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1,715 stories from Culture Bot

Terrence O'Brien in the studio by Editors

"I'll just put my bias on the table." What is the impact of the work? "Let's turn over the rock and see what's under there." Terry says.

SOURCE: Culture Bot at 12:03pm on August 22, 2019

Generative moments in fragmented view: a collage // "very peak summer solstice" at ISSUE Project Room by Jean Lee

The artistic spaces that once housed me hurt me, causing tremendous trauma. This project"the second installment of "soft bodies in hard places," "very peak summer solstice""was a haven.

SOURCE: Culture Bot at 4:42pm on July 15, 2019

IF IT LOOKS LIKE A LIFE: A RESPONSE TO CHANA PORTER'S LEAP AND THE NET WILL APPEAR by Julia May Jonas

Does the key to life come less from real knowledge and more from a sense of rhythm? Pattern recognition? A skewed version of the old saying, "If it looks like a life, and it walks like a lif…

SOURCE: Culture Bot at 3:03pm on July 3, 2019

Hadar Ahuvia and Tatyana Tenenbaum in conversation by Tatyana Tenenbaum

There is a general consensus that this moment can't restore power to a people who aren't in the room. But perhaps it can deflate the confidence of a narrative that props up those in power?

SOURCE: Culture Bot at 3:54pm on July 2, 2019

Interview with Haleh Roshan, Playwright of Corkscrew Festival's COLLECTIVE NOUN by Billy McEntee

Essentially I, a poststructuralist rhetoric nerd, thought, I'm trying to write a play about the failures of all those other "girls" stories to reflect the real "girls" I know, and that word …

SOURCE: Culture Bot at 10:24am on June 30, 2019

Five Questions with Sarah Hughes, McFeely Sam Goodman, and Lucy Kaminsky by Editors

I was hired to perform as a sort of Vanna White car model at an auto show in New Hampshire. I had to memorize 2 pages of facts about a new model of Subaru, which I repeated over and over int…

SOURCE: Culture Bot at 7:12pm on June 28, 2019

Feeling Sound by Hilary Tanabe

Two pieces that delve into ideas surrounding worship and identity: Angie Pittman's "Came Up in a Lonely Castle" and Johnnie Cruise Mercer/TheREDProjectNYC's "Process memoir 4: The word, the …

SOURCE: Culture Bot at 1:33pm on June 28, 2019

Ecstatic Consent: An Interview with April Ranger by Jerry Lieblich

This question of power comes up - who are we listening to the most? And who are we not listening to, or are somehow unable to listen to, or fall asleep while they're talking?

SOURCE: Culture Bot at 3:12pm on June 16, 2019

Alex & Chana by Alex Borinsky

Alex Borinsky & Chana Porter interview each other

SOURCE: Culture Bot at 10:24am on June 14, 2019

Can I get a witness!! Looking for e pluribus pluribus with George Emilio Sanchez's "XIV" at Dixon Place by Maura Donohue

With XIV, my favorite experimental constitutionalist bruthrr George Emilio Sanchez is crashing a brown, brooding and bold biography into the broader American histories of other fights for eq…

SOURCE: Culture Bot at 6:12pm on June 13, 2019

Jarcho Riffs on PHEDRE: "pathetic" at Abrons Arts Center by Julia May Jonas

pathetic is writer/director Julia Jarcho's riff on Racine's Phedre, the neo-classical exploration of a woman's lust, so of course it takes place in a high school.

SOURCE: Culture Bot at 3:42pm on June 13, 2019

Five Questions with Greta Gertler Gold and Ally Collier by Editors

The other morning, Lila woke up and her first question was "Mama, how do you start to write a musical?" which, I admit, made me feel proud.

SOURCE: Culture Bot at 8:54pm on May 29, 2019

Tranquility Disrupted " Sean Donovan's CABIN by Dan O'Neil

Donovan builds a tranquil place effortlessly, and then creates darkness within the negative (theatrical) space around it, using it as atmospheric pressure to hold the memory in place.

SOURCE: Culture Bot at 1:06pm on May 27, 2019

Everything is there where you got nothing left. Dan Safer at La MaMa Moves, finally. by Maura Donohue

Dan Safer is the devil you've been dying to dance with and Ae Andrea's enviable lines and swag make them an optimal fiend friend for that card.

SOURCE: Culture Bot at 11:12pm on May 21, 2019

Everybody Hates a Tourist: Romeo Castellucci Visited America, and Makes Clear He's Picked Up Some of Our Worst Habits by Jeremy M. Barker

In summary: This should shouldn't have been put up, here or anywhere

SOURCE: Culture Bot at 3:42pm on May 13, 2019

Paul Swan is Dead & Gone by Audrey Moyce

A composite of quite ordinary gestures that combine to make something novel, much in the way the entire play uses old poses in service of a show much more than an aesthetic or expressionisti…

SOURCE: Culture Bot at 11:06am on May 7, 2019

Playwright Kate Tarker in conversation with director Dominique Serrand by Kate Tarker

But no: There is one, really stupid joke, and we made sure that we put it on an altar, as: This is the stupidest joke. Do you want to hear it loudly, and pronounced with such courage?

SOURCE: Culture Bot at 11:06am on May 6, 2019

The Literacy of Delight " In Conversation with Bailey Williams and Sarah Blush by Dan O'Neil

You can get close to truth but you can't ever - in my opinion - I don't think any story is ever true.

SOURCE: Culture Bot at 4:12pm on May 2, 2019

floating queer celestials in Ni'Ja Whitson's "Oba Qween Baba King Baba" by Maura Donohue

Ni'Ja Whitson queers divine kingdoms with cosmological meetings amidst a swirl of lineage, legacies and streaming star scapes. Salve.

SOURCE: Culture Bot at 2:50am on April 26, 2019

Both Lynchian & Eno-esque, PLANO Swirls Ever Inward by Dan O'Neil

If life is a race, all the characters here are lagging behind the leader, just hoping to keep up and find space to breath amidst the density of inevitable heartbreak that comes along with li…

SOURCE: Culture Bot at 10:59am on April 21, 2019

In Response to Celine's MAGNUM OPUS by Audrey Moyce

I will not say "I've grown up" since then, because truly I see this acceptance of paid monotony as a bit of my idealism seeping out. A necessary bloodletting, at long last, giving up my muli…

SOURCE: Culture Bot at 10:15am on April 17, 2019

The world according to Nicky: "now my hand is ready for my heart" at La MaMa by Maura Donohue

After over a decade hiatus in making work, with "now my hand is ready for my heart" downtown icon, Nicky Paraiso gushes forth while looking back on several lived lives in Nickyworld.

SOURCE: Culture Bot at 12:17pm on April 14, 2019

The Verisimilitude of the Mad Ones by Dan O'Neil

I'm not sure I would call Mrs. Murray's Menagerie a play, as such, if only because a play suggests an exterior blueprint which is then built or enacted by a group of performers and designers…

SOURCE: Culture Bot at 6:35pm on April 11, 2019

Tying Tongues and Opening Hearts in Yilong Liu's JUNE IS THE FIRST FALL by Ned Moore

Yilong Liu is a Chinese-born playwright who writes plays in English. Michael Leibenluft is an Obie-winning, American-born director who directs in Chinese. Together, they've been working on t…

SOURCE: Culture Bot at 10:18am on April 5, 2019

The Story Variations of MARJANA AND THE FORTY THIEVES by Dan O'Neil

through sharing, repeating, layering, and rephrasing, the company finds a way to both underline and subvert the brutality without explicitly pointing at it.

SOURCE: Culture Bot at 10:16am on April 1, 2019
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