38,677 stories from The New York Times
Jefferson Mays will bring his adaptation of the Charles Dickens classic to the Nederlander Theater starting in November.
After years of living "as if without history," the playwright belatedly reckons with his Jewish roots, and his guilt, in "Leopoldstadt," his most autobiographical play.
A revival of the classic musical offers a fresh twist on the founding for the post-"Hamilton" era.
Groban, playing the title character, will be joined by Annaleigh Ashford in a production scheduled to open in March at the Lunt-Fontanne.
Some audience members are turned off by mask mandates. Others won't attend indoor performances without them. Arts presenters are taking different approaches this season.
Behind every new New York season are a lot of wannabes, also-rans and hopeless cases to keep track of.
For nearly 70 years, Stratford, Ontario, has attracted legions of theater fanatics to its Shakespeare festival. About a dozen years ago, a very different type of pilgrim began arriving: Beli…
The "Schmigadoon!" actress explains the things that keep her in a Broadway state of mind: her Vespa, Lizzo's music and French Fries.
On Broadway this fall, it's less about new playwrights making their debuts and more about established stars giving the stage a shot.
Two young men wander the city before they both must say farewell and return to very different lives.
Even before the production debuted, it had inflamed a rancorous debate about sex and gender that plays out almost daily in Britain.
After a pandemic hiatus, dancing under the stars has returned, uniting old friends and acquaintances.
Bijayini Satpathy has been remaking herself as an artist with the help of a residency at the Metropolitan Museum of Art.
Two productions at the London playhouse feature heroines who, reluctantly, allow transformative characters into their lives.
She's landed her dream role in "Funny Girl." Now she's tasked with rescuing the faltering Broadway show and proving that she is not the person she once was.
At 83, the filmmaker behind "Cooley High" and "Car Wash" may be the longest-working Black director in history. His own story is a Hollywood epic.
Michael John LaChiusa's delicate new musical starts in Depression-era California and follows two people across six decades.
Daniel K. Isaac's stylistically daring play at La MaMa doesn't quite fulfill its promise, but it suggests the playwright has more stories to tell.
After playing a critical Broadway role in "A Chorus Line," he helped start the vibrant Off Broadway MCC Theater. TV watchers knew him from "The Sopranos" and "Law and Order."
For its upcoming season, audiences can pay what they wish. Tickets will start at $5 and increase in $5 increments up to $100 per ticket.
We can no longer ignore the theater's systemic inequities. But leaving them behind may remake the industry in unexpected ways.
This shimmering Shakespeare adaptation at the Delacorte Theater retains the outline of the original, while making space for songs. You don't have to sing along, though you may want to.
"Summer, 1976," about a friendship between two women in Ohio, will open next spring at the Samuel J. Friedman Theater.
The play, adapted from his memoir of the same name, will run for 75 performances starting in October.
Alexei Ratmansky, one of the most important figures in ballet, is supporting Ukraine by staging "Giselle" with a company made up of Ukrainian refugees.
