor of everyday life.
In Jordan E. Cooper's biting satire, Black Americans descended from slaves are offered one-way airfare to Africa.
The Israeli choreographer Emanuel Gat presents "LOVETRAIN2020," a work set to hits by the British duo, for his company's Brooklyn Academy of Music debut.
After a season of saying farewell to cherished roles, the City Ballet principal Sterling Hyltin prepares to take her final bow in "The Nutcracker."
Three years ago a new Broadway play based on the classic Harper Lee novel tried to prevent regional stagings of an earlier dramatization. Now, the roles are reversed.
"Once Upon a One More Time" plans to open on Broadway next summer.
The playwright behind "Ohio State Murders," opening this month, has a theory as to why: "It's because I'm a Black woman."
After a few slow, sad years, the dance calendar returned to something like abundance, with standout shows that leaned into joy and community.
"Underneath the Skin," a theater piece by John Kelly, meditates on the life of Samuel Steward, who always lived boldly when others dared not.
In "Nine Sinatra Songs," recently revived at City Center, Tharp captured elusive strains in the country's DNA.
Schele Williams will direct and JaQuel Knight is choreographing a new production of the show, with additional material by Amber Ruffin. It will start its tour in Baltimore.
Several intimate literary accounts of pain and suffering have been adapted for the theater recently " with varying success.
The veteran choreographer Sally Silvers celebrates her 40th anniversary season with "Pandora's New Cake Stain," a version of her first evening-length work.
The contemporary ballet company, whose chief choreographer is Dwight Rhoden, presented dances at the Joyce Theater that felt like more of the same.
After competing ideas and a cease-and-desist order, "Invincible " The Musical" arrives onstage. Just don't call it a jukebox musical.
