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3,490 stories from The Arts Desk

The Duchess of Malfi, Sam Wanamaker Playhouse review - the good end badly, but act best by David Nice

Francesca Mills' protagonist is the vivacious, truthful heart of this fascinating production "All discord without this circumference," the Duchess of Malfi tells the good man she's just aske…

SOURCE: The Arts Desk at 7:32am on March 4, 2024

Standing at the Sky's Edge, Gillian Lynne Theatre review - heartwarming Sheffield musical arrives in the West End by Jane Edwardes

Olivier Award-winning musical offers a celebration of community and a stirring exploration of a brutalist building's history Can there be anyone from Sheffield who has not seen Standing at t…

SOURCE: The Arts Desk at 9:12am on March 1, 2024

Cruel Intentions, The Other Palace review - Uneasy vibes, but hit tunes and sparkling staging makes a super show by Gary Naylor

★★★ CRUEL INTENTIONS, THE OTHER PALACE Bad people do bad things, but bangers from Britney and co save the day  Jukebox musical gets toes tapping, even if the thrill of t…

SOURCE: The Arts Desk at 10:12pm on February 29, 2024

The Human Body, Donmar Warehouse review - Keeley Hawes and Jack Davenport excel in an intriguing staging by Helen Hawkins

Lucy Kirkwood's latest mixes the birth of the NHS with a Brief Encounter-ish romance Keeley Hawes onstage is something to look forward to, so rare are her appearances there. In Lucy Kirkwo…

SOURCE: The Arts Desk at 6:02am on February 29, 2024

Nachtland, Young Vic review - German black comedy brings uneasy humour and discomfiting relevance by Gary Naylor

★★★ NACHTLAND, YOUNG VIC Patrick Marber directs flawed but fascinating disquisition on the past's relevance to the present in art, politics and morality Something to laugh …

SOURCE: The Arts Desk at 9:02pm on February 28, 2024

Cable Street, Southwark Playhouse review - engaging new musical in an impressive staging by Helen Hawkins

The rise of fascism in the 1930s East End is given a human face Hot on the heels of Brigid Larmour's updating of The Merchant of Venice to the East End in 1936, a spirited new musical acr…

SOURCE: The Arts Desk at 5:48am on February 28, 2024

Out of Season, Hampstead Theatre review - banter as bullying by Aleks.sierz

New comedy about masculinity and music is predictable and clumsy One island off the coast of Spain has more cultural oomph than all the rest put together. I'm talking about Ibiza, the sun-s…

SOURCE: The Arts Desk at 2:36pm on February 27, 2024

Shifters, Bush Theatre review " love will tear us apart again by Aleks.sierz

New play about love and memory is exquisitely written and beautifully acted For the past ten years, Black-British playwrights have been in the vanguard of innovation in the form and content …

SOURCE: The Arts Desk at 2:36pm on February 26, 2024

The Merchant of Venice 1936, Criterion Theatre review - radical revamp with a passionate agenda by Helen Hawkins

Tracy-Ann Oberman turns Shylock into a heroic Jewish anti-fascist It's an unhappy time to be staging Shakespeare's problematic play, given its antisemitic content, so hats off to adaptor-dir…

SOURCE: The Arts Desk at 7:48pm on February 25, 2024

The Big Life, Stratford East review - big-hearted musical brings the joy and honours the past by Gary Naylor

Revived 20 years on, this Windrush musical lands differently, but is still wonderfully entertaining Is there a healthier sound than that of laughter ringing round a theatre?  There are p…

SOURCE: The Arts Desk at 10:02pm on February 23, 2024

Hir, Park Theatre review - incendiary production for Taylor Mac's rich absurdist family drama by Helen Hawkins

Felicity Huffman, heading a superb cast, is a force of nature In 2017, two years after Hir premiered, Taylor Mac was awarded a "Genius Grant" and nominated for a Pulitzer Prize for drama. Th…

SOURCE: The Arts Desk at 4:24am on February 23, 2024

Samuel Takes a Break... in Male Dungeon No. 5 after a long but generally successful day of tours, The Yard Theatre review - funny and thought-provokin by Gary Naylor

'We don't use the word slave round here' - 21st century tourism skewered You do not need to be Einstein to feel it. If the only dimension missing is time, 75% of a place's being can invade …

SOURCE: The Arts Desk at 10:03pm on February 22, 2024

The Hills of California, Harold Pinter Theatre - ladies' night for Jez Butterworth by Matt Wolf

