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38,669 stories from The New York Times

Max Martin, Pop's Low-Key Mastermind, Takes Center Stage (Sort Of) by Joe Coscarelli

The Swedish songwriter and producer behind smashes for Britney Spears, Katy Perry and the Weeknd is reluctantly emerging for "& Juliet," a new Broadway show built on his music.

SOURCE: The New York Times Subscription at 10:18am on November 11, 2022☆⚑

When the Finely Tuned Spotlight Falls on the Lighting Designer by Brian Seibert

Jennifer Tipton, whose job usually entails serving the vision of choreographers and directors, has made her own show, the installation "Our Days and Night."

SOURCE: The New York Times Subscription at 10:00am on November 11, 2022☆⚑

Review: 'Kimberly Akimbo,' Both Great and Small, Seizes the Day by Jesse Green

The season's most moving new musical earns its place among the behemoths of Broadway.

SOURCE: The New York Times Subscription at 10:42pm on November 10, 2022☆⚑

'Where We Belong' Review: A Performer Wonders, What's in a Name? by Naveen Kumar

In an autobiographical solo show at the Public Theater, Madeline Sayet grapples with her Indigenous ancestry and the responsibility that comes with her name.

SOURCE: The New York Times Subscription at 4:18pm on November 10, 2022☆⚑

'Catch as Catch Can' Review: Caught in a Tangle by Juan A. Ramírez

An overcomplicated one-act play addresses anti-Asian racism and mental illness at a Christmastime family reunion.

SOURCE: The New York Times Subscription at 2:36pm on November 10, 2022☆⚑

'Good Enemy' Review: Finding Second Chances by Laura Collins-hughes

Yilong Liu's new play toggles between China in 1984 and the United States in 2021.

SOURCE: The New York Times Subscription at 11:06am on November 10, 2022☆⚑

'Dancin'' Revival to Boogie Onto Broadway in March by Michael Paulson

The show, originally created by Bob Fosse in the late 1970s, has been reimagined with the blessing of his daughter.

SOURCE: The New York Times Subscription at 8:06am on November 10, 2022☆⚑

France Cheers For 'Starmania,' Its Favorite Musical by Laura Cappelle

Songs from "Starmania" are frequently heard and covered in France, but until a new production opened in Paris, few had a chance to see the 1979 rock opera onstage.

SOURCE: The New York Times Subscription at 4:03am on November 10, 2022☆⚑

Sarah Ruhl and Rebecca Taichman on Conjuring 'Becky Nurse of Salem' by Alexis Soloski

Their new Off Broadway play, a dark comedy about power, inheritance and, of course, witchcraft, is now in previews at Lincoln Center Theater.

SOURCE: The New York Times Subscription at 10:24am on November 9, 2022☆⚑

Anne Bogart Is Not Entirely Retiring by Elisabeth Vincentelli

"I think that the legacy is more how we offer a model for future young companies," Bogart said of the theater company she leads, which is ending its producing activities.

SOURCE: The New York Times Subscription at 6:42pm on November 8, 2022☆⚑

'A Delicate Balance' Review: Tipping the Scales by Maya Phillips

This Off Broadway production of Edward Albee's drama is the first to feature a full cast of Asian American actors.

SOURCE: The New York Times Subscription at 3:18pm on November 8, 2022☆⚑

Review: Making an Epic Visual Impact With Minimal Means by Siobhan Burke

The most intriguing aspects of Dimitris Papaioannou's "Transverse Orientation" arise from a tension between grandeur and simplicity.

SOURCE: The New York Times Subscription at 2:06pm on November 8, 2022☆⚑

Review: In 'Only Gold,' Each Move Is Worth 1,000 Words by Jesse Green

The new Kate Nash dance musical, choreographed by Andy Blankenbuehler, is spectacular as long as you pay no attention to what it's saying.

SOURCE: The New York Times Subscription at 7:06pm on November 7, 2022☆⚑

'My Broken Language' Review: Piecing Together a Life of Many Dialects by Alexis Soloski

In Quiara Alegría Hudes's new play at the Signature Theater, five performers try to summon generations of willful women.

SOURCE: The New York Times Subscription at 3:36pm on November 7, 2022☆⚑

Review: 'You Will Get Sick' Tells the Untellable, for a Price by Jesse Green

In a new Off Broadway play, Linda Lavin shines as a woman paid to say what an ailing young man cannot.

SOURCE: The New York Times Subscription at 7:48pm on November 6, 2022☆⚑

Dancing at Paul Taylor, a New Generation Finds Its Footing by Gia Kourlas

For its Lincoln Center season, the Paul Taylor Dance Company presents premieres by Lauren Lovette and Amy Hall Garner, along with the classics.

SOURCE: The New York Times Subscription at 6:54pm on November 4, 2022☆⚑

Review: A Parade of People, Pulled by Many Forces by Brian Seibert

The Brazilian troupe Lia Rodrigues Companhia de Danças makes its New York-area debut with "Fúria" as part of Montclair State University's Peak Performances series.

SOURCE: The New York Times Subscription at 6:43pm on November 4, 2022☆⚑

Douglas McGrath, Playwright, Filmmaker and Actor, Dies at 64 by Neil Genzlinger

His one-man Off Broadway show, "Everything's Fine," directed by John Lithgow, had opened just weeks ago.

SOURCE: The New York Times Subscription at 6:32pm on November 4, 2022☆⚑

Review: In 'Where the Mountain Meets the Sea,' Missed Connections by Naveen Kumar

A father and a son recall parallel journeys that reflect shared experiences of otherness in Jeff Augustin's play, performed with music by the Bengsons.

SOURCE: The New York Times Subscription at 4:06pm on November 4, 2022☆⚑

How Female Playwrights Are Adapting, and Revamping, 'Macbeth' by Diep Tran

With "Macbeth" adaptations like "Peerless," the inner lives of young women come into focus.

SOURCE: The New York Times Subscription at 3:32pm on November 4, 2022☆⚑

Britain's Major Opera Companies Suffer in Arts Spending Shake-Up by Alex Marshall

English National Opera lost its government subsidy, and the Royal Opera House received a 10-percent cut, with funding diverted to organizations outside London.

SOURCE: The New York Times Subscription at 2:18pm on November 4, 2022☆⚑

Barbra Streisand on Her Early Recordings: 'That Girl Can Sing' by Wesley Morris

"Live at the Bon Soir," a restored set of songs from November 1962, allows listeners today " and Streisand, herself " to rediscover the sounds of a star being born.

SOURCE: The New York Times Subscription at 12:32pm on November 4, 2022☆⚑

Making a Genre-Bending Show About Social Media and Sex Work by Desiree Ibekwe

"Mood," a BBC America series created by Nicôle Lecky, blends music, comedy and gritty realism to explore the opportunities and risks for young women online.

SOURCE: The New York Times Subscription at 10:12am on November 4, 2022☆⚑

For 'KPOP,' a Broadway Transfer Is More Like a Reinvention by Elisabeth Vincentelli

The show's creative team talks about revamping the immersive Off Broadway hit so that it moves "around the audience" at Circle in the Square Theater.

SOURCE: The New York Times Subscription at 9:32am on November 4, 2022☆⚑

Between Kanye and the Midterms, the Unsettling Stream of Antisemitism by Michael Paulson and Ruth Graham

For American Jews, this fall has become increasingly worrisome. On Thursday alone, the F.B.I. warned of threats to New Jersey synagogues and the Nets suspended Kyrie Irving.

SOURCE: The New York Times Subscription at 5:18am on November 4, 2022☆⚑
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