1,898 stories from The New Yorker
The seventy-six-year-old theatre diva, famed and feared for her salty bravado, dishes on Hal Prince, her non-friendship with Audra McDonald, and sexy but dumb New York Rangers.
The spirit of August Strindberg infuses Hannah Moscovitch's "Sexual Misconduct of the Middle Classes" and Jen Silverman's adaptation of "Creditors."
The inveterate character actor discusses Don Quixote, his time as George Clooney's roommate, and his latest gig: m.c.ing John Mulaney's absurdist talk show.
Most people accept the city's chaos as a toll for an expansive life. It took me several decades to realize that I could go my own way.
The classroom staple turns a hundred.
Adam Guettel and Tina Landau's 1996 musical about a trapped caver resurfaces on Broadway, and Shayok Misha Chowdhury and Mona Pirnot play metaphysical games.
Funding shifts at three of the largest philanthropic foundations have brought turbulence and uncertainty to the intricate New York support system for the performing arts.
New productions of Shakespeare's "Richard II," Annie Ernaux's "The Years," Robert Icke's "Manhunt," Tennessee Williams's "The Glass Menagerie," and more.
From Brickman, I learned that satire can be friendly, even cheerful, and that anything was a suitable target.
Can the fifty-four-year-old arts hub weather the next four years?
Dozens of audience members have lost consciousness watching Eline Arbo's adaptation of "The Years." The internet has come to believe that a conspiracy is afoot.
Kieran Culkin and Bob Odenkirk try to close the deal in David Mamet's classic, and George Clooney stars in a timely portrait of media courage.
Also: Rachel Syme on the latest in charms, the Chicago rapper Saba, turtle races in Bed-Stuy, Caspar David Friedrich paired with Schumann, and more.
Placing the failure of the live-action remake largely at Rachel Zegler's feet is almost perversely flattering to her.
A splashy new production of the play may give a sense of where Shakespeare productions are heading.
Denzel Washington and Jake Gyllenhaal lack direction, and "The Trojans," a spirited football-themed Iliad, heads for the end zone.
The hundred-year history of The New Yorker includes reviews that anointed now classic works"as well as some that feel wildly out of step today. But is going against the grain such a bad thin…
Branden Jacobs-Jenkins's latest offers another family battle royale, and Andrew Scott dazzles in a one-man tour de force.
​Big Balls: The TED Talk; Gay-Conversion Band Camp; an all-Nordic version of "TheWiz""and more!
The Australian actress, best known for her work on "Succession," brings all twenty-six characters in "The Picture of Dorian Gray" to Broadway.
As the frontman of the New York Dolls, Johansen was instrumental in the genesis of punk in the nineteen-seventies. His solo work was equally audacious.
The actor talks with Emily Nussbaum about his role on "The Traitors," why he had always been "judgy" toward reality shows, and the perils of fame.
What's happening this season in music, theatre, art, dance, movies, and television.
Fifty years apart, the playwrights Samuel D. Hunter and Sam Shepard examine our national obsession with family inheritance.
Edmond Dédé's "Morgiane" shows how diversity initiatives can promote works of real cultural value.