Laura Donnelly once again soars in tailor-made part/s scripted by her partner Art makes for unexpected bedfellows, and so it proves in Jez Butterworth's moving if meandering The Hills of Ca…

SOURCE: The Arts Desk at 12:18pm on February 22, 2024

King Lear, Almeida Theatre review - Danny Sapani dazzles in this spartan tragedy by Mert Dilek

Yaël Farber presents Shakespeare's blistering play with bravura Less than three years after her magnificent Macbeth, Yaël Farber returns to the Almeida with another Shakespeare tragedy…

SOURCE: The Arts Desk at 6:48am on February 22, 2024

Hadestown, Lyric Theatre review - soul-stirring musical gloriously revamps classical myths by Mert Dilek

Tony-winning production lands in the West End with an astounding cast Doom and gloom, we are told, may have abounded in the classical underworld, but Hadestown suggests otherwise. Returning …

SOURCE: The Arts Desk at 5:42am on February 22, 2024

An Enemy of the People, Duke of York's Theatre - performative and predictable by Matt Wolf

Matt Smith stars in heavy-handed adaptation of Ibsen's 1880s classic, here with onetime Tony nominee Paul Hilton (The Inheritance) in glowering support

SOURCE: The Arts Desk at 8:50am on February 21, 2024

An Enemy of the People, Duke of York's Theatre - performative and predictable by Matt Wolf

Matt Smith gives his all in unyielding adaptation of Ibsen morality play Real life is a helluva lot scarier right now than you might guess from the performative theatrics on display in the …

SOURCE: The Arts Desk at 8:48am on February 21, 2024

Double Feature, Hampstead Theatre review - with directors like these, who needs enemies by Demetrios Matheou

John Logan peers behind the scenes of the film world to muse on the icky relationship between life and art It's awards season in the film world, which means that we're currently swamped by …

SOURCE: The Arts Desk at 2:12am on February 21, 2024

The Picture of Dorian Gray, Theatre Royal Haymarket review - inventive rollercoaster of a revamp by Helen Hawkins

Sarah Snook gives a virtuoso performance amid a dazzling display of tech wizardry Oscar Wilde's 1890 novella The Picture of Dorian Gray has given the world a trope built for flattery, along …

SOURCE: The Arts Desk at 7:42pm on February 17, 2024

Turning the Screw, King's Head Theatre review - Britten and the not-so-innocent by David Nice

Real-life triangle around the composer's darkest masterpiece yields fitfully strong drama David Hemmings was, by his own later admission, a knowing and bumptious boy when Britten cast him as…

SOURCE: The Arts Desk at 7:36am on February 17, 2024

Dear Octopus, National Theatre - period rarity is a real pleasure by Matt Wolf

A pitch-perfect Lindsay Duncan leads a large and splendid cast in Dodie Smith rediscovery Sisters are doing it for themselves, just as families as a whole are, too, on the London stage thes…

SOURCE: The Arts Desk at 2:54pm on February 15, 2024

Just For One Day, The Old Vic - Live Aid musical interpolates clunky scenes and self-conscious exposition between great songs by Gary Naylor

★★★ JUST FOR ONE DAY, THE OLD VIC Nostalgia fest becomes a little uncomfortable when addressing a 21st century audience Saint Bob, Mrs T and a whole lot of feelgood. Oh,…

SOURCE: The Arts Desk at 9:24pm on February 14, 2024

Ragnarok, Traverse Theatre, Edinburgh review - moving miniature apocalypse by David Kettle

End-of-days drama from centimetres-high clay figures, in a powerful collaboration from Scottish and Norwegian companies In terms of conveying monumental events using small-scale means, Edinb…

SOURCE: The Arts Desk at 1:48am on February 13, 2024

Many Good Men, Tynecastle Stadium, Edinburgh review - daring but flawed provocation by David Kettle

A shocking attack kicks off an audacious experience that makes its audience complicit, in Clare Duffy's ambitious but patchy show There's been an incident in Edinburgh. Right near the Scotti…

SOURCE: The Arts Desk at 2:42am on February 10, 2024

Fascinating Aida, London Palladium review - celebrating 40 glorious years of filth and defiance by Helen Hawkins

Age has not withered one jot the FAs' fury at the absurdities of modern life You don't expect a couple of septuagenarian contraltos, aided by a spring chicken of a soprano in her fifties, t…

SOURCE: The Arts Desk at 3:32pm on February 8, 2024
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