Theatre in a Fly-over State: Seeking Consent in Theatrical Places
By Eli Keel. In his third installment, Eli Keel discusses the ethics of seeking consent from actors in theatre settings.
By Eli Keel. In his third installment, Eli Keel discusses the ethics of seeking consent from actors in theatre settings.
By Nicholas Ward. Chicago theatre artist Nicholas Ward offers tips for how white allies can help dismantle theatre's racial disparity.
By Em Piro. Em Piro writes about the exciting wave of cross-genre collaboration she's witnessing in St. Louis, and addresses the successes and pitfalls of such work.
By Sue Melvill. South African producer Sue Melvill writes about the founding and success of Industrial Theatre"theatre in the workplace.
By Kate Dakota Kremer. In this installment of her After-the-Avant-Garde series, Kate Kremer looks at the parallel functions of the prompter in the chicken suit in Nature Theater of Oklahoma'…
By Regina GarcÃa, Amparo GarcÃa-Crow. Regina GarcÃa interviews playwright Amparo Garcia-Crow about her musical on Gus Garcia, a Mexican-American civil rights leader.
By David Dudley. David Dudley interviews Naoko Maeshiba about the opportunities in Towson University's MFA in Theatre Arts program.
By Katie Naka. Kate Naka discusses the Go Green pop-up experience in Harlem and advocates experimenting with urban green spaces as venues.
By HowlRound TV. ArtsEmerson in Boston presents a public dialogue Exploring the Difference between Real and Imagined Bodies on Stage livestreaming on the global, commons-based peer produced …
By Nelson T. Eusebio III. Nelson T. Eusebio III addresses the argument that the "best" actor must always be cast in a role, regardless of race.
By Matthew Gray. Bethany Caputo is a prolific stage and commercial actor, as well as an extraordinary teacher. Today we talk Michael Chekhov, the need to love auditioning, and how "falling o…
By HowlRound TV. Belarus Free Theatre presents the Staging a Revolution Festival "a two-week festival of ten stage productions and discussions in London featuring some of Belarus Free Theatr…
By Raphael Martin. Raphael Martin on the history, organizational model, current reality, and aspirations of The Theatre Centre in Toronto, Canada.
By Desdemona Chiang. Director Desdemona Chiang provides an overview of Asian American discrimination and cultural appropriation in the US and argues that there is no way to divorce The Mikad…
By Martha Steketee. Martha Steketee explores the lens and artistry of Jody Christopherson in "Necessary Exposure The Female Playwright Project: Portraits of Playwrights Who Identify as Femal…
By Holly L. Derr. Holly Derr reports on the Women's Voices Theater Festival, bringing together more than 50 of the Washington, DC's professional theaters to feature world premieres of new pl…
By Victor Maog, Leah Nanako Winkler. Victor Maog interview Leah Nanako Winkler on her response to the controversy around NYGASP's The Mikado.
By Jake Rosenberg. In the third installment of his series, Jake Rosenberg explores the history of Science fiction in literature, film, and theatre.
By Rehana Lew Mirza. Playwright Rehana Lew Mirza argues that those who defend producing The Mikado using yellowface on the basis of its "historical significance" are supporting centuries of …
By Teresa Simone. In the fifth installment of her Why I Hate Children's Theatre series, Teresa Simone addresses the borders of TFY and work pushing those borders in Arizona.
By Michael Lueger. Michael Lueger on Gordon Edelstein's production of A Moon for the Misbegotten at the Williamstown Theatre Festival in Massachusetts.
By Edward Einhorn. Edward Einhorn, artistic director of Untitled Theater #61, reflects on the Czech playwright and president Václav Havel's contribution to theatre.
By Minna Vallaste. Minna Vallaste argues for the importance of theatre pieces that speak directly to international social issues and inspire change and action.
By Teresa Marrero, Amparo GarcÃa-Crow. The Latina/o Theatre Commons invites theatremakers to participate in a regional convening in Dallas, Texas October 30-November 1, 2015.
By Aphra Behn. Part three of Aphra Behn's report from The Tenth Women Playwrights International Conference in Cape Town, South Africa.