Theatre: How to Love Musicals and Still Be Hip
My latest article is up at Art Times: An odd thing happens to some people when faced with the existence of musicals. They start saying very strange things:"I don't like musicals, except Caba…
My latest article is up at Art Times: An odd thing happens to some people when faced with the existence of musicals. They start saying very strange things:"I don't like musicals, except Caba…
About halfway through Lazarus, the self-important mess that is currently a hot ticket at New York Theatre Workshop, the dude next to me started repeatedly noodling with his Apple watch. Now,…
When it comes to biographical jukebox musicals that are produced by the same people being depicted, you could do worse than On Your Feet! The Story of Emilio and Gloria Estefan. The musical …
Steven (Matt McGrath) and Stephen (Malcolm Gets) have been together 16 years. They have an amazing relationship and a fabulous son named Zack. But there are cracks in the plaster. The relati…
Allegiance, the Broadway musical about the internment of Japanese-Americans during World War II, is not the most flawlessly rendered musical you will ever see. Some of its lyrics are a littl…
Sometimes seeing a mediocre production of a play can be surprisingly elucidating. For example, the Onomatopoeia Theatre Company's version of Rosencrantz and Guildenstern Are Dead, which…
Playwright Jaclyn Backhaus is clearly fascinated with the past, factual and fictional, and how it reflects on the present. In You On The Moors Now, she examines romantic tropes as handed dow…
Last night, the cast of Ripcord, David Lindsay-Abaire's play at MTC, seemed a little off. Maybe it had been a rough weekend, or someone got accidentally plastered during the half-hour call, …
I saw something I've never seen when I went to an October evening preview of Allegiance: a 69-question survey taped to my seat. From queries about story lines and characters to why you chose…
The T. Schreiber Studio and Theatre is one of the undersung jewels of New York City theatre. Year after year, T. Schreiber presents solid productions, often featuring long-time dir…
Songbird, the new musical by Michael Kimmel (book) and Lauren Pritchard (music and lyrics), directed by JV Mercanti, brings The Seagull to Nashville in the 21st century. The b…
William Finn, lyricist-composer of Falsettos, Elegies, and Little Miss Sunshine, writes at the corner of idiosyncratic and heartfelt. His topics range far and wide: e.g., a baseball game, tr…
Songbird, the new musical by Michael Kimmel (book) and Lauren Pritchard (music and lyrics), directed by JV Mercanti, brings The Seagull to Nashville in the 21st century. The book is eff…
For its 38th season, the Big Apple Circus presents an frequently charming, often thrilling new show called The Grand Tour. Using large travel posters and appropriate scenery and costume…
In The Humans, Stephen Karam's funny, sad, squirmily accurate play about family dynamics in troubling times, the supernatural is repeatedly implied. The newly rented, ground-floor New York a…
Photo: Joan MarcusMy colleagues Wendy and Liz generally offered praised for Robert O'Hara's Barbecue, which runs through next Sunday at The Public's Newman Theater (read their thoughts …
Have you noticed that whenever someone announces a "re-imagining" of a musical, the show gets smaller? Why does no show ever get bigger? Why does no one add more instruments? Why doesn't Dam…
On one hand, Mac Rogers' Honeycomb Trilogy is a highly entertaining sci-fi epic, covering over 20 years and an extraterrestrial invasion or two. It has everything you could ask for…
We don't usually publish press releases at Show Showdown, but I want to make sure everyone is aware that The Honeycomb Trilogy is back. I recommend it very highly! (And if my plug is not eno…
We at Show Showdown seem to be in a Public Theater frenzy right now, but their season has just begun, it's very promising thus far, and I love the Public something fierce, so I'm happy to ke…
Annaleigh Ashford garnered praise and a Tony nomination for her scene-stealing work in Kinky Boots; a year later, she walked away with the prize for her dizzyingly satisfying turn as Essie C…
It's difficult to review Michael Riedel's Razzle Dazzle because it's difficult to figure out exactly what he's trying to accomplish. In the author's note, he writes that the b…
Constance Shulman, Arden Myrin Photo: Joan MarcusAs Elizabeth Wollman points out below, Barbecue is a challenging show to review. Almost anything one could write about it would be …
Part of the yearly Broadway Close Up series, Bound for Broadway presents songs from new musicals that may or may not actually be "bound for Broadway" (only time will tell). Past shows t…
Cloud Nine, Caryl Churchill's brilliant riff on sexual politics, colonialism, identity, and love, is receiving an excellent revival at the Atlantic, directed with a sure hand by James Macdon…