Now, in a daring and radical re-imagining, Marina Carr and Yaël Farber have transported Lorca's Andalusian tragedy Blood Wedding to a deeply Celtic, Irish setting.
It's rare to see such a provocative performance from a stellar performer in such an intimate space and it's worth taking a trip just for the bragging rights of seeing Jeannette Bayardelle up…
Award-winning ensemble company Lazarus Theatre has announced their third annual residency at Greenwich Theatre with a 2020 line-up of three re-imagined classics - Macbeth, Hedda Gabler and P…
Mirabelle Gremaud chatted to LLLC's Emma Clarendon about Wise Children and bringing Emma Rice's production to cinema screens from 3 October 2019.
The Menier Chocolate Factory has announced initial casting for its major revival of Sandy Wilson's The Boy Friend running at the theatre from 22 November 2019 to 7 March 2020 (press night is…
Murder, Margaret and Me is the story of an unlikely friendship between famed actress Margaret Rutherford and world-renowned Queen of Crime Agatha Christie.
A new musical exploring mental health issues and recovery following child sexual abuse will receive its London premiere this autumn. Dissociated, written by psychotherapist Dave Bain and pro…
Scrupulous revival of Black Chiffon, an almost forgotten psychological thriller about class and unconscious desire.
Glenn Chandler's latest Edinburgh Festival hit The Good Scout now transfers to London's Above the Stag Theatre, and Amanda Bailey is once again relishing being the only woman in the cast and…
Broadway fan favourite musical Be More Chill is to transfer to London to make its UK premiere at The Other Palace, playing from 12 February to 3 May 2020, with press night on 18 February.
A pleasure to see Zoë Wanamaker and Zrinka Cvitešić onstage but they deserve a much better play than Two Ladies at the Bridge Theatre.
See this production of Macbeth for those masterful central performances, they're more than worth the price of admission, even if so much of the rest is "full of sound and fury, signifying no…
Underneath Birthdays Past, Birthdays Present beats Ayckbourn's sorrowful, understanding heart, showing us that comedy is just tragedy on its way to happening.
As a body of work, Caryl Churchill's four plays Glass. Kill. Bluebeard. Imp complement each other well and offer a bold social commentary that is dark, foreboding and surreal.
As with any dystopian drama, the central idea of Florence Bell's The Open " the GBGC itself " sounds far-fetched, but the foundations on which it's built aren't all that implausible.
In a co-production with Belgrade Theatre Coventry, Everyman Theatre Cheltenham and Leeds Playhouse, Nikolai Foster and the Curve company's adaptation of My Beautiful Laundrette has shone a s…
Forget a four hour flight, airport transfers and the like because now Mamma Mia! The Party is whisking audiences straight into the heart of the Greek island of Skopelos " and all within Lond…
Sam Shepard's 2009 play Ages of the Moon at last receives its UK premiere, in a production directed by Alexander Lass and produced by Debbie Hicks at The Vaults, where it will run alongside …
Sarah Rutherford explores the dark side of social media in her new play The Girl Who Fell - but, on the plus side, she also has Twitter to thank for the play getting its premiere next month …
Mother of him is an emotional journey and a deep exploration of how far can the love of a mother go.
In terms of performances and book Angela's Ashes The Musical is a great show and a lovely adaptation of a well loved book. But less so an exceptional musical.
On the whole The Open at The Space certainly makes you think, particularly when it is a little too near reality for comfort.
"Expect scares, laughs and perpetual darkness." It's a description of new horror theatre piece Haunted that should fill audiences with trembling, nervous excitement. As Uncanny Collective pr…
There's excellent acting in Two Ladies, a play that tickles the senses and the intellect by playfully morphing from one genre to another.
Some outstanding performances overcome a series of gimmicky directorial choices in the UK National Theatre's touring production of A Taste of Honey at the King's.