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38,677 stories from The New York Times

Only Connect: Finding a Way Into Kinetic Light's 'Wired' by Brian Seibert

Audio descriptions are one path into this disability arts ensemble's show. In some ways, these mirror the critic's job: putting dance into words.

SOURCE: The New York Times Subscription at 3:04pm on August 26, 2022☆⚑

Baryshnikov Arts Center Chooses Dance Veteran as Leader by Javier C. Hernández

Sonja Kostich, a cultural administrator and dancer, will lead the group as it works to expand its audience amid the pandemic.

SOURCE: The New York Times Subscription at 1:00pm on August 26, 2022☆⚑

The Finnish National Ballet at 100 by Elizabeth Kendall

What does style mean for this (or any other) company in an increasingly global ballet world?

SOURCE: The New York Times Subscription at 8:00am on August 26, 2022☆⚑

Review: A Faithful 'Kinky Boots,' With All Its Pizazz and Pitfalls by Elisabeth Vincentelli

The Cyndi Lauper and Harvey Fierstein musical, in which the drag queen Lola saves a provincial shoe factory, makes an Off Broadway return at the spacious Stage 42.

SOURCE: The New York Times Subscription at 10:33pm on August 25, 2022☆⚑

The Kitchen Will Spend Some Creative Time in a Westbeth Loft by Brian Seibert

During a renovation of its Chelsea space, the Kitchen will move to Westbeth, which houses artists, the Martha Graham company and much avant-garde history.

SOURCE: The New York Times Subscription at 10:36am on August 25, 2022☆⚑

At Salzburg Festival, Directing Slow and Fast by A.J. Goldmann

Thorsten Lensing takes years between shows; Ewelina Marciniak puts on several each season. Both theater makers are presenting new work in Austria.

SOURCE: The New York Times Subscription at 5:54am on August 25, 2022☆⚑

In a Small Mountain Town, a Beloved Theater Company Prevails by Elisabeth Vincentelli

After reporting on the Creede Repertory Theater last summer, our writer returned for her vacation and took stock as the company restarted indoor performances.

SOURCE: The New York Times Subscription at 5:18am on August 25, 2022☆⚑

With 'As You Like It,' Public Works Aims for a Reflection of Humanity by Kalia Richardson

The musical adaptation, part of Free Shakespeare in the Park, is a remounting of an acclaimed production that had a short run in 2017.

SOURCE: The New York Times Subscription at 3:37pm on August 24, 2022☆⚑

Eldjarn and Das Are Stars at Home, but Not at Edinburgh Fringe by Alex Marshall

Over 1,000 stand-ups play the Edinburgh Festival Fringe each year, hoping for a big break. Some are already huge names elsewhere.

SOURCE: The New York Times Subscription at 1:18pm on August 24, 2022☆⚑

This Season at La MaMa: Dance-Theater and a Puppet Rock Opera by Rachel Sherman

The experimental theater company's 2022-23 season will showcase a packed lineup under the theme "Remake a World."

SOURCE: The New York Times Subscription at 11:37am on August 24, 2022☆⚑

'It's My Tradition Too': Oberammergau's Centuries-Old Passion Play Evolves by Michael Paulson and Roderick Aichinger

After a two-year pandemic delay, villagers in the German town of Oberammergau are once again re-enacting the story of Jesus's life and death, with some changes.

SOURCE: The New York Times Subscription at 7:33am on August 24, 2022☆⚑

What Does a Dancing Body Feel Like in Ukraine? 'I Am a Gun.' by Gia Kourlas

The country's experimental dance artists, independent and resilient, are using their skills in a new arena: war.

SOURCE: The New York Times Subscription at 5:00am on August 24, 2022☆⚑

Texas Church That Had Added Christian Themes to 'Hamilton' Apologizes by Marc Tracy

"It is never permissible to alter an artistic work such as 'Hamilton' without legal permission," said a message on Instagram, which added that the church would pay damages.

SOURCE: The New York Times Subscription at 3:48pm on August 23, 2022☆⚑

Patina Miller Chooses High Drama by Alexis Soloski

The Tony-winning Broadway actor has made a career playing powerful women. Her latest is a drug queenpin inspired by 50 Cent's mother in the newest "Power" series on Starz.

SOURCE: The New York Times Subscription at 11:07am on August 23, 2022☆⚑

Kate Berlant Can't Hide Any Longer by Jason Zinoman

The experimental comic is known for freewheeling sets. Then Bo Burnham asked, "What if you actually tried to make something?" The transition has been hard.

SOURCE: The New York Times Subscription at 10:33am on August 23, 2022☆⚑

Review: Without Bloodshed, the Ingénue Takes the Lead by Juan A. Ramírez

Sophie McIntosh's new play gathers five women in a college production for an exercise in youthful ambition and the corrupting clashing of egos.

SOURCE: The New York Times Subscription at 3:33pm on August 22, 2022☆⚑

Live Performance Is Back. But Audiences Have Been Slow to Return. by Michael Paulson and Javier C. Hernández

Attendance lagged in the comeback season, as the challenges posed by the coronavirus persisted. Presenters hope it was just a blip.

SOURCE: The New York Times Subscription at 3:33pm on August 21, 2022☆⚑

In Two London Plays, Being Black Means Looking From the Outside In by Maya Phillips

Black characters in "Mad House" and "The Southbury Child" endure microaggressions and aspersions. The familiar scenarios hit home for our critic.

SOURCE: The New York Times Subscription at 11:33am on August 19, 2022☆⚑

'Patience' Review: At the Top of His Game, and Lonely by Laura Collins-hughes

Johnny G. Lloyd's new play about a solitaire champion examines talent, ambition and the rising stakes of success when you're Black.

SOURCE: The New York Times Subscription at 12:07pm on August 18, 2022☆⚑

Trisha Brown on the Beach: Catch a Wave of Dancing Bliss by Gia Kourlas and Angelo Silvio Vasta For The New York Times

This year, the Beach Sessions at Rockaway Beach features the Trisha Brown Dance Company in a program of early works.

SOURCE: The New York Times Subscription at 11:30am on August 18, 2022☆⚑

'Take Me Out' to Return to Broadway This Fall by Nicole Herrington

Jesse Williams and Jesse Tyler Ferguson will reprise their roles in the play, which won a Tony for best revival in June.

SOURCE: The New York Times Subscription at 10:18am on August 18, 2022☆⚑

In Paris, Comedy Clubs Draw Energy From Young, Diverse Crowds by Laura Cappelle

American-style stand-up, a relatively young art form in France, is attracting a young, racially diverse crowd to a blossoming club scene.

SOURCE: The New York Times Subscription at 4:54am on August 18, 2022☆⚑

Review: Sarasota Ballet's Dusty Baubles and an Ode to Spring by Brian Seibert

The company, a keeper of the great British choreographer Frederick Ashton's flame, has brought a pleasant and slight program to the Joyce Theater.

SOURCE: The New York Times Subscription at 1:27pm on August 17, 2022☆⚑

'Access as an Ethic': Giving Dance Myriad Points of Entry by Margaret Fuhrer

For the arts ensemble Kinetic Light, the needs of disabled people are sources of inspiration and innovation.

SOURCE: The New York Times Subscription at 10:00am on August 17, 2022☆⚑

The Joyce Theater Names a New Programming Director by Julia Jacobs

Danni Gee, a former Alvin Ailey dancer and SummerStage festival curator, will program the dance-dedicated Joyce Theater.

SOURCE: The New York Times Subscription at 10:00am on August 17, 2022☆⚑
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