38,673 stories from The New York Times
In Douglas McGrath's one-man show, his account of an experience as a teenager unfurls with the can't-look-away quality of a slow-motion crash.
Phelan, a principal at New York City Ballet, has gone from rising to risen with a stellar fall season that has shown her range in a string of debuts.
The choreographer Gisèle Vienne aims to open the doors of perception and bend our experience of time in "Crowd," at the Brooklyn Academy.
The acclaimed writers are communing once again in productions of "Baldwin and Buckley at Cambridge" and "A Raisin in the Sun" at the Public Theater.
Mark Morris's "The Look of Love" is set to Bacharach songs. "People are always saying, 'Oh my God, he wrote that?' That's why I'm doing it," Morris said.
Two creative people in two different fields in one wide-ranging conversation. This time: the playwright behind "A Strange Loop" and the visual artist.
John David Washington, Danielle Brooks and Samuel L. Jackson star in the first Broadway revival of Wilson's haunting family drama set in 1936.
For her piece at Madison Square Park, Beau Bree Rhee has come up with a term, "climate change bodies," but not a dance vocabulary that expresses that idea.
Sarah Benson and Meropi Peponides, who have directed the company with Cynthia Flowers since 2019, will depart to focus more on their own creative output.
After the twists and turns of a pop career, the British singer-songwriter adds a new string to her bow: musical composer.
Productions of "John Gabriel Borkman" and "Blues for an Alabama Sky" conjure bleak atmospheres in two playhouses.
A husband and wife who may be the "astrological doubles" of Princess Diana and Dodi Fayed head toward a crisis in this new play by Kareem Fahmy.
In a joyous program at the Joyce Theater, Barnes and company show the relationships among Black social dance forms. It's all connected, and it's all jazz.
She performed without sentimentality or histrionics, embodying the full range of human joy and depravity while remaining professional and approachable.
Cameron Crowe adapted his Oscar-winning screenplay, about writing for Rolling Stone in the '70s, preserving parts of the movie's soundtrack and zingers (Don't take drugs!) for the stage.
The playwright Jiehae Park's sly and polished adaptation of "Macbeth" transports the characters from the Scottish heath to the halls of a Midwestern high school.
She was a Hollywood and Broadway sensation, but captured the biggest audience of her career as Jessica Fletcher in "Murder, She Wrote."
The meta-musical, which won the Tony Award this year and the Pulitzer Prize in 2020, announced it would close on Jan. 15.
They both first made a splash in the '90s. They're now in New York to present new theatrical memoirs that mix storytelling and songs.
Spending by a charity intended to honor a radio pioneer is being challenged by his granddaughter, who says he was tricked into leaving his fortune to it. The charity denies the charge and sa…
Wendell Pierce and Sharon D Clarke star in a powerful revival of Arthur Miller's drama, led by a Black cast.
Playing the wooden flute and performing hoop dances, he sought to introduce audiences throughout the nation to Native American traditions.
A principal dancer with Dance Theater of Harlem, she was an international star, a memorable Firebird and an inspiration for dancers of color.
As she makes her Broadway directorial debut, she said her "vision is about seeing a deeper way into" what August Wilson intended with his Pulitzer Prize-winning play.
The hit musical arrived in Hamburg with its verve, ingenuity and idealism intact. And it gains unexpected depth from being staged in Germany.
