6,634 stories from HowlRound
By Julie Hennrikus. Julie Hennrikus, Executive Director of StageSource in Boston, MA, writes about initiatives toward gender parity in New England.
By HowlRound TV. The Martin E. Segal Theatre Center in New York City presents Richard Schechner's Notebooks, Fiction, and Poetry livestreaming on the global, commons-based peer produced Howl…
By Shellen Lubin. Shellen Lubin launches a series on gender parity on HowlRound this week. She addresses how this is a critical moment in time for women in theatre to make a huge irreversibl…
By Jess Pillmore. This installment of Jess Pillmore's Sustainable Artistry series encourages artists to embrace all facets of their identities at all times.
By Bill English. Artistic Director Bill English discusses the ephemeral, yet perpetual process theatre artists experience while working on productions.
By David Bruin. David Bruin on Teatro Patologico's production of Medea at La Mama in New York City.
By Luis Alfaro. Playwright Luis Alfaro on mental health, his playwriting process, and Vicodin.
By Thom Dunn. Thom Dunn makes a case for union protection for the marketers and fundraisers and other theatre administrators who all play important roles, working long hours for little pay o…
By Brett Aresco. Brett Aresco on Eliza Bent's ode to poop, Toilet Fire , in New York City.
By Ash Nichols. Ash Nichols writes about stage managing Cornerstone Theater Company's California: The Tempest and the connections made on the road.
By Trevor Boffone. Trevor Boffone interviews playwright Josefina López about CASA 0101, the theatre company she founded fifteen years ago, and how she's become a leader in her community.
By Ben Gassman. Ben Gassman discusses the LIT Fund's grant lottery system and the concept of radical transparency.
By Jeremy Stoller. Using the production of Ken Urban's play A Sense of an Ending to launch the conversation, theatre artists Adrienne Campbell-Holt, Gregg Mozgala, A. Rey Pamatmat, Mfoniso U…
By Regina GarcÃa, Courtney Flores. In the second installment, Regina GarcÃa profiles Costume Designer Courtney Flores, who discusses her working relationship with Campo Santo.
By Trip Venturella. Trip Venturella outlines a process for theatremakers to build their own theatres.
By HowlRound. In an attempt to make it even easier for everyone to have their voice heard in the HowlRound journal, we've recently made some changes to the way we collect pitches.
By Fabiana Cabral. Critic Fabiana Cabral advocates the need for more accessible training for writing theatre criticism.
By Wier Harman. Wier Harman writes about being part of the National Arts Strategies Chief Executive Program, and the "Organization as Citizen" project.
By Jeff Chang. Jeff Chang on Detroit-based Complex Movements' Beware of the Dandelions, a narrative, concert, visual installation, architectural piece, and convening space to distribute revo…
By Virginia Grise, Jennifer Ponce de León. Jennifer S. Ponce de León interviews playwright Virginia Grise about her plays, her process, and her vision for the future of Latino/a theatr…
By Matthew Gray. Matthew Gray interviews performer Kristolyn Lloyd about choosing ethics and principles over panic when building your career, the importance of shaping your own education, an…
By Sylvan Oswald, Basil Kreimendahl, Mashuq Deen. Three transmasculine playwrights discuss working in the theatre.
By Jonathan Mastro. Jonathan Mastro responds Don Aucoin's recent Boston Globe article about audible audience responses.
By Damon Krometis. In the third installment of his series, Damon Krometis explores how much agency to give audiences during an interactive performance.
By Jess Pillmore. In the third installment of her Sustainable Artistry series, Jess Pillmore discusses the importance of having a clear sense of identity, and how to make that happen.
