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3,490 stories from The Arts Desk

Othello, Sam Wanamaker Playhouse review - 21st century interpretation delivers food for thought by Gary Naylor

★★★★ OTHELLO, SAM WANAMAKER PLAYHOUSE Ola Ince makes compromises but gains much in return with her terrifyingly relevant production An Othello for our times, our c…

SOURCE: The Arts Desk at 1:36am on February 8, 2024

Metamorphosis, Lyric Hammersmith review " vivid images, but where's the drama? by Aleks.sierz

Lemn Sissay's adaptation of the Franz Kafka classic is just too wordy Franz Kafka's "Metamorphosis" is a novella whose cultural resonance has echoed loudly down the years. As a modernist me…

SOURCE: The Arts Desk at 2:36pm on February 7, 2024

Bronco Billy, Charing Cross Theatre - schmaltzy musical brings the feelgood factor just when it's needed by Gary Naylor

★★★★ BRONCO BILLY THE MUSICAL, CHARING CROSS THEATRE Accept the show's unambitious intentions and you'll have a wonderful ride With additional musical numbers, the…

SOURCE: The Arts Desk at 8:24pm on February 4, 2024

A Mirror, Trafalgar Theatre review - puzzle play with an empty core by Helen Hawkins

Ingenious twists can't give Sam Holcroft's play a vital sense of danger Take dollops of Orwell and Kafka, with a sprinkling of Pirandello for a lighter texture, then bake. That could be the …

SOURCE: The Arts Desk at 6:06am on February 3, 2024

Till the Stars Come Down, National Theatre review - exuberant comedy with a dark edge by Aleks.sierz

New play about three sisters is full of energy, but also a bit too populist for me The National Theatre is meant to represent the whole nation " and not just the metropolitan middle classes.…

SOURCE: The Arts Desk at 2:42pm on February 2, 2024

The King and I, Dominion Theatre review - welcome return for the Rodgers and Hammerstein classic by Helen Hawkins

Bartlett Sher's intelligent reading is gorgeously staged and winningly performed The giant crinolines are back, and the winsome little royal children with miniature temples on their heads, a…

SOURCE: The Arts Desk at 7:02pm on January 30, 2024

The Most Precious of Goods, Marylebone Theatre review - old-fashioned storytelling of an all-too relevant tale by Gary Naylor

★★★★ THE MOST PRECIOUS OF GOODS, MARYLEBONE THEATRE A story of love's triumph in an ocean of hate An account of one family's near-destruction in the Holocaust give…

SOURCE: The Arts Desk at 9:12pm on January 29, 2024

Plaza Suite, Savoy Theatre review - real-life married couple brings panache and pain to period comedy by Matt Wolf

Neil Simon's 1968 play allows for fun, yes, but also sadness Sarah Jessica Parker's screen renown as Carrie Bradshaw in Sex and the City has made a London event out of the West End revival …

SOURCE: The Arts Desk at 3:48am on January 29, 2024

Northanger Abbey, Orange Tree Theatre review - larky retelling of Austen's satire with a poignant core by Helen Hawkins

Zoe Cooper's queer reading is a tonic: clever, funny and seriously silly What Zoe Cooper has concocted in her loving rewiring of Jane Austen's first completed novel looks at first sight like…

SOURCE: The Arts Desk at 6:06am on January 26, 2024

Cowbois, Royal Court review " fabulously queer extravaganza by Aleks.sierz

London transfer for the Royal Shakespeare Company's riotous comedy Western At its best theatre is a seducer. It weaves a magic spell that can persuade you, perhaps against your better judge…

SOURCE: The Arts Desk at 2:54pm on January 19, 2024

Jekyll and Hyde, Lyceum Theatre Edinburgh review - audacious contemporary resonances by David Kettle

Gothic excess mingles with more modern themes in a one-man transformation of Robert Louis Stevenson's novella Evil walks among us. But it doesn't arrive courtesy of mad scientists, bubbling …

SOURCE: The Arts Desk at 5:06am on January 18, 2024

Kin, National Theatre review - heartfelt show makes its demands, but yields its rewards by Gary Naylor

★★★★ KIN, NATIONAL THEATRE The power of physical theatre to tell the story of migration Unconventional and thrilling, this Gecko Theatre project will live long in …

SOURCE: The Arts Desk at 7:12am on January 17, 2024

Don't Destroy Me, Arcola Theatre review - a theatre history curio by Aleks.sierz

Forgotten play by the author of Tom & Viv is realistic, but lacks dramatic focus British Theatre abounds in forgotten writers. And in ones whose early work is too rarely revived. One su…

