Cafecito: Milta Ortiz
By Emily Aguilar Thomas, Milta Ortiz. Emily Aguilar Thomas interviews Milta Ortiz about the inspiration for her play Más and thoughts on the future of American theatre.
By Emily Aguilar Thomas, Milta Ortiz. Emily Aguilar Thomas interviews Milta Ortiz about the inspiration for her play Más and thoughts on the future of American theatre.
By HowlRound TV. Playwrights Theatre Centre in Vancouver presents A Conversation about Smart Phones and Theatre " livestreaming on the global, commons-based peer produced HowlRound TV networ…
By Rosalba Rolon. Rosalba Rolón writes about the unique challenges of season planning for the newly-merged Pregones Theater and PRTT.
By Susan W. Kemp. Susan W. Kemp on The Moisture Festival in Seattle, Washington.
By Matthew Gray. In this podcast series , Matthew Gray interviews all kinds of actors to share why they act and how they act, in a world of diminished residuals, rising student loan interest…
By Loretta Greco. Loretta Greco adds her voice to the season planning series, and discusses how Magic Theatre's 2015-2016 season came to be.
By HowlRound TV. HowlRound presents the Greater Boston Theatre Board Convening livestreaming on the commons-based peer produced HowlRound TV network at howlround.tv on Saturday, September 19…
By Daniel Fine. In the fourth installment of his series, Daniel Fine continues discussing how to integrate media into the rehearsal process.
By HowlRound TV. The VORTEX in Austin, Texas presents Hands Up Hoodies Down "the return of this critically-acclaimed hip hop theatre and dance piece for our times"livestreaming on the global…
By Janet Allen. Janet Allen, Artistic Director of Indiana Repertory Theatre, discusses the methodology for planning and programming her season.
By Christopher Goodson. Christopher Goodson on Rose Cano's adaptation, Don Quixote: Homeless in Seattle , produced by eSe Teatro in Seattle, Washington.
By Natalie Osborne. Playwright and actor Natalie Osborne distinguishes spectacle from special effects and advocates for spectacle with minimalist staging.
By Fran Kumin, Chay Yew. Fran Kumin interviews Chay Yew, Aristic Director of Victory Gardens Theater in Chicago about season planning.
By HowlRound TV. The Ford Foundation hosts Beyond the Hashtag , a conversation on using art and technology to combat the criminalization of our communities. The event will include performanc…
By Eli Keel. In the second installment of his series, writer and actor Eli Keel discusses the lack of representation for artists of color in Louisville's theatre scene.
By Bill Rauch. In this first post in our series on season planning, Oregon Shakespeare Festival artistic director Bill Rauch discusses the process for programming his eleven-show seasons.
By Christopher Goodson, Diane Rodriguez. Christopher Goodson interviews Diane Rodriguez about her process for developing The Sweetheart Deal .
By Max Alvarez. Educator and author Max Alvarez discusses the unlikely alliance of film director Alfred Hitchcock and playwright Thornton Wilder and Wilder's contribution to one of Hitchcock…
By Jack Eidson. Producer Jack Eidson writes about the challenges he's faced casting The Lilliput Troupe with little person actors.
By Jeremy Gable. Playwright Jeremy Gable discusses his process and the aftermath for creating his Twitter play The 15th Line .
By Erin Mee. Professor Erin Mee discusses her decision to re-tweet Jeremy Gable's The 15th Line and the dramaturgical questions she has for the project.
By HowlRound TV. Suzan-Lori Parks livestreams Watch Me Work from the lobby of The Public Theater in New York City on the global, commons-based peer produced HowlRound TV network at howlround…
By Neal Reynolds. Neal Reynolds on American Theatre Company's Youth Ensemble production of Greensboro: A Requiem by Emily Mann in Chicago, Illinois.
By Matthew Gray. In this podcast series, Matthew Gray interviews all kinds of actors to share why they act and how they act, in a world of diminished residuals, rising student loan interest …
By Patrick Gaughan, Andy Field. Patrick Gaughan interviews Andy Field, co-director of Forest Fringe in Edinburgh, Scotland.