By Roberta Pereira, Moritz von Stuelpnagel. Artistic Director Moritz von Stuelpnagel and Board President Roberta Pereira discuss the decision to close Studio 42 at the end of 2015 and the na…
By Teresa Marrero, Matthew Paul Olmos. Teresa Marrero talks with Matthew Paul Olmos about his play the living'life of the daughter mira , the difference between writing for film or televisio…
By Alison Carey. Oregon Shakespeare Festival's Alison Carey writes about the upcoming Green Room, an online space for theatre artists to come together around climate change action.
By Ian Burton. Librettist Ian Burton discusses his process and inspiration for creating the text for Giorgio Battistelli's opera CO2 .
By Billy McEntee. Actor Billy McEntee discusses his faith and his experience performing as a choir member in Playwrights Horizons' production of The Christians.
By HowlRound TV. Samuel French presents four discussion panels for #MusicalsWeek: Protecting, Developing & Celebrating Musical Theatre livestreaming on the global, commons-based peer pro…
By HowlRound TV. Suzan-Lori Parks livestreams Watch Me Work from the lobby of The Public Theater in New York City on the global, commons-based peer produced HowlRound TV network at howlround…
By HowlRound TV. Oregon Shakespeare Festival presents the Latina/o Play Project panel Aesthetics of Alma, Performance of Corazón: Envisioning the Progression of Latina/o Theatre livestrea…
By Matthew Gray. In this podcast series , Matthew Gray interviews all kinds of actors to share why they act and how they act, in a world of diminished residuals, rising student loan interest…
By Ian Garrett. Ian Garrett, Director of the Center for Sustainable Practice in the Arts, asks will we be party to the Sustainable Theatre Practice Treaty?
By Justin Kaiser. Justin Kaiser explores the issues of representation and neurodiversity in casting for The Curious Incident of the Dog in the Night-Time.
By Caridad Svich. Caridad Svich on writing about the inescapable reality of climate change.
By Jake Rosenberg. Playwright Jake Rosenberg explains how Postmodernist philosophy can inform the work of contemporary playwrights.
By HowlRound TV. Playwrights Horizons in New York City presents The Christians Symposium moderated by The Christians author Lucas Hnath livestreaming on the global, commons-based peer produc…
By Sharmon Hilfinger. Playwright Sharmon Hilfinger discusses how she developed Artic Requiem: The Story of Kivalina with composer Joan McMillen.
By Emma Wiseman. Emma Wiseman on Available Light by Lucinda Childs, designed by Frank Gehry and scored by John Adams at the Philadelphia Fringe Festival.
By Nick Slie. New Orleans-based artist Nick Slie writes about creating Cry You One , an interdisciplinary, site-responsive project addressing the ongoing effects of climate change on the Gul…
By Damon Krometis. In the first installment of his series, Damon Krometis explains his relationship to interactive theatre and his influences.
By Chantal Bilodeau. Chantal Bilodeau kicks off our second Theatre in the Age of Climate Change series by writing about her work on the international Climate Change Theatre Action initiative.
By Mackenzie Ward. Mackenzie Ward consdiers a more hopeful interpretation of the hopeless landscapes of Samuel Beckett.
By HowlRound TV. Suzan-Lori Parks livestreams Watch Me Work from the lobby of The Public Theater in New York City on the global, commons-based peer produced HowlRound TV network at howlround…
By Alex Barron. Dramaturg Alex Barron posits that homogenous seasons may have less to do with sexism and racism than with risk aversion.
By Fran Kumin, Jim Houghton. Fran Kumin in conversation with Signature Theatre's outgoing artistic director, Jim Houghton.
By Seth Lepore. Seth Lepore challenges the field to think radically differently about our current paradigm.
By Peter Brosius. Peter Brosius sheds light on how the 50th Anniversary season at The Children's Theatre Company came together.