SOURCE: The Arts Desk at 2:48pm on January 16, 2024

The Good John Proctor, Jermyn Street Theatre review - Salem-set drama loses some of its power in London by Gary Naylor

★★★ THE GOOD JOHN PROCTOR, JERMYN STREET THEATRE Witch Hunt play fails to fly An overdue response to 'The Crucible', but very much rooted in its place, if not its time I…

SOURCE: The Arts Desk at 8:42pm on January 12, 2024

The Enfield Haunting, Ambassador's Theatre review - muddled revisiting of famous paranormal events by Heather Neill

Poltergeist activity in the suburbs remains earth-bound Reports of supernatural events are always met with either willing belief or dismissive scepticism. The "camps" generally don't have mu…

SOURCE: The Arts Desk at 9:42pm on January 11, 2024

1979, Finborough Theatre review - niche subject matter finds a strong resonance by Gary Naylor

★★★★ 1979, FINBOROUGH THEATRE Comedy-drama set in 1970s Canadian politics proves much more interesting than it sounds! There's fun and profundity in the thick of Otta…

SOURCE: The Arts Desk at 9:18pm on January 5, 2024

Best of 2023: Theatre by Matt Wolf

The National Theatre fielded hit after hit, and smaller venues scored as well Wait, and your wishes are answered. That seemed to be the case during the theatre year just gone, following on f…

SOURCE: The Arts Desk at 2:02pm on December 27, 2023

This Much I Know, Hampstead Theatre review - an intellectual game with a slight emotional payload by Helen Hawkins

Jonathan Spector is a Stoppard fan, but might Mamet have been better? How do you make a play out of Stalin's defecting daughter Svetlana, the psycho-economic theories of Daniel Kahneman and …

SOURCE: The Arts Desk at 5:12am on December 23, 2023

The Motive and the Cue, Noel Coward Theatre - National Theatre transfer excels in the West End by Jane Edwardes

Jack Thorne's backstage Gielgud-Burton 'Hamlet' drama is full of compassion Plays about the theatre tend to go down well with audiences. Why wouldn't they? The danger is that they become too…

SOURCE: The Arts Desk at 12:02pm on December 19, 2023

The House with Chicken Legs, Queen Elizabeth Hall review - a potential charmer swamped by its setting by Helen Hawkins

Les Enfants Terribles can't work their usual magic at the QEH There are probably two distinct audiences for the latest adaptation from Les Enfants Terribles, The House with Chicken Legs: the…

SOURCE: The Arts Desk at 3:24pm on December 17, 2023

Rock 'N' Roll, Hampstead Theatre review - exciting music, uneven staging by Aleks.sierz

Nina Raine's revival of Tom Stoppard's 2006 epic rocks, but also stumbles There is a song by Syd Barrett, founder member of Pink Floyd, called "Golden Hair". It's on his album The Madcap Lau…

SOURCE: The Arts Desk at 2:18pm on December 17, 2023

Ulster American, Riverside Studios review - knockabout comedy with an acid bite by Helen Hawkins

Monsters of ego clash in David Ireland's demolition of posturing theatre types David Ireland's Edinburgh Fringe hit Ulster American is essentially a play about a play that a Hollywood big…

SOURCE: The Arts Desk at 4:24pm on December 15, 2023

Stranger Things: The First Shadow, Phoenix Theatre review - formidable stagecraft unlocks new depths to the popular series by Mert Dilek

The Netflix hit broadens its beguiling story with this thrilling, high-powered stage production Stranger Things has shown us over four seasons that the alternate dimension known as the Upsid…

SOURCE: The Arts Desk at 12:02pm on December 15, 2023

Same Team, Traverse Theatre Edinburgh review - shamelessly unseasonal Christmas cheer by David Kettle

Grit, authenticity and raucous comedy in a five-woman soccer show You can keep your Cinderellas, your Aladdins, your wannabe Lord Mayors of London. The way forward with Christmas shows is cl…

SOURCE: The Arts Desk at 5:24am on December 15, 2023

Cold War, Almeida Theatre review - compelling bittersweet tale of love in post-war Europe by Helen Hawkins

Beautiful Elvis Costello songs and stirring music underpin a fine adaptation There's a touch of Dr Zhivago about director PaweÅ‚ Pawlikowski's screenplay for his 2018 film Cold War. It…

SOURCE: The Arts Desk at 5:24am on December 15, 2023
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