Mary Jane Figtree's play is based on the concept of an Italian 90s play called Orgasmo e Pregiudizio. With this, her first play, she has written something that succeeds in being both funny y…
Fierce, unapologetic, thought-provoking and radical, Everything I See I Swallow may not the circus show you wanted, but it's the circus show you needed.
Love London Love Culture rounds up the reviews for Oscar Toeman's production of Anna Ziegler's new play Actually.
Exploring grief and the impact of trauma on memory and family relationships, Paradigm Lab's Pink House by Madison Pollack at PQA Venues is somewhat heartbreaking and completely honest.
Who needs that double espresso shot when shows like Meghan Tyler's Crocodile Fever exist?
Fat Rascal brings its usual comedic flair to this brilliant musical parody that exposes the untold truth of Ursula The Sea Witch of The Little Mermaid fame.
Peter Taylor's script beautifully utilises imagery and metaphor in River in the Sky at the Hope Theatre and the overarching concept is strong.
Thunderstruck by David Colvin at Assembly Checkpoint is a deeply felt and human tale, whose relationship with its source and inspiration nevertheless makes for some uncertain moments.
As part of her ongoing post-show Q&A series, on Thursday 29 August 2019, Mates co-founder Terri Paddock heads to Bromley for the start of Cabaret's new tour, starring John Partridge as t…
First performed in 1970, Tricia Thorns' revival of Philip King's Go Bang Your Tambourine is remarkably the first time the play has ever been performed in London
Such Filthy F*cks is a two hander written by Oli Forsyth that examines strangers who have nothing in common, except their porn addiction.
Michael Morpurgo's story, The Mozart Question, is essentially about the solace and joy great music gifts us. For Paola's parents, however, beautiful music presages pain and shame and guilt.
Of Mice and Men, in the Gilded Balloon Teviot Wine Bar for the full fringe, benefits from one fine performance and one exceptional one.
Ronan Dempsey's one-man physical performance in The Words Are There brings to the Fringe a powerful play about a male victim of domestic violence.
Lobster is charming and sweet, if rather naive, making for a refreshing take on the cesspit that is dating by app today.
Sh*t Happens at Camden People's Theatre is full of humour, honesty, poetry and physical theatre.
Showtune at the Union Theatre is a lively showcase for Jerry Herman's music and a very satisfying tribute to his work.
Not long left to see two of the Featured Show campaigns I've been working on recently: Crystal Clear at the Old Red Lion Theatre and Sherlock Holmes and The Invisible Thing, which takes Lon…
Performance artist Bryony Kimmings brings her trauma to the stage through this harrowing and brilliant musical, horror film-esque one woman show.
Cruel Intentions: The '90s Musical is unlikely to go down as a musical theatre classic but you're guaranteed a good night out, even if you can't quite believe what you're watching.
Tom points out that the weight of evidence required for either of their stories to be believed could be "fifty percent plus a feather". It's a potent image that echoes throughout the play's …
Find out what critics have made of Jamie Lloyd's production of Andrew Lloyd Webber and Tim Rice's musical Evita with LLLC's review round up…
What would Wonderland look like is it was created in an East End playground? A lot like these images from Alice in Canning Town, the new adaptation of Carroll's famous story staged in Newham…
The Geminus is an atmospheric new play by Ross Dinwiddy and is based on Joseph Conrad's novella The Secret Sharer. By incorporating a romantic twist, Dinwiddy creates an emotional centre to …
Brighton Fringe hit The Geminus has sailed the high seas from the south coast to London for the Camden Fringe, and they have the wind in their sales with some fantastic reviews. Take a look …