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38,673 stories from The New York Times

Royal Shakespeare Company Names Two Directors for Top Job by Alex Marshall

In an usual move for a major British theater, Daniel Evans and Tamara Harvey will jointly helm the major British theater troupe.

SOURCE: The New York Times Subscription at 7:07pm on September 20, 2022☆⚑

Jack Charles, Grandfather of Aboriginal Theater, Dies at 79 by Natasha Frost

One of Australia's leading Indigenous actors, he had a resonant voice, a charismatic personality and a troubled personal life that often landed him in jail.

SOURCE: The New York Times Subscription at 5:55pm on September 20, 2022☆⚑

Mike Birbiglia to Return to Broadway With a New Show This Fall by Michael Paulson

The comedic storyteller, who previously brought a solo show to Broadway in 2018, has a new act for a new age.

SOURCE: The New York Times Subscription at 5:55pm on September 20, 2022☆⚑

'Beetlejuice' to Close on Broadway by Michael Paulson

The show had a bumpy, boisterous run, and will now begin a tour.

SOURCE: The New York Times Subscription at 5:25pm on September 20, 2022☆⚑

'Four Saints in Three Acts' Review: An Opera Becomes a One-Man Show by Laura Collins-hughes

The actor David Greenspan is a tour-de-force, taking on all the roles of Gertrude Stein and Virgil Thomson's large-cast opera from 1934, sans music.

SOURCE: The New York Times Subscription at 10:49am on September 20, 2022☆⚑

Es Devlin's Next Stage by Andrew Dickson

The British designer, whose new installation will be unveiled at Tate Modern this week, made her name in theater. These days, you're as likely to find her work in art galleries, stadium gigs…

SOURCE: The New York Times Subscription at 8:03am on September 20, 2022☆⚑

How a 79-year-old Film Director Learned to "Fly" on a Trapeze by Abby Ellin

Tom Moore made a name for himself as a film, TV and theater director. But his dream has always been to "fly" on the trapeze, high in the air. And that's what he is doing at age 79.

SOURCE: The New York Times Subscription at 5:07am on September 20, 2022☆⚑

The Choreography of Public Mourning by Roslyn Sulcas

The events around Queen Elizabeth's death have unfolded with an astonishing amount of formal, choreographed movement.

SOURCE: The New York Times Subscription at 5:14pm on September 19, 2022☆⚑

Waving Goodbye to 'Dear Evan Hansen' by Sarah Bahr

Sam Primack, the final actor to play Evan Hansen on Broadway, reflects on the musical and clearing out that rack of striped blue polos.

SOURCE: The New York Times Subscription at 3:03pm on September 19, 2022☆⚑

Review: 'Marie It's Time' Pieces Together a Woman in Fragments by Alexis Soloski

This three-actor play initiates a dialogue with Georg Büchner's "Woyzeck," examining men's violence against women.

SOURCE: The New York Times Subscription at 12:07pm on September 19, 2022☆⚑

Sean Hayes to Star in Broadway Play About Oscar Levant by Michael Paulson

"Good Night, Oscar," by Doug Wright, explores the life of a pianist who became famous as a witty guest and host of midcentury radio and television shows.

SOURCE: The New York Times Subscription at 9:03am on September 19, 2022☆⚑

Review: In 'Nehanda,' the Band Played On by Brian Seibert

The choreographer and performer Nora Chipaumire's new six-hour work at the Alexander Kasser Theater invokes ancestral spirits.

SOURCE: The New York Times Subscription at 3:08pm on September 18, 2022☆⚑

After 'Phantom,' Which Shows Will Be the Longest-Running on Broadway? by Michael Paulson

Hints: They both reached for the gun. I'm working on my roar! Everyone deserves the chance to fly. Have fun in hell!

SOURCE: The New York Times Subscription at 2:07pm on September 18, 2022☆⚑

'The World Has Changed': Cameron Mackintosh on Closing 'Phantom' by Michael Paulson

In an interview, the storied British producer said that weakening box office and rising production costs led to the decision to end the longest run in Broadway history.

SOURCE: The New York Times Subscription at 1:37pm on September 18, 2022☆⚑

'Phantom of the Opera,' Broadway's Longest-Running Show, to Close by Michael Paulson

The theatergoing audience has been slow to return after the pandemic lockdown, and the show hasn't been selling well enough to defray its running costs.

SOURCE: The New York Times Subscription at 4:25pm on September 16, 2022☆⚑

In This Playwright's Dystopia, Forgetting Is Forbidden by Laura Collins-hughes

Steven Fechter's "The Memory Exam" begins with a promising setup, our critic writes, while Grant MacDermott's marriage story "Jasper" struggles for emotional resonance.

SOURCE: The New York Times Subscription at 2:55pm on September 16, 2022☆⚑

'Remember This' Review: Finding Strength Amid Moral Failure by Alexis Soloski

David Strathairn is remarkable in a solo show about Jan Karski, who was profoundly changed by what he witnessed during World War II.

SOURCE: The New York Times Subscription at 9:37pm on September 15, 2022☆⚑

Eleri Ward Captures the Longing at the Heart of Sondheim's Work by Rob Weinert-kendt

On her new album, the singer fuses Stephen Sondheim's emo register with a familiar coffeehouse folk sound.

SOURCE: The New York Times Subscription at 1:25pm on September 15, 2022☆⚑

Misty Copeland Creates Program to Bring More Diversity to Ballet by Javier C. Hernández

The American Ballet Theater dancer announced an extracurricular initiative that Copeland hopes will bring more Black and Latino children to dance.

SOURCE: The New York Times Subscription at 1:00pm on September 15, 2022☆⚑

'A Perfect Party' That Celebrates All Its Guests by Laurel Graeber

Trusty Sidekick Theater Company has created an outdoor adventure for young people on the autism spectrum.

SOURCE: The New York Times Subscription at 12:43pm on September 15, 2022☆⚑

Dance Theater of Harlem Names a New Artistic Director by Julia Jacobs

The choreographer Robert Garland will take over next year, succeeding Virginia Johnson, who was appointed by Arthur Mitchell, the company's co-founder.

SOURCE: The New York Times Subscription at 12:00pm on September 15, 2022☆⚑

'Heathers: The Musical' Review: For the Cliques by Elisabeth Vincentelli

This musical may lack the 1989 movie's nihilism, but the gags still work and the songs are great " who are we to quibble?

SOURCE: The New York Times Subscription at 7:19am on September 15, 2022☆⚑

Plays of Helplessness, and Hope, as the Planet Burns by A.J. Goldmann

New works by major German-language dramatists at the Kunstfest Weimar festival tackle ethical questions at a moment of ecological anxiety.

SOURCE: The New York Times Subscription at 6:19am on September 15, 2022☆⚑

God Loves a Show: Religious Satires Reveal the Art of Acting Faithful by Maya Phillips

In films like "Honk for Jesus. Save Your Soul" and shows like "The Righteous Gemstones," pageantry is the top priority.

SOURCE: The New York Times Subscription at 2:55pm on September 14, 2022☆⚑

Little Amal Arrives in New York, With a Message of Hope and Humanity by Matt Stevens

The 12-foot-tall Syrian refugee puppet traveled from Turkey to Britain last year. Now, she will spend nearly three weeks in the five boroughs taking part in numerous events.

SOURCE: The New York Times Subscription at 1:07pm on September 14, 2022☆⚑
